The Forwardian Arts Society

A Cyclical Storm Touches ESU

2012-02-09T17:54:00.006-05:00

The East Stroudsburg University of PA (ESU) Art Department held an Artist’s Reception on Wednesday February 8th for an exhibition titled, “Storm Cycle” featuring the work of Thomas Mann in their Madelon Powers Gallery which is located in The Fine and Performing Arts Building on the ESU Campus. The exhibit chronicles the aftermath of hurricane Katrina which devastated the Gulf Coastal Region of the South Eastern United States in 2005. Although the center of the hurricane fell on Waveland, MS, it is best remembered for the effects it had on New Orleans, LA and its people.

The work displayed appeared in a series of Shadow Boxes which are enclosed cases in which scenes can be presented utilizing a combination of two and tree dimensional art. The medium felt particularly appropriate as each scene depicted the hopeful perseverance of each survivor while allowing the viewer to reflect upon the lives of each individual before the hurricane and how what was once their lives has now become a shadowed memory. Each piece was accompanied by a story posted upon the wall beside it. Some were amusing tales while others spoke of a soulful sorrow with all reflecting the enormity of the human experience which dwarfed the winds and waters that touched their lives.

The reception was well attended in spite of the mild snow shower that began just minutes prior to its commencement. It was as if a Northeast PA weather sought to greet its South Eastern counterpart minus the devastation. Regardless of the meteorological intent, the work and the conversation made for an enjoyable event in which one can gently reflect upon how vulnerable we are to the elements around us in spite of our self assuring technologies. The reception included a gallery talk given by Mr. Mann which humorously touched upon such realizations. You’ll find more photographs taken during the reception in The ESU 2012 Gallery at www.facebook.com/media/set/?set=a.10150661494755421.450297.636000420&type=3&l=e882125dc2.

Thomas Mann’s early life centered around sights and sounds found in the Lehigh Valley, PA area in which he discovered his love and aptitude for the arts. He later became a student at East Stroudsburg University with the intent of earning a degree in physical education but succumbed to his muse and graduated with a degree in the performing arts. Since that time, Mr. Mann has gained a reputation as a Jewelry artist showing his work around the country. He now resides in New Orleans, LA and owns the I/O Gallery. You can gain more information about Thomas Mann and his work by exploring his website at www.thomasmann.com.

The “Storm Cycle” exhibition featuring the work of Thomas Mann continues at Madelon Powers Gallery which is located in The Fine and Performing Arts Building on the ESU Campus until March 9th. Future exhibitions presented by The East Stroudsburg University of PA Art Department will include The Art Association All University Student Juried Art Exhibit March 21st - April 13th, and The Senior Seminar and Portfolio in Art Student Exhibition April 19th - May 8th. Please contact The East Stroudsburg University Art Department at 570-422-3695 for more information.

Theatrical Review: Visions of Johanna

2012-02-06T14:26:00.001-05:00

Theatrical Review: Visions of Johanna
Written by: Ken White
Directed by: Amanda Kalinowski
Review Written by Paul Adam Smeltz

The Shawnee Playhouse in Shawnee on the Delaware, PA presented The Worthington Players production of the Original Full Length Play which won their 2011 Playwright Competition as part of The Shawnee Original Playwright Series (SOPS). The annual event is a result of inviting playwrights to send in their original works, forming a panel to select the finalist, presenting the chosen plays in a series of staged readings, and tallying the votes received from the viewing audiences to determine which plays will be presented as full productions. This process not only gives a local playwright an opportunity to have his/her work presented on The Shawnee Playhouse stage but also gives the audiences who frequent the venue a chance to experience some new and interesting work.

This year’s selections for the Full Length Presentation was a comedy titled, “Visions of Johanna” written by Ken White. According to the playbill, the work is the first attempt at playwriting by the author which came about when the cable in his home went out and the situation left only two alternatives. They were either talking to his family or writing a play. The work produced indicates (as anyone who lives with their family knows) quality family time is very much overrated.

The play takes place in the Northeast US home of Austin (as portrayed by Scott E. MacIntosh) and Maryanne (as portrayed by Anne O’Brian) Hallerman whose adult son Stuart (as portrayed by Scotty Vinnacombe) lives with them. The parents are a likable couple with Austin being a retired professor in physics. Stuart is an unemployed journalist who spends a great deal of time in his room on his computer and occasionally contemplates “going over to the dark side” by beginning a blog in which he can write and post articles. A pretty popular idea with this reviewer.

Stuart is also in a relational transition as his fiancé Melanie (as portrayed by Eileen Cohen) recently broke up with him. This time in the wilderness of affections begins its end when a knock on the door reveals a vision of Johanna (as portrayed by Nicole Dietze) who enters his life along with a dark, secretive, and amusing past. Part of this past is a former (although he doesn’t quite accept it) fiancé Winston (as portrayed by Mike Duffy) follows her from her Georgian origins. This is further complicated when Melanie enters the home with intentions to resume were relationship with Stuart.

All this provided a very amusing theatrical experience as there are many funny lines throughout the work. The cast was rounded off with the appearance of Brian Foley who portrayed a police officer who brought about a resolution to the Johanna revelations and allowed for the play to enjoy a very well deserved happy ending. However, although the overall production was an enjoyable one to watch, there were certain aspects that kept it from becoming a complete theatrical success.

The first being the staging of the character Winston. Although the actor portrayed him well, there were several times his presence on stage felt uncomfortable as his character had really nothing to do during the scene. This was quite evident during his early scene in which he stood literarily twiddling his thumbs while Austin and Maryanne conversed with one another. Another scene was while the play revealed the past of Johanna in which every character on stage were animated by the revelation except for Winston who resumed his thumb twiddling.

Another aspect lacking in the production was how the conversation between a number of characters in an excess of two were presented. This was especially true of the dinner conversation scene which demonstrated why many productions avoid staging scenes around tables in which actors’ backs are toward the audience. However, the scenes in which two characters were conversing were very well done as they revealed a great deal about their personalities and the depth of their relationships with one another. In fact, one especially poignant exchange takes place between Stuart and Melanie as they make their final parting. There still remains many good reasons to see “Visions of Johanna” but, even if there weren’t, this one scene would be a very good reason to do so.

The Shawnee Playhouse presentation of The Worthington Players production of the Original Full Length Play which won their 2011 Playwright Competition as part of The Shawnee Original Playwright Series (SOPS) titled, “Visions of Johanna” was written by Ken White. It was Directed by Amanda Kalinowski. The Production Manager was David Schappert. Taylor LiBardi served as the production’s Junior Stage Manager while Marshall Haskell served as Lighting and Sound Tech. Special thanks were given in the playbill to Juliet Dunham, Kenny Luckey, and Pastor Karl Viernstein.

The Worthington Players production of “Visions of Johanna” by Ken White continues its run at The Shawnee Playhouse in Shawnee on the Delaware, PA until Sunday February 12th. In spite of the areas this reviewer found lacking, the play remains one in which theatre lovers are bound to enjoy. There are a number of moments that touches one with laughter along with a few in which a quiet pondering in the heart takes place. Although the later of these moments are rare and very subtle, they still can be discovered if one would just keep an ear open to them.

The Worthington Players were established in 1999 and is the non-musical contingent of the Shawnee Playhouse. They present a variety of semi-professional theatrical productions from January through May working with community members to bring a quality-working atmosphere for those participating in the production and a quality performance for those attending. Their Original Playwright Series is one of the many programs the offer to the community.

As mentioned earlier, “Visions of Johanna” by Ken White is the full length play chosen from those submitted for The Worthington Players 2011 playwright competition and to be presented during The Shawnee Original Playwright Series (SOPS). The competition also selects two One Act Plays to be presented as well. This year’s winners were “A Cabin Fit for a King” by Julie Luongo and Sarah McCarroll and “The Messenger” by Paul Kodiak. They were presented January 7th - 15th. You may read our review at www.facebook.com/notes/paul-adam-smeltz/theatrical-review-original-one-act-plays/10150460420031232. “Visions of Johanna” by Ken White continues its run until February 12th.

The Worthington Players 2012 playwright competition discontinued accepting original work on Tuesday January 31st and will begin holding Staged Readings for the finalist on Friday February 24th and continue to do so until Friday March 30th. This stage of the competition will consist of a number of actors who will read the plays submitted for the competition from the script. Audiences attending the readings will be afforded the opportunity to vote for the work they enjoy the most. Those receiving the most votes will be presented as full productions early in 2013.

Other Shawnee Playhouse presentations will be their production of “O’ Carolan‘s Farewell to Music” taking place February 17th and 18th, The Worthington Players’ production of “Thoroughly Modern Mille” taking place February 18th - 26th, The Shawnee Playhouse Production of “Finnerty’s Follies” taking place March 2nd - 18th, Ms. Katy’s Dance production of “Peter Pan the Ballet” taking place March 2nd and 3rd, The Kaleidoscope Players’ production of “The Thwarting of Baron Bolligrew” taking place March 23rd until April 1st, The Prestige Productions presentation of “Love, Sex, and The I. R. S.” taking place April 6th - 15th, and The Center Stage Players production of “An Evening in Comedy” taking place April 20th - 29th, and “The Lion in Winter” taking place May 4th - 13th.

The producers of the productions presented at The Shawnee Playhouse are Ginny and Charlie Kirkwood while the group sales manager is Mary Horn. The Box Office Staff includes Stacey Mattern and Ariel Hudak while Becky Haskell serves as the playhouse’s Sales and Marketing Director. The Executive Director of The Shawnee Playhouse is Midge McClosky. Please contact The Shawnee Playhouse at 570-421-5093 or Explore their website at www.theshawneeplayhouse.com for more information and to reserve your ticket for their upcoming presentations.

Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $3.00 discount off the admission fee of The Shawnee Playhouse Productions (excluding Children Theatrical Productions and those presented by non Shawnee Production Companies). Those who have seen the productions mentioned in this review are welcomed to share their thoughts and reflections by leaving a comment with this posting. To learn more about The Forwardian Arts Society and all they have to offer, please explore their website at www.theforwardianartssociety.com.

Photograph provided by The Shawnee Playhouse.

A Baratonal Bookhouse

2012-02-04T19:26:00.001-05:00

The Eastern Monroe Public Library in Stroudsburg, PA presented “Celebrating Diversity in Pocono, PA” on Friday February 3rd featuring Concert Baritone Phillip Mentor accompanied by Pianist Pauline Fox as part of their BookHouse Series. As the title suggested, the evening was filled with a variety of musical compositions ranging from those originating from the Emerald Isle of Ireland to the Great White Way of Broadway along with a delightful visit to 123 Sesame Street. The capacity crowd’s enjoyment of the performance were enhanced by the considerable talents of Mr. Mentor whose voice and phrasing of each piece created an inspired appreciation for it as it became re written in the heart of each listener.

Stories were knitted between each selection creating not only a deeper understanding of the song’s unique personality but generated warmth as Mr. Mentor’s approach to he craft was revealed, This allowed the audience to truly be a part of the program and not merely spectators confined to whatever they can experience through their hearing. The communal nature of the performance honored the celebration which eventually transformed the diversity into a unification between the spirits who resided in the library that evening.

As mentioned earlier, Mr. Mentor was accompanied by Ms. Pauline Fox on piano. Her expertise with the instrument enhanced the tonal nuances of each piece as her reputation of having the ability to do just that increased its worthiness to receive such praise with each passing note. As they combined with Mr. Mentor’s marvelous voice, the vibrations lingered within the heart and could be rediscovered whenever a memory of the concert was induced to resurface. In other words, it was a nice evening and you’ll be able to view more photographs in The Bookhouse 2012 Gallery at www.facebook.com/media/set/?set=a.10150596755195421.441761.636000420&type=3&l=3401c5d76f.

Phillip Mentor was born in Belmont, Port of Spain #which is the capital of the Republic of Trinidad and Tobago and became a trained opera singer performing in musical productions and with symphony orchestras. Among his awards are first place in the North American Guild Voice Competition, African-American Singer of the Year in 1986, first runner-up in the Metropolitan Opera Regional and Outstanding Young Vocalist of New jersey. He has conducted several Master Classes and Workshops at several universities across the United States. You may learn more about Phillip Mentor by exploring his website at www.phillipmentor.com.

The Eastern Monroe Public Library (aka The Hughes Library) is located on N. 9th Street (aka route 611) in Stroudsburg, PA. It is the main branch of the Monroe County, PA library system which include their Pocono Township Branch in Tannersville, PA and their Smithfield’s Branch in Marshalls Creek, PA. The library offers access to numerous books, DVDs, Audio Recordings, and cultural programs free to the public. The library’s BookHouse series is part of its cultural programs designed to provide a venue for literary and musical events which are outside of the commercial and literary mainstream.

The next Bookhouse Concert will feature an evening of Celtic Music with “Four Shillings Short” on Friday May 18th beginning at 7:30pm. Please Explore The Eastern Monroe Public Library Website at www.monroepl.org to learn more information about the library, their BookHouse series, and all the institution has to offer the community.

A Town Hall Altered by Art

2012-01-19T13:29:00.003-05:00

The Pocono Arts Council held an Arts Town Hall Meeting at their Community Cultural Center in Stroudsburg, PA on Wednesday January 18th to examine and discuss the many issues effecting the creative community including funding for galleries, financial compensation for artists, and other economic concerns. The meeting also included a Gallery Talk led by John Kopp who is the curator of the Center’s current exhibition titled, “Altered State?” The talk explored some of the work presented in the exhibit along with the nature of photography in relation to the traditional film and modern digital techniques available today.

The meeting and gallery talk led to some lively discussions among those who attended. Members of several art related groups and organizations such as The Pocono Mountain Arts Council and the Pocono Community Theater enhanced the conversation by lending their unique perspectives to the topics. Their words were combined with other art lovers from the community who made the discussion even livelier. From my perspective, it was good to have an opportunity to learn from others as well as to share my thoughts on some of the issues addressed.

A few I found particularly of interest were discussions relating to what makes photography an art as compared to fancy picture taking. With all the technologies available to anyone who has a camera, it is a challenge for photographers who wish to display and sell their work to distinguish themselves from those who takes photos just for fun. It was suggested it is fairly easy to add element upon element to a photograph with the technology on hand, but the art may come from the ability to know when to stop. Otherwise, the essence of the image which inspired the artistic eye to capture it may be lost in the ornamentation.

After the meeting, I began to reflect more on this topic as I began recognize when knowing when to stop could be a distinguishing creative approach to other artistic disciplines. When does a musical composition contain the notes and measures needed to express a mood before an overabundance turns it into a bombastity? When does a literary endeavor contain enough words to convey the concepts it explores before it overstates the point and becomes superfluous? These are difficult questions to answer and I may never discover that of the later question, but being aware of these questions and attempting to implement a balance could be in and of itself art. What do you think? You’ll find more photographs taken during Arts Town Hall Meeting, the Gallery Talk, and the “Altered State?” Artists’ Reception in The PoconoArts Community Cultural Center 2012 Gallery at www.facebook.com/media/set/?set=a.10150596801360421.441769.636000420&type=3.

The PoconoArts Community Cultural Center is part of The PoconoArts Council which is an organization designed to build the communities in which it serves artistically and culturally by providing leadership, service, and education. It does so by offering avenues for artists to display their work through the center and other galleries, educational opportunities for those who would like to explore and/or enhance their creative natures, and encouragement to those who seek to express and/or support the arts. The Center is currently featuring the visual works created by photographic artists from around the world in their “Altered State?” exhibition to be presented until February 26th in its ArtSpace and Studio Galleries. You’ll be able to read my article about the exhibit at www.facebook.com/notes/paul-adam-smeltz/artspace-in-an-altered-state/10150471693041232.

The next exhibit will be their Student Juried Exhibition which will hold its Artists’ Reception on Sunday March 11th and will continue exhibiting the work until March 25th. You’ll be able to learn more about The PoconoArts Council, The PoconoArts Community Cultural Center, and all they offer at www.poconoarts.org.

Artspace in an Altered State

2012-01-15T16:32:00.001-05:00

The PoconoArts Community Cultural Center in Stroudsburg, PA began their 2012 season with an Artists’ Reception Saturday January 14th presented by The Pocono Arts Council first juried exhibition in over 15 years. The exhibition is titled, “Altered State?” and features the work of numerous photographic artists to include those residing in New York, West Virginia, Delaware, Colorado, Montana, California, Germany, and Portugal as well as a number of photographers from the Pocono Region. The reception proved to be an enjoyable one with a multitude of art lovers sharing conversations with photographers and each other while experiencing some incredibly skillful depictions of images (lifelike and beyond) associated with the art form.

The work presented in the exhibition consisted of pieces created through the two main processes available to photographers in the 21st Century. The first being the traditional approach utilizing film negatives with digital photography being the second. There were several images embodying the aspects found in each method while a number of them combined the two creating some very interesting results. Regardless of the method used, each photograph presented not only captured the structure of the image it depicted but also the mood and the essence of it.

The variety of images exhibited ranged from straight up photographs of every day items and people taken from an unique perspective to surreal and abstract depictions reflecting the inner workings of the photographer’s psyche. Each piece beckoned each attendee of the reception to explore the depths of its content and corresponding subliminal context while the positioning of each work encouraged the viewer to expand their perceptions by moving from one piece to another in order to experience the entirety of the exhibit.

As for me, I was quite impressed with the work along with the photographic skill and initiative many of the photographers embarked upon in creating their piece. Even though some claimed to be innovative in areas I’ve seen before in other works created by other photographers, the overall show was not only an interesting one for the eye but also inspired that same eye to delve deeper into each image as many not readily discovered aspects of the piece contained information and concepts which expanded the scope of its overall visual effect.

However, there were some images which embodied aspects invisible to the human eye and could only be “seen” through the visionary abilities inherent within the soul. It is very much what William Blake wrote in his poem titled, “Auguries of Innocence” reminds us:

“We are led to believe a lie,
When we look with, not through the eye,
Which was born in a night to perish in a night,
When the soul slept in beams of light.”

The images I refer to softly awakens the soul allowing it to peer gently through the beams of light in order to experience them more consciously. The curiosity of what is beyond our perceptions become intrigues and partially satisfied as we soon return to our soul’s dreams bringing to them an altered state of awareness which enhances their qualities greatly. Thus it is when we live a life seeing through and not only with our eyes.

The Pocono Arts Council’s “Altered State?” juried exhibition is the result of an international photography competition which received over 150 entries. The exhibit at The PoconoArts Community Cultural Center whose facilities include the ArtSpace and Studio Galleries which presented 60 works created by 44 photographers. These photographers included Carol Adleman from Luck, WI, Roger Blanc from New York, NY, Eldred Boze from Wardensville, WV, Michele Cole from Southampton, NJ, Suzanne Comer from Wallingford, PA, Tomato Davis from Bellmore, NY, William Fridrich from Wilmington, NC, Shanna Kay Gordon from Blakeslee, PA, Carlo Grassini from Brooklyn, NY, Markus Haala from Dernau, Germany, Rudy Hilt from Duck, NC, Natalie Hruska from North Falmouth, MA, Liz Kolben from Bethesda, MD, Candace Law from Berkley, MI, Don Manza from Tannersville, PA, Claire Marcus from Bethlehem, PA, Anne Martino from Lake Harmony, PA, John Martino from Brighton, MA, Sheila Master from Bear, DE, Dana McElroy from Havertown, PA, Christine Medley from Olyphant, PA, Danielle Miller from Bartonsville, PA, Daniel Mohr from Stroudsburg, PA, Jorge Pedra from Porto, Portugal, Andrea Rimberg from Shawnee-on-Delaware, PA, Joan Sayer from Saylorsburg, PA, Linda Schwartz from Stroudsburg, PA, Sterne Slaven from Hoboken, NJ, Richard Spezzano from Stroudsburg, PA, Andrea Tremper from East Stroudsburg ,PA, Maggie Vlazny from Mt. Bethel, PA, Keith Waldrum from Dallas, TX, Andrew Wojtkowski from Blakeslee, PA, Margaret Wright from Chicago, IL, and Jennifer Zeller from Louisville, KY.

Although each photographer demonstrated exceptional proficiency in their craft, the reception also served as an opportunity to recognize those whom the jurors and curators found to be deserving of additional praise. These recipients include Scott Barnes from Norwood, NJ who received the Juror Choice Award for his work titled, “Campsite Quanta,” Anthony Monaco from Denver, CO who received the Curator Award for his work titled, “Underscape Series,” Nancy Breslin from Newark, DE who received the Juror Special Award for her work titled, “Self Portrait as the Patron Saint of Clementines,” Norma Bernstock from Milford, PA who received the Curator Special Award for her work titled, “Fence,” Carl Schy from San Diego, CA who received the ArtSpace Student Award for his work titled, “Companions,” Eva Gudnason from Brooklyn, NY who received the Curator Student Award for her work titled, “Clouded Dancer,” Sherwood Samet from Stroudsburg, PA who received the Juror Honorable Mentioned Award for his work titled, “Morning Light,” and Russ McIntosh from Woodbridge, VA who received the Curator Honorable Mentioned Award for his work titled, “Hands of Time.”

The Juror for the exhibit was Harris Fogel who is an Associate Professor of Photography as well as the Director and Curator of the Sol Mednick Gallery and Gallery 1401 found on the campus of the University of the Arts in Philadelphia, PA. The Exhibit’s Curator is John Kopp who is a member of The PoconoArts Council Board of Directors. You may learn more about Harris Fogel by Exploring the University of the Arts Website at www.uarts.edu/users/hfogel and John Kopp by Exploring his Website at www.johnkopp.com.

The Pocono Arts Council’s “Altered State?” exhibition at The PoconoArts Community Cultural Center in Stroudsburg, PA continues until February 26th. The next event to be held at the Center will be an Arts Town Hall to be held on Wednesday January 18th beginning at 5:30pm and will include a talk given by the exhibition’s curator John Kopp. The next exhibit to be presented in the Center’s ArtSpace and Studio Galleries will be their Student Juried Exhibition which will hold it’s Artists’ Reception on Sunday March 11th and will continue until March 25th. You’ll find more photographs taken during the “Altered State?” Artists’ Reception in The PoconoArts Community Cultural Center 2012 Gallery at www.facebook.com/media/set/?set=a.10150596801360421.441769.636000420&type=3.

The PoconoArts Community Cultural Center is part of The PoconoArts Council which is an organization designed to build the communities in which it serves artistically and culturally by providing leadership, service, and education. It does so by offering avenues for artists to display their work through the center and other galleries, educational opportunities for those who would like to explore and/or enhance their creative natures, and encouragement to those who seek to express and/or support the arts.

In addition to the Center’s ArtSpace and Studio Galleries, its facilities also houses their Wall of Writings featuring poetry and other literary works of local writers and poets. The poetic work of Noreen Ayers is currently displayed upon these walls. You’ll be able to learn more about The PoconoArts Council, The PoconoArts Community Cultural Center, and all they offer along with images of the work presented in the “Altered State?” exhibition at www.poconoarts.org.

Comic-Thon 2011

2012-01-12T18:42:00.002-05:00

Note: I’ve recently received this article written by David Mazure about the Comic-Thon event that took place at East Stroudsburg University of PA (ESU) on Friday November 18th. I am pleased to present it here as it’s been a long held practice of The Forwardian Arts Society to support and encourage artistic endeavors. I welcome anyone who has written an article about an art related endeavor they experienced to share it with me along with a picture as I would be happy to share it as well. Please email me at Forwardian@hotmail.com for more information.

Comic-Thon 2011
Written by David Mazure

This past Fall semester 2011, the Student Art Association (for which I am the Faculty Advisor) received a special grant to conduct its first ever 12-Hour Comic-Thon. A 12-Hour comic drawing event – the goal: to draw one comic book page per hour for 12 hours straight. A grueling affair to say the least, but it was a huge success. Every participant had everything they needed – all supplies necessary to draw comics and enough food and drink to last 12 hours. East Stroudsburg University student Anna Maino was the first to complete one whole 12-page comic book story — congratulations Anna!

David Mazure is a faculty member of the ESU Art Department and has shown his work in a variety of galleries. Please Explore his website at www.davidmazure.com to learn more about him.

Photograph provided by David Mazure.

Theatrical Review: Original One Act Plays

2012-01-09T16:08:00.005-05:00

Theatrical Review: Original One Act Plays

Review Written by Paul Adam Smeltz

The Shawnee Playhouse in Shawnee on the Delaware, PA presented The Worthington Players production of the Original One Act Plays who won their 2011 Playwright Competition as part of The Shawnee Original Playwright Series (SOPS). The annual event is a result of inviting playwrights to send in their original works, forming a panel to select the finalist, presenting the chosen plays in a series of staged readings, and tallying the votes received from the viewing audiences to determine which plays will be presented as full productions. This process not only gives a local playwright an opportunity to have his/her work presented on The Shawnee Playhouse stage but also gives the audiences who frequent the venue a chance to experience some new and interesting work.

This year’s selections for the One Act Presentations were a comedy titled, “A Cabin Fit for a King” written by Sarah McCarroll and Julie Luongo and a dramatic piece titled, “The Messenger” by Paul Kodiak. Prior to the performance, I’ve heard one of the playwrights share how the two plays presented together could be considered, “Bi Polar Theater” as they contrast so sharply from one another. As the theatrical experience of the productions drew to a close, the coined phrase took on a profound meaning as reflected upon the audience as they were leaving the theatre.

“A Cabin Fit for a King” is a very light comedy set in (as the title suggests) a cabin located in a secluded area. Four men are utilizing the site as a retreat away from the world and the people in it so they could be just guys for the weekend. Of course, as all best made plans eventually goes, so does this plan when one of the men brings along his girlfriend who is over 20 years younger (he’s 42 and she’s 19) who invites her girlfriend from college to join her who happens to be the daughter of one of the men attending the retreat. A series of comedic incidents ensue ranging from spiders to coffee cans making this a very amusing time at the theatre.

The play was Directed by Juliet Dunham and Stage Manager Nicole Dietze. The cast consisted of Dan Eash as Steve, Patrick Turner as Tony, Steve Mazza as Jeff, Kaitie Kaiser as Jessica, Amanda Kohberger as Patty, and Jerry Depuy as Gary. The acting was quite well done as was the directing each adding an authenticity to the production honoring the work and its authors considerably.

According to the playbill, “A Cabin Fit for a King” is the result of a life long collaboration between Sarah McCarroll and Julie Luongo who are sisters. While Ms. Luongo (a Novelist) utilized her storytelling skills to create believable characters and plot devices, Ms. McCarroll (an Actress) instilled her knowledge of the mechanics of theatre into the work in order to create a presentational experience enjoyable to its audience. Both have succeeded in their individual endeavors to a significant degree as the play does have a believability and a stage presence suitable for any production.

While “A Cabin Fit for a King” by Sarah McCarroll and Julie Luongo proved to be a humorous experience to lighten the heart, “The Messenger” by Paul Kodiak proved to be a horse of a darker color. The play is set in a prison cell in which a condemned prisoner meets with a priest before his execution. Much of the early utterances of the characters were delivered softly, almost as whispers.

This well crafted technique drew members of the audience deeper into the conversation who soon found themselves closely associated with the cell’s denizens. There were many themes to explore in this confinement as the dialogue revealed more of the characters’ souls whose close proximity gave each discovery a profound impact. To this reviewer, one of the most notable aspects of the play reflected the Messenger concept implied in its title.

In many cultures, a priest of a religion is seen as a human messenger of the Divine. So, when a priest shares a spiritual perception with the religion’s believers, his or her words are to be taken a communiqués from the Divine. Unusually, there is an educational process and an initiation procedure to be instituted before one can be considered qualified to obtain such authority.

In Mr. Kodiak’s play, the priest seeks to perform the role the church has entitled him to which is to hear the confession of the condemned prisoner and grant him some degree of absolution. However, the prisoner refuses to confess his sins until the priest shares his. A resistance on the part of the priest to the reversal of their closely defined roles ensue until he relents allowing himself the freedom to share a part of his past which had confined him most of his life. This act also frees the prisoner as he now knows he can do some good by sharing a message to the deceased whom the priest referred to in his confession. In other words, the priest was a messenger from God and the prisoner became a messenger to God.

This powerful play was directed by Midge McClosky (who also serves as The Shawnee Playhouse Executive Director) as assisted by Shannon Leigh Christmann. The cast consisted of David Schappert as Jimmy, Dante Gavin as Father Michael Keating, and Kevin Hillman as The Guard. The direction was expertly done capturing the subtleties of the work. This was also done by the actors who deftly utilized their voices and tones to bring the audience to an intimate place in which the full strength of the play could be experienced.

The Worthington Players production of the One Act Plays who won their 2011 playwright competition continues its run at The Shawnee Playhouse in Shawnee on the Delaware, PA until Sunday January 15th. Both “A Cabin Fit for a King” by Sarah McCarroll and Julie Luongo and “The Messenger” by Paul Kodiak are theatrical endeavors worthy of praise by any theatergoer. This reviewer is no exception and highly recommends attending these two productions who are very deserving of the opportunity given by The Worthington Players to be seen by an audience.

The Worthington Player were established in 1999 and is the non-musical contingent of the Shawnee Playhouse. They present a variety of semi-professional theatrical productions from January through May working with community members to bring a quality-working atmosphere for those participating in the production and a quality performance for those attending. Their Original Playwright Series is one of the many programs the offer to the community.

In addition to the One Act Plays presented during The Shawnee Original Playwright Series (SOPS), a full length play who won the 2011 playwright competition titled, “Visions of Johanna” written by Ken White will be presented at The Shawnee Playhouse February 4th - 12th. This year’s competition is currently accepting original work until Tuesday January 31st with the Staged Readings for the finalist taking place March 9th - 30th. You may obtain information regarding The Worthington Players 2012 Playwright Competition submission procedures from The Shawnee Playhouse Website.

Other Shawnee Playhouse presentations will be their production of “Those Fantastic Forties!” taking place January 20th - 29th, “O’ Carolan‘s Farewell to Music” taking place February 17th and 18th, The Worthington Players’ production of “Thoroughly Modern Mille” taking place February 18th - 26th, The Shawnee Playhouse Production of “Finnerty’s Follies” taking place March 3rd - 18th, The Kaleidoscope Players’ production of “The Thwarting of Baron Bolligrew” taking place March 23rd until April 1st, The Prestige Productions presentation of “Love, Sex, and The I. R. S.” taking place April 6th - 15th, and The Center Stage Players production of “An Evening in Comedy” taking place April 20th - 29th, and “The Lion in Winter” taking place May 4th - 13th.

The producers of the productions presented at The Shawnee Playhouse are Ginny and Charlie Kirkwood while the group sales manager is Mary Horn. The Box Office Staff includes Stacey Mattern and Ariel Hudak while Becky Haskell serves as the playhouse’s Sales and Marketing Director. Please contact The Shawnee Playhouse at 570-421-5093 or Explore their website at www.theshawneeplayhouse.com for more information (including submissions for The Worthington Players 2012 Playwright Competition) and to reserve your ticket for their upcoming presentations.

Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $3.00 discount off the admission fee of The Shawnee Playhouse Productions (excluding Children Theatrical Productions and those presented by non Shawnee Production Companies). Those who have seen the productions mentioned in this review are welcomed to share their thoughts and reflections by leaving a comment with this posting. To learn more about The Forwardian Arts Society and all they have to offer, please explore their website at www.theforwardianartssociety.com.

The Photograph of the production of “A Cabin Fit for a King” by Sarah McCarroll and Julie Luongo was provided by The Shawnee Playhouse.

An Open Plath to Poetry

2011-12-21T18:50:00.000-05:00

The Cheeky Monkey Coffeehouse in Stroudsburg, PA held an Open Mic Poetry Night on Tuesday December 20th. The event was hosted by Patrick Bresnyan and presented Tara Vivian as the evening’s featured poet. When I first arrived as The Cheeky Monkey, I found Ms. Vivian relaxing upon one of the many couches of the establishment enjoying her beverage while reading a book of poetry composed by Sylvia Plath. We spoke briefly before I ordered a drink for myself while she thoughtfully returned to her reading.

It wasn’t long afterwards until the evening’s host, Patrick Bresnyan, entered the Cheeky with an array of percussion instruments including some tribal drums. I remembered thinking “Tribal Drums and Sylvia Plath, what a night this would be.” As the evening progressed as poets, musicians, and those who came to enjoy the event filled the room, it became evident night would be a wonderful one to reflect upon for quite some time.

The event began with some welcoming remarks given by Mr. Bresnyan which included assurances all forms and subjects presented will be greeted without critique or censorship. Immediately afterwards, he began sharing some of his poetry with those who came to partake in the evening. His style in both composition and delivery proved to contain a power designed to shake the soul of all who experienced his words out of its complacency and to open the inner eye to see what is their’s to witness. This was done with great effect as a soft inaudible “Ah” was felt throughout the room along with the sound of eyes becoming opened. Mr. Bresnyan also read works from his long time facebook friend, Sean Poole, whose words equaled the qualities found in Mr. Bresnyan’s work.

These readings were followed by those composed by the evening’s featured poet, Tara Vivian. Upon the first utterances of her words, one can feel the depth of human experiences in her work. The earlier introduction I had of her reading from the poet, Sylvia Plath, became a beacon from whose light I was able to fully absorb the poignancy of Ms. Vivian’s body of works. Each word, each movement, each gesture of the eye wrote and re wrote each poem until they were inscribed in the minds, hearts, and souls of every being who received their echoes.

The readings gave me thoughts about Sylvia Plath’s 1963 novel titled, “The Bell Jar.” Although I’ve never read it, the image of a bell frantically ringing out the cries of it’s inner existences while being muffled by a jar so anyone passing by could only hear a faint whispered reflection touched my imagination. Perhaps this was due to the sensation I felt of something existing beyond Ms. Vivian’s words and only a muffled echo touched my awareness.

It is then when I began to reflect upon how our experiences deemed too unacceptable to be expressed in their complete honesty are like bells being encased in societal jars made of glass blown from the ingredients of shame, ridicule, and judgment we and others combine in order to create a barrier strong enough to contain our cries. Occasionally, our tears finds flaws in the jars we have adopted but they are soon dried so these openings can be closed before our tones can discover an avenue for escape. They are shut up to maintain a polite distance enabling the denial of their existence.

Yet, there are times when these tones can be heard by the bell within our hearts. The evening at Cheeky Monkey’s was such a time as each poem shared by Ms. Vivian resounded their profound qualities throughout all they touched. For me, the awareness of what existed beyond her words increased as the long silent ringing of my own bell began to experience a heightened fidelity as each poem was revealed. As the evening approached its close, she read Sylvia Plath’s confessional poem titled, “Daddy,” she not only captured it and the poet’s essence, she also captured the essence of every soul within the room.

However, before Ms. Vivian concluded her sharings, a number of poets and musicians took the mic in order to share their talents. All of the presentations were befitting to the openness embodied in the event as many styles and levels of performances were offered an opportunity to be experienced by those who attended. The evening ended with a drumming performance by Mr. Bresnyan which allowed another, more honest view of the holiday to emerge. You’ll find more photographs taken during the Open Mic Poetry Night in The Cheeky Monkey 2011 Gallery Part 1 at www.facebook.com/media/set/?set=a.10150126424220421.327714.636000420&type=1&l=0ac968b925 and Part 2 at www.facebook.com/media/set/?set=a.10150545891045421.433139.636000420&type=1.

Tara Vivian is a poet who host The Broad Street Poetry Revival presented at The Broad Street Coffee House the second Tuesday of each month. The Broad Street Coffee House is located in Milford, PA and specializes in coffee brewed with filtered water to enhance it flavor and food made on the premises. Please Explore The Broad Street Coffee House Website at www.facebook.com/BroadStreetCoffeeHouse or call them at 570-409-6090 to learn more about The Broad Street Poetry Revival, other events they are planning, and all they have to offer the community.

The next Open Mic Poetry Night will be held Tuesday January 17th and the second Tuesday of every month beginning at 7pm hosted by Patrick Bresnyan. Images of the Cheeky Monkey’s Espresso Yourself Art Series Exhibition featuring the works of John Kolbek and Michael Parsons continues to be seen upon their walls and will remain there until January 1st. The Cheeky Monkey Coffeehouse also offers a variety of coffee, drinks, and culinary treats along with events such as the one described in this article. Please Explore The Cheeky Monkey Coffeehouse Website at www.cheekymonkeycoffee.com or call 570-236-5574 for more information.

A Night With Miraglia

2011-12-18T16:39:00.002-05:00

The ArtMusic Coffeehouse in East Stroudsburg, PA presented Singer/Song writer Danielle Miraglia Saturday December 17th. A gentle and calming mood touched those who arrived early to the concert. It was enhanced by the welcoming greetings presented by the home’s owners, Don Slepian and Jan Julia, and their musical guest along with those who arrived even earlier. The lights were dimmed to a reddened glow bringing forth the energies associated with the color and the conversations were instinctively kept to a whisper as not to interfere with the natural flow of the aurae traveling from one internal vibration to the next.

Slowly, the home began to fill with excited conversations brightening the lights within the house and each other with anticipation. Ms. Miraglia discreetly spirited herself away from the presence of those who were entering the abode to prepare for her performance and, perhaps, to create an atmosphere in which her “Official” entrance would have a more mystical effect. The sharings among friends who have met during previous concerts and those who arrived for the very first time until the 8 o’clock hour arrived and Don Slepian (or as Ms. Miraglia later affectionately referred to as “Don Slepiano”) gently quieted the gathering to experience the mood enhancing sounds his improvised performance on the keyboards are well known and well appreciated.

Singer/Song writer Danielle Miraglia is considered by many to be a blues artists. But, if her performance is what it means to have the blues, I’m throwing away my Prozac. There is a joy and humor which stitches their way throughout each song and story connected to it sewing a smile to each face and heart who are penetrated by her needling insights and wit. While the influence many great blues singers has on Ms. Miraglia’s compositions and performance styles can be speculated on, there is little doubt, if any of those legendary performer were the experienced her talents, they would be inspired by her.

The uncanny quality of Ms. Miraglia’s songs have a way of leading the listener into many directions within each piece. Sometimes, the audience are led into several emotional avenues at once. This deft weaving allows one to instantaneously develop a desire to go deeper into a song to discover the enormity of its depth. An example of this would be one particular song in with a great deal of sorrow is shared. There was a line which served as comic relief for many until it is realized the words also denotes an underlining sadness related to the song. However, the chuckle the line inspired allowed the audience to experience the enormity of the song’s theme without shying away from it. This is how a song writer becomes master song writer.

Ms. Miraglia’s effect was pleasantly demonstrated throughout the evening as her presence on and off the stage continued creating music within all who encountered her. It was a delight to meet such an enchanting woman whose exuberant demeanor and understandings of the profundity of every day life brings forth a person quite uncommon in the familiar discourses of everyday life. You’ll be able to see more Photographs taken during the concert in The ArtMusic Coffeehouse 2011 Gallery Part 2 at www.facebook.com/media/set/?set=a.10150297458280421.386056.636000420&type=1&l=0f79879505.

Danielle Miraglia was raised just outside of Boston in Revere, MA and on a variety of popular music ranging from Motown to classic rock influences. Listening to The Rolling Stones and Led Zeppelin encouraged her to learn to play guitar at the age of thirteen. She also developed a passion for the arts and discovered an outstanding gift for writing and theater in addition to music. Ms. Miraglia released her debut EP titled, “Bad Poetry” in 2001. This was followed by “Just Wrong Enough” in 2002 and her recent CD titled, “Nothing Romantic.” You can learn more about Danielle Miraglia, her music, her creative influences, and how to obtain her work for your collection at www.daniellem.com.

The ArtMusic Coffeehouse is held in the home of Don Slepian and Jan Julia who reside in the borough of East Stroudsburg, PA as part of the Concerts In Your Home Series. A variety of musical forms are presented including folk, jazz, classical, and electronic music. Although the concerts welcomes all who wish to attend, seating is limited as they take place in a private home. The Danielle Miraglia was the final concert to be held at The ArtMusic Coffeehouse for 2011. It was a very befitting gift for the holidays. The ArtMusic Coffeehouse Concerts will resume in 2012 beginning with Ian Ethan on Saturday January 14th and continuing with Jacob Johnson on Friday January 27th. Both concerts start at 8pm. Please Explore The ArtMusic Coffeehouse Website at www.ArtMusicCoffeehouse.com or Call 570-476-6307 for more information and to reserve your seats.

A Little Historical Night Music

2011-12-17T13:17:00.006-05:00

The Monroe County Historical Association held its Annual Holiday Concert on Friday December 16th at The Stroud Mansion in Stroudsburg, PA. The concert was presented in the upstairs quarters of the building which was designated to present a variety of functions including workshops and concerts like the one being performed that evening. It proved to be the perfect setting as it provided an intimate and congenial atmosphere for both performers and the sizable number of music lovers who came to attend alike.

After some welcoming remarks given by Bob Wehe and The Monroe County Historical Association Executive Director #Amy Leiser, the local choral group “Discipleship in Song” performed a number of selections reflecting the holiday season indicative of the Christian faith. The blend of voices were a pleasing combination and the songs brought both a smile and a contemplative humbleness to those who experienced them. Those who shared their voices included Debbie Booth, Bill Dimmick, Bill Hoy Sr., Bruce Kraeutler, Tamara Paff, Lynn Pappalardo, Linda Ross, and Kathy Sharp. They were accompanied by Joanne Albertson on Piano.

They were followed by a series of soloist who performed selections ranging from the classical as in those composed by Mozart, Puccini, Handel, and John Phillip Sousa to more contemporary pieces written by Jerome Kern and Cole Porter. There were also a number of traditional Christmas carols performed which included a portion of the program inviting the audience to sing along. Each soloist interpretation of the piece they performed brought not only showcased the vocal nuances of the compositions but their movement added to the piece’s subtext where were written in an universal language with in the soul of each listener, The soloist who shared their beautifully powered voices included Dr. Nadia Worobij, Gil Janes, Bob Wehe, Nicole Rideout, and Erin MacMillion. They were accompanied by Pauline Fox on Piano who also performed a special arrangement of “What Child Is This?”

The concert’s conclusion brought with it opportunities for the audience to share conversations with the performers and with each other which served to allow the good fellowship created by the event to linger on long afterwards. Plus, the cakes and cookies were good. You’ll find more photographs taken during the concert in the Music 2011 Gallery Part 2 at www.facebook.com/media/set/?set=a.10150510736315421.429428.636000420&type=1&l=4713dd0bf8.

The choral group “Discipleship in Song” is an ecumenical music ministry based in the Pocono, PA area. Their mission and purpose is to present inspirational music and personal testimonies in order to encourage their audience to develop a closer relationship with God. The group does not adhere to any particular belief or creed but, instead, rely on the supernatural Grace of the Divine to move their mission and purpose forward.

The Stroud Mansion was the family home Jacob Stroud in 1795 who founded the town of Stroudsburg, PA which is now the Monroe County seat. The building houses the offices of The Monroe County Historical Association which is a non-profit community organization dedicated to preserving the history of the area while providing tours for those who wished to learn more about the town’s heritage. The Monroe County Historical Association future events will include their annual meeting and awards luncheon on Sunday February 26th and their Annual Victorian Tea and luncheon on Sunday April 29th. You’ll be able to learn more about The Monroe County Historical Association and all it has to offer the community by contacting them at 570-421-7703 or by exploring their website at www.monroehistorical.org.

A Night of Dance and Puppetry

2011-12-11T14:32:00.001-05:00

The School of Visual and Performing Arts (SVAP) in Stroudsburg, PA presented a holiday performance on Saturday December 10th featuring a puppet show and dance performances. The performance showcased the talents of their students and faculty as a gift to the community and those who support the school. The huge gathering of family and friends of the performers combined with the joy of experiencing the excited energies of those performing successfully created an atmosphere designed to delight the child within each attendee.

The evening began with a puppet show titled “What’s for Christmas?” with the majority of the skits written by Aileen Fisher and directed by Jazmin Ospa. It featured puppets designed by the students who attended their puppet making classes and their young creators. The Show was Emceed by Robert Kash who also presented a skit titled, “Something in the Air” featuring Cat and Dog Puppets made and designed by Gabby Kash. As eluded to, the puppet show consisted of a number of skits which were selected by a bevy of eager children who picked the titles out of a Santa’s hat.

The first of these skits was titled, “Night at the Museum” which was Choreographed by Jazmin Ospa who also appeared as the Pterodactyls. The skit also featured Michaela Miller as the Tyrannosaurus Rex, Daniella Turso as the Comet, Alex Osborne as the Caveman, Minnie Ospa as the Saber tooth Tiger, Zack Aniano as the Silver Knight, T. J. Salmon as the Gold Knight, Bella Hewitt as the Princess, Teri Salmon as the Handmaiden, Alex Aniano as the Fairy, and Christopher Barton as the Sleepy Guard. This skit was the audience’s introduction to the puppets created during the workshops and many were impressed by the details they embodied.

The remaining skits consisted of those titled, “Cartoon Heroes” which was Choreographed by Jazmin Ospa who also appeared as Turanga Leela and Amy Long along with Den Kayer who appeared as Mario and Luigi. This was followed “Christmas Dreams” featuring Christopher Barton and his puppet, “Not Taking Any Changes” featuring Alicia and Daniella Turso and their puppets, and “Speaking of Presents” featuring Alex Aniano and his puppet. The performances were enjoyable and did well to showcase the talents of the children who participated.

“What’s for Christmas?” concluded with Ben Krayer sharing a message from Santa saying he wanted to be there but was too busy Christmas Shopping. However, Eric Mark donned the garb of the jolly old elf and was accompanied by Alicia and Daniella Turso as his elves. The children did not mind on bit they were in the presence of a surrogate Santa as Eric and his helpers brought joy to the gathering.

After the intermission in which the audience were moved to a larger room, the Holiday Performances continued with dance performances by Kathy Kroll Dance and Paper Theater, Paula and Robert who combined Martial Arts with Dance, The Northeast Ballet Ensemble who performed sequences from “The Nutcracker” under the direction of Diane Verdi, The SVPA Senior Dance Class, and Welcome to Salsa. All the performances were well done and involved a number of dancers ranging from toddlers to those who are experiencing life from a more mature perspective. The entire event led to an enjoyable evening in which one can happily include in their list of holiday delights. You’ll find more photographs in The Performing Arts 2011 Gallery at www.facebook.com/media/set/?set=a.10150517235885421.429950.636000420&type=1&l=4bafae6105.

The School of Visual and Performing Arts is located in Stroudsburg, PA and is #a Non-Profit Organization dedicated to exposing, inspiring, and educating the public in the arts. They offer classes in Dance, Theater, and Art along with a space to present special shows and to display art. Please Explore The School of Visual and Performing Arts Website at www.schoolofvisualandperformingarts.org or call 570-817-3453 for more information about the school, how to register for their classes, and all they offer to the community.

The 2011 ESU Winter Choral Concert

2011-12-09T11:49:00.001-05:00

The East Stroudsburg University of PA presented their Music Department’s 2011 Winter Choral Concert on Wednesday December 7th in The Cecilia S. Cohen Recital Hall at their Fine and Performing Arts Center. The program consisted of performances given by the A Cappella Ensemble and The Concert Choir under the direction of Prof. James Maroney with Pauline Fox serving as musical accompanist. The well attended event featured the voices derived from members of the campus community along with those individuals residing in the surrounding area.

The program began with selections sung by the university’s A Cappella Ensemble featuring solo performances given by Danielle Tretola, Ely Reys-Viruet, Patrick Mertz, Paula Dixon, and David Yablonski. The variety of the pieces ranged from the classical works such as one written by Felix Mendelssohn to holiday folk carols originating from eastern and western Europe. The vocal ranges were pleasing to the ear and served to prepare the audience for the concert yet to come.

Several more Classical and folk melodies touched the audience’s ears and hearts as the Concert Choir performance filled the recital hall with their voices. A gentle swooning took place as one piece reflecting the holiday spirits traveled among the seats and stairs where the audience were seated followed another. The blending of the sounds created a peace long sought for by those whose hurried and daunting preparations for their not too distant family gatherings leaves them exhausted. This peace allowed a renewal to take place within the hearts of all who experienced it through the magical properties of the performance. You’ll find more photographs in The Forwardian Arts Society Music 2011 Gallery Part 1 at www.facebook.com/media/set/?set=a.10150134623910421.332199.636000420&type=1 and Part 2 at www.facebook.com/media/set/?set=a.10150510736315421.429428.636000420&type=1&l=4713dd0bf8.

Future concerts and recitals presented by The East Stroudsburg University of PA Department of Music will include their Winter Concert featuring the University Jazz Ensemble on Thursday December 8th at 7:30pm, a Senior Recital featuring music from Broadway on Friday December 9th at 7pm, their Winter Band Concert on Friday December 11th at 7pm, and a Student Voice Recital featuring the students of James Maroney and Wendy Grice on Tuesday December 13th. Rehearsals for the Spring 2012 Semester Choral Performance begin Tuesday January 24th and all those who would like to participate in the program are welcomed to attend. The performance will take place Wednesday May 2nd. Please contact The East Stroudsburg University Department of Music at 570-422-3483 for more information.

Scholastic Art in Review

2011-12-09T11:45:00.001-05:00

The East Stroudsburg University of PA (ESU) Art Department held an Artists’ Reception on Wednesday December 7th to present The Fall 2011 Fine Art Review of their students’ creative achievements. Although the exhibit began November 29th, the reception was held at the Madelon Powers Gallery which is located in The Fine and Performing Arts Building on the ESU Campus on its final day. A variety of styles and approaches were represented as were the students’ youthful excitement of discovering new techniques to express their creativity. It was a well attended event as it began but the numbers began to dwindle considerably as the evening went on.

However, this gave those who decided to linger an opportunity to establish a greater relationship with the works displayed throughout the gallery. The conversations ceased to be among those expressing their thoughts relating to the works and became shared experiences between the viewer and the work itself. And, the work indeed had much to share as the lives of the artists and their perspectives on the life they chose to depict in their work were deftly conveyed. These insights helped to make the reception an enjoyable evening filled with wonderful art, conversation, and cookies.

The students who presented their work in the Fall 2011 Fine Arts and Art and Design Review included M. K., W. H., Benjamin Koch, Sam Popple, Angie Fregoni, Abby Braman, Chris Hodge, Dominick Frabizio, Dana Rivera, Michael O’ Connell, Steph Sanders, David Kennedy, Christina Aidala, Mirtha L. Estevez, Kayla Littrell, Abby Oxford, Brandon Minninger, Celeste Hylton-James, Stacy Owino, Megan Fortmann, Jason John, Nick Sullivan, Anna Maino, Michael Kttl, David Canady, Summer Smith, John Cherney, Chris Hingley, Katie O’ Neill, Katlyn Valenti, Jess Wilner, Ray Wells, Alma Barrantes, Erin Gittens, Krystale Sbat, Krysta Schwuchow, Sam Peterson, Bethany Wert, Lauriel Gingrich, Tiffany Pyzik, Amanda Kawczynski, Mathew Mc Nulty, Shawn Savage, Carlin Todd, Alison Morisano, Chad Jacobson, Cassandra Cota, Danielle Marshall, Chad Crane, Brittany Ott, Seamus McKelvey, Sarah Shields, Adam Ward, Nathan Rosetti, Taylor Vonrohr, Jeremiah Johnson, Kara Zucek, Katelyn Steiner, and Drew Lingel.

In addition to the work being presented in the main gallery, students from the 3 - D Design Class presented an exhibit titled, “Beyond 50,000 Years” on the upper level (mezzanine) of the gallery featuring a dinosaur created out of Styrofoam. In order to aid the environment, the material will be gathered by the university’s recycling committee and sent to their recycling facility after the exhibit is concluded on December 13th. Several of the artists who presented their work in the main gallery participated in creating the piece along with Jaymee N. Dymond, Michael A. Garcia, Nicole A. Yatison, Chelsea M. McMahon, Elizabeth A. Miorelli, Renel Rejouis, Jr., Kylie A. Silvestri, and Grace K. Smith. You’ll find more photographs taken during the reception in The Visual Arts 2011 Gallery Part 3 at www.facebook.com/media/set/?set=a.10150485302325421.426918.636000420&type=3.

Future exhibitions presented by The East Stroudsburg University of PA Art Department will include an exhibit featuring the works of artists yet to be announced February 1st - March 9th, The Art Association All University Student Juried Art Exhibit March 21st - April 13th, and The Senior Seminar and Portfolio in Art Student Exhibition April 19th - May 8th. Please contact The East Stroudsburg University Art Department at 570-422-3695 for more information.

An End to an Era of Dreams

2011-12-05T15:09:00.001-05:00

The Dreamland Creations in Stroudsburg, PA held an Artist’s Reception on Sunday December 4th for their exhibition titled, “Phantasms, Faces, Perspectives, and Places” featuring a wide variety of work created by Shane Izykowski which included not only the Photographic endeavors he is best known for but paintings, sketches, Three Dimensional pieces, and two short films titled, “Regretfully So” and “Thine Own Hands.” Both films won the Severed Sinema Short Film Audience Award for 2010 and 2011.

The variety of the work ranged from Wedding Pictures to those depicting scenes of grotesque gore touched the walls and poured upon the senses of the many who came to attend the reception. It may be debatable to which images are more horrific, but the creative skill in which the artist presents his subjects can find very few (if any) to dispute the wonderful effects his work inspires. They allow each viewer to be amused, bemused, and transfused by what they experience as they explore the extensive talents possessed by Shane. The Exhibition continues until December 31st. You’ll find more photographs taken during the reception in The Dreamland Creations 2011 Gallery Part 2 at www.facebook.com/media/set/?set=a.10150403440525421.413359.636000420&type=1&l=b30ae78bea.

As mentioned earlier, the reception included the screening of two short films Shane created. The first was “Regretfully So” which was about two thieves breaking into a home of an elderly lady only to find an unexpected outcome to their endeavor. The second film “Thine Own Hands” took place in a psychologist office whose Dr. was treating a patient convicted of child molestation. Both films were very well done and contained what has been called the M. Night Shyamalan twist. But, neither of these film contained the sense of redundancy which has become associated with the M. Night Shyamalan films. Instead, the twists they contain are (although surprising) consistent to the flow of the films’ narratives and avoids a negative WTF response from the audience.

Although the reception was an enjoyable one in which those who attended were touched by the art created by Shane and the conversations it inspired, there was a sense of sadness in the air. It had been announced prior to the reception that this exhibition will be the last one held at Dreamland Creations. As Shane put it as he offered a toast to the establishment, the shows presented over the last three years not only showcased the work of those who aren’t shown in the more established galleries in the area, but they have encouraged others to explore their talents by creating work of their own. It is hoped many of these artists will find a place to share their visions and perspectives, but, for now, it is time to bid Dreamland Creations a fond adieu filled with the appreciations it well deserves. Thank you Myke and Sherley.

Shane Izykowski was born in Taegu, South Korea and was adopted at the age of two. He grew up with a strong background in art and continued to study all different aspects and mediums. Shane is currently working as a freelance photographer with his ranging from weddings and fashion events to that of a freelance publication photographer at East Stroudsburg University. He is also working at Stroudsburg Foto Shop, Inc., as an Adobe Photoshop specialist and salesman. Shane is also a member of the Pocono Photo Club and The Pocono Arts Council and frequently exhibits his fine art photography in many different venues in northeastern PA. You’ll find more information about Shane along with images of his work and a listing of his photographic serves at www.theartisticalternative.com.

Although the exhibitions have come to an end, The Dreamland Creations in Stroudsburg, PA continues to serves as a studio where individuals can adorn their forms with a variety of body art such as tattoos and piercings. Please Explore The Dreamland Creations Website at www.myspace.com/dreamlandcreations or call 570-421-6313 for more information of all they have to offer.

It’s A Juggernautic World of ArtMusic

2011-12-04T14:04:00.001-05:00

The ArtMusic Coffeehouse in East Stroudsburg, PA presented The Juggernaut String Band on Saturday December 3rd. The energy of the musicians who were to perform could be felt immediately upon entering the home of Don Slepian and Jan Julia. The greeting they and the home owners shared created an anticipation for the music that would entreat them (for many) an hour later.

When the 8 o’clock hour arrived, the house full of music lovers were treated first to the calming effects derived from the impromptu compositions performed by the house concert’s host Don Slepian and then were immediately and gleefully assaulted by the layers of music the trio hurled at the audience. The Juggernaut String Band consisted of Pete Taney on vocals, guitar, fiddle, and harmonica, his daughter Joy Taney on Guitar and vocals, and Cat Burbage on drums and vocals. Together, they performed an eclectic mix of music covering every variety imaginable.

These forms included Bluegrass, Cajun, Classic Rock, and African Tribal Music. It was as if the whole world converged upon the stage and into the ears of the band’s listeners in order to let its songs be heard. Yet, it was in combining these musical styles with the songs waiting to be sung from within the hearts of the audience that made the evening even more enjoyable. A laughter was felt within the soul which was sure to linger long after the concert had concluded. This sensation was enhanced even further when the audience were given musical instruments and were invited to participate in the performance. All of which can be summed up in just a few words. It was fun. You’ll be able to see Photographs taken during the concert in The ArtMusic Coffeehouse 2011 Gallery Part 2 at www.facebook.com/media/set/?set=a.10150297458280421.386056.636000420&type=1&l=0f79879505.

Te performance given by The Juggernaut String Band at The ArtMusic Coffeehouse was very typical of those their fans have come to enjoy throughout the years. They’re well known to present a high octane blend of music with much of it written by Pete Taney for the many musicians he had worked while following the musical road from major festivals locally and abroad to humble mountain pubs. Pete has also adapted music for the handicapped so they could explore their creative gifts and discover new avenues within themselves. In addition to this, Pete holds drumming sessions encouraging participants to let their song escape the confines of their everyday responsibilities and to be heard in the echoes of musical abandonment. You can learn more about The Juggernaut String Band and all they have to offer by exploring their website at www.juggernautstringband.com.

The ArtMusic Coffeehouse is held in the home of Don Slepian and Jan Julia who reside in the borough of East Stroudsburg, PA as part of the Concerts In Your Home Series. A variety of musical forms are presented including folk, jazz, classical, and electronic music. Although the concerts welcomes all who wish to attend, seating is limited as it they take place in a private home. The Next The ArtMusic Coffeehouse Concert will feature Danielle Miraglia on Saturday December 17th beginning at 8pm. Please Explore The ArtMusic Coffeehouse Website at www.ArtMusicCoffeehouse.com or Call 570-476-6307 for more information and to reserve your seats.

Theatrical Review: A Christmas Carol

2011-12-03T14:07:00.001-05:00

Theatrical Review: A Christmas Carol
Directed by: Margaret Ball
Based on the Novella: A Christmas Carol by Charles Dickens
Book, Music, and Lyrics by: Mavor Moore
Theatrical Review by: Paul Adam Smeltz

The East Stroudsburg University (ESU) Department of Theatre presented their production of “A Christmas Carol” which is a musical adaptation of the seasonal classic written by Charles Dickens. This musical version is not the first to be inspired by novella as anyone who was born since it was written in 1843 can attest. In fact, it would be extremely difficult to find anyone who doesn’t know the story of a miserly old man who is warned by his deceased business partner he must become more generous with his wealth or face an eternity of torment in the afterlife. He is then visited by three spirits who reveal his forgotten memories of his past, the present results of his actions, and a frightening future if he continues his life as it is.

The ESU production of this familiar tale was a likeable and enjoyable one. However, if anyone is waiting for this reviewer to jump up and down in order to give the production a rave review, they may be waiting for quite some time. At the considerable risk of being accused of being a “Scrooge,” I must say the production was lacking in many areas. This is unusual for an ESU production as the insightful plays chosen, the stellar performances by the actors, and the production’s deftly executed direction helps defines high quality theater in the area.

However, when endeavoring to re tell a story that has the familiarity “A Christmas Carol” has, one had to remember everyone knows it almost verbatim. So, it would be germane to seek out a version that has some new insights regarding the work. The production’s program included a well written article by Dr. Rita M. Plotnicki about the origins of the Novella and it’s indictment of 19th century industrial capitalism and its’ effects on the poor. However, the play makes very little attempt to address these issues and decided to be a quaint retelling with forgettable songs even though these very issues have become very prevalent in recent times as illustrated by the “Occupy” movements.

Another aspect of the production that kept it from being thoroughly enjoyable by this reviewer was the uneven acting throughout the performance. There were moments when an actor delivered a line which was followed by an impregnated pause before a response was uttered. This hindered the flow of some scenes and led to many members of the audience to dispel their suspension of disbelief by reminding them were watching a play.

Also, this reviewer wondered about the necessity of actors wearing microphones. Not only did it seem anachronistic, but the devices seemed unnecessary. It would make sense, to this reviewer, if the actors had to speak or sing while accompanied by a large orchestra so their voices could be heard. But, the musical accompaniment to the actors consisted of a piano. This may be considered a minor point to ponder, but it makes this reviewer wonder.

Now, before I get more coal than usual in my stocking, it would be neglectful of this reviewer not to mention this production was enjoyed by the audience. There were some great moments in the play and some of the portrayals of characters did bring some life into the production. Still, for this reviewer, it seemed the overall quality of the production was a bit mediocre and not to be considered one of the University’s best.

The cast consisted of Michael Lloret as Ebenezer Scrooge, Rich Hennesy as Bob Cratchit, Joseph Dougherty as The Ghost of Jacob Marley, Mr. Fezziwig, and one of the two Toffs, Tyler Whitman as The Ghost of Christmas Past, a Gentleman, and one of the two Toffs, Shannon Leigh Christmann as The Ghost of Christmas Present and Mrs. Dobbs, Deanna Knapp as The Ghost of Christmas Yet to Come and a Caroler, Gregory J. Back as Tiny Tim Cratchit, Karen Guilliams as a Lady and Belle, Tyler W. Adams as Tom, a Soldier, Dick Willoughby, Jack and Billy Cratchit, Katie Dembesky as a Caroler, Charity and served the production as an Electrician, Molly Bunkard as a Caroler, Rebecca Regina as a Caroler, Miss Fezziwig, Susan, and Martha Cratchit, Laura Wall as a Caroler, Mrs. Fezziwig, and Belinda Cratchit, Kristen Walsh as Mrs. Dilbert, Hope, and Mrs. Cratchit, and Zenobia Colah as Ali Baba and Betsy Cratchit.

The East Stroudsburg University (ESU) Department of Theatre production of “A Christmas Carol” was directed by Margaret Ball. The play’s book, music, and lyrics were composed by Mavor Moore and based on the Novella written by Charles Dickens. Betsy Buzzelli-Clark was the production’s Musical Director with incidental music composed by Stephan Woodjetts. The production was Stage Managed by Robert McIntyre who also served as a Carpenter and as a Electrician. Assistant Stage Managers were Ahleea Zama and Michelle Tuite who also served as a Carpenter and as a Property Assistant, Yoshinori Tanokura served the production as its set and costume designer, Shannon Long and Melissa Sherry served the production as Costume Assistants, Michael Thomas served the production as its Technical Director, Bruce Candlish served the production as its Lighting Designer, Kelsey Pulzone served the production as its Master Electrician, its Light Board Operator, and as a Carpenter, Mary Dennis, Gabe Rabinowitz, and Brandon Cabrera served the production as Electricians, Devon Sparks served the production as its Property Master and as an Electrician, Jackie Knollhoff served the production as Property Assistant, Michelle Jones served the production as its Dialect Coach and as a Carpenter, Eric Lang and Tiff Cruz served the production as Carpenters, Dave Dougherty and Matt Pierson served the production as Sound Board Operators, Aaqilah Lewis served the production as its House Manager, Elyse Burnett served the production as its Box Office Manager as assisted by Megan Rosvanis, The Posters promoting the production as the programs were designed by Darlene Farris-LaBar.

This production of “A Christmas Carol” will continue its run at The East Stroudsburg University (ESU) in East Stroudsburg, PA at The University’s Fine and Performing Arts Center in it’s Smith-McFarland Theatre until December 4th and, while it is lacking in many areas, it is an enjoyable for many. The next production to be presented at The University’s Fine and Performing Arts Center will be Stage II’s production of their 2012 Student Directed One Act Plays. The theme this year is “Love and all that it entails” featuring the plays “The Wedding Song,” “A chocolate Affair,” “F. L. E. X,” and “Starting Over.” The production runs from February 14th until the 19th. Please contact The East Stroudsburg University (ESU) Theatre Department at 570-422-3483 for more information about future productions and to reserve your ticket.

Photograph provided by The East Stroudsburg University (ESU) Department of Theatre.

Tis the Season to be Artsy

2011-12-02T12:11:00.001-05:00

The Pocono Arts Council held an Artists’ Reception for their Annual Holiday Show and Sale of Fine Crafts (aka The Holiday Store) at the ArtSpace and Studio Galleries (aka The PoconoArts Community Cultural Center) in Stroudsburg, PA on Thursday December 1st. The works on display featured those created by the members of The Pocono Guild of Craftsmen. Although surprisingly very few (if any) of the pieces creators were present at the reception, much of the work was eye catching and the event brought a modest amount of art lovers to it. More information about The Pocono Guild of Craftsmen can be gained by exploring their Website at www.pacrafts.com.

The evening also served as an opportunity for members of The Pocono Arts Council to hold their Annual Meeting which was very informative. This information include highlights of what the council had accomplished throughout 2011, the funds they raised to reach their goals, appeals to obtain more capital to reach even greater heights, and revelations to whom is serving on their board of directors and their leadership positions. The meeting concluded with a poetry reading by Noreen Ayers who is currently featured on the gallery’s Hall of Poetry and Writings and the awarding of a basket of edible goodies to Margaret Benson who won the evenings raffle. You’ll find more photographs taken during the reception and the Meeting in the Visual Arts 2011 Gallery at www.facebook.com/media/set/?set=a.10150485302325421.426918.636000420&type=1&l=ac02183230.

The Pocono Arts Council’s Annual Holiday Show and Sale of Fine Crafts (aka The Holiday Store) continues until December 24th. The next exhibition at The PoconoArts Community Cultural Center will be presented in The ArtSpace Gallery and begin with an Artist’s Reception on Saturday January 7th. It will continue until the end of the month. Please Explore The ArtSpace Gallery Website at www.poconoarts.org/artspace for more information.

The PoconoArts Community Cultural Center is part of The PoconoArts Council which is an organization designed to build the communities in which it serves artistically and culturally by providing leadership, service, and education. It does so by offering avenues for artists to display their work through the ArtSpace and other galleries, educational opportunities for those who would like to explore and/or enhance their creative natures, and encouragement to those who seek to express and/or support the arts. You’ll be able to learn more about The PoconoArts Council and all they offer at www.poconoarts.org.

Topping the Sky with Art

2011-11-28T12:31:00.001-05:00

Colorful lights, enchanting art and crafts, and the excited utterances known to accompany the holiday season filled the Executive Conference Center located within the Skytop Lodge in which The Pocono Mountain Arts Council held their 7th Annual Holiday Arts Festival on November 26th and 27th. Although I was only able to attend the festival during it’s final two hours, much of the spirit of the festival was still felt as it permeated among the vendors and all who experience their seasonal hospitality. A relaxed joy touched the air as offerings ranging from the creative works of renowned artists and crafters to the pieces created by energetic students from local school districts who shared their newly discovered talents.

Over 50 creative souls presented their works to a sizable number of art and craft lovers who awaited for the yearly arrival of the festival. Many came with a desire to enhance their holiday shopping through the purchase of the pleasantly beautiful images, the divinely adornment jewelry, and gently crafted household décor that were on display while many came to simply admire the work. Indeed, this was a festival combining love with commerce in a tastefully satisfying manner.

As for me, it was an enjoyable festival filled with some very nice work and delightful conversation. The objects presented by the crafters caught the eye’s attention and proved to be interesting products while the art presented pleased the eye with their gentle depictions. With few exceptions, the body of work presented at the festival were created with commerce in mind so there were very few pieces providing any reflections of the state of human existence.

However, there was a love for the crafts and art that were presented which emanated from their creators. Without this love, the objects would hold no more significance than those found in retail stores whose items are merely placed their to make the shop owners a profit. One can sense the work presented during The Pocono Mountain Arts Council’s 7th Annual Holiday Arts Festival were not made with a mere profit motivation to which its existence was owed. A human heart was present as each stroke of a paintbrush touched a canvas, as each nail was hammered in a piece of wood, and as each pierced stone was strung together.

The Pocono Mountain Arts Council supports the work of artists and promotes the arts in the community through education and by providing avenues of creative expression encouraging working relationships among the area's artistic groups, providing financial support toward the education of aspiring artists, and working toward the establishment of a permanent gallery space in which to host workshops and exhibitions. The Pocono Mountain Arts Council’s Annual Holiday Arts Festival is held every year during the weekend following Thanksgiving. You’ll find more photographs I took during my time at the festival in The Visual Arts 2011 Galleries Part 2 at www.facebook.com/media/set/?set=a.10150316388700421.390846.636000420&type=1&l=559eabb691 and Part 3 at www.facebook.com/media/set/?set=a.10150485302325421.426918.636000420&type=1&l=ac02183230. Please Explore The Pocono Mountain Arts Council Website at www.poconomac.com or call 570-595-3157 to learn more about them, what they offer to the community, and how to become welcomed as a member.

Castling Faces Emerge

2011-11-20T14:55:00.001-05:00

The Castle Inn Gallery in Delaware Water Gap, PA held an Artist’s Reception on Saturday November 19th for their Exhibition titled, “Faces.” The exhibition features the works of Donna A. McCartney who was debuting her talents at the gallery. The reception was well attended by art lovers who were treated to a pre thanksgiving feast of etchings and sculpture destined to satisfy the creative appetite of anyone who experienced the work.

The work was arranged in an order which allowed attendees to flow freely from one object to another while enabling them to take pause long enough to contemplate the style and intricacies of each piece. There was much to contemplate and admire as each face presented in the individual pieces reached out with their expressions until it was mirrored within those who gazed upon it. This encouraged the viewer to reflect upon the feelings they were feeling during this exchange and allowed them to be acknowledged in a more profound way.

The conversation mimicked the arrangement of the work as topics flowed freely throughout the entire Castle Inn which is made up of a variety of shops. These include Ms. McCartney own (DM) Custom Framing and Art Studio in which she offers a variety of frames and workshops. She has become well known for helping artists frame and show their work throughout her 15 year residency in the Monroe County area and it was an enjoyable experience to experience her creative endeavors revealed for the very first time during the reception. You’ll be able to learn more about Ms. McCartney, her art, and all her studio has to offer by contacting her at dm-studios@hotmail.com.

Wine and appetizers were provided by The Zen Safari Ethnic Art Center which is one of the shops found within The Castle Inn offering items found in various parts of the world including Australia and Haiti.The modest variety of foods and the properties of the beverages enhanced the relaxed atmosphere of the evening. You’ll be able to learn more about The Zen Safari Ethnic Art Center and all it has to offer by contacting them at zensafari@gmail.com. You’ll be able to find more photographs taken during the reception in The Visual Arts Gallery Part 2 at www.facebook.com/media/set/?set=a.10150316388700421.390846.636000420&type=3&l=559eabb691.

The Castle Inn in Delaware Water Gap, PA was built in 1906 and was the last of the great hotels to be built in area. It housed an ice cream parlor, a mosaic floor, bowling alleys, a pool, and a billiard parlor. Performances were presented which included those given by Opera legend Enrico Caruso, Marching Band Leader John Phillip Sousa, and Big Band Leader Fred Waring along with the Pennsylvanians. This all came to an abrupt end when fire touched the Inn in the 1970s and it laid dormant until 2005 when it was purchased by Theresa Veltri and Frank Paccione who continues their endeavors to bring the Inn back as an asset to the community and all who visit it.

The Exhibition continues in The Castle Inn Gallery located in Delaware Water Gap, PA until January 21st. Jose and Maggie Sanatmaria serves as the Gallery’s Directors. More information about the exhibition as well as The Castle Inn can be gained by explore their website at www.castleinndwg.com.

Theatrical Review: Macbeth

2011-11-07T15:09:00.003-05:00

Theatrical Review: Macbeth

Written by: William Shakespeare
Directed by: Richard M. Rose
Theatrical Review by: Paul Adam Smeltz

The Shawnee Playhouse in Shawnee on the Delaware, PA presented The Pocono Shakes production of William Shakespeare’s “Macbeth” (aka “The Tragedy of Macbeth”). The company previously presented the play in The David W. Miller’s Park which is located in East Stroudsburg, PA earlier this Autumn. I’ve seen one of the presentations and I’ve written a review. You’ll find it posted at www.forwardianartssociety.blogspot.com/2011/09/theatrical-review-macbeth.html.

In the review, I’ve explored the history and shared a fairly detailed synopsis of the play. I choose not to be so meticulously repetitious in writing this review as the facts I’ve referred to in the previous one has not changed. So, I would refer those who would like to experience the history and synopsis of the play to click onto the link provided earlier and feel free to do so.

However, for those who choose not to click the link, I would briefly like to share the play is about a Scottish Thane (Lord) named “Macbeth” who wins a great war for his king. After the final battle, he and his friend meet some witches who predict his ascendance to the throne and his friend’s decedents will soon follow. Afterwards Macbeth and his wife plot to kill the king and they go mad. In his paranoia, Macbeth kills his friend and has others whom he sees plotting against him murdered as well. This encourages a real plot to develop which leads to a war and the death of Macbeth.

The review also mentioned the superb acting and directing which was experienced during the production at The David W. Miller’s Park. This not only remained true on The Shawnee Playhouse stage but the performance of the actors who grew in their roles as actors often do when a play is presented over an extended period of time greatly improved the theatrical experience. This extended run of the play also seemed to have a positive effect on it’s pacing which I felt The David W. Miller’s Park production seemed a bit rushed at times and kept the audience from absorbing the enormity of the horrendous slaughtering and their aftermaths. The pace of The Shawnee Playhouse production slowed and the audience seemed to respond to the occurrences on stage with more reflection.

The cast of The Pocono Shakes production of William Shakespeare’s “Macbeth” included Patrick Bresnyan as Macbeth, Gillian Bender as Lady Macbeth, Richard M. Rose as Banquo, Amy Cramer as Lady Macduff and a witch, Emily Fiona Rose as Lady Ross and a witch, and Lorelei Sands as Lady Lennox and a witch. There were also Robin Kessler as Ross and served as the production’s Music Director), Mark Pender as Angus and the Bloody Captain, Griffin Wagner as a Lord and murder, and Ryan Moore as Malcolm and served as the production’s Weapons Master. And there were Robert Taylor as Macduff, Samantha Wagner as Macduff’s Son, and Holly Newcomb as the goddess Hecate and a Gentlewoman. Mathew Cramer as Siward, and Grant Wagner as Young Siward and Caithness. And finally there were Maureen Gilleece Harms as Doctor and Gentlewoman, Marty Courtney as the Porter, Renard Cohen as Seyton, and Cordelia Ariel Rose as Donalbain and an apparition.

There were also come cast changes between The David W. Miller’s Park and The Shawnee Playhouse productions due to various reasons. These included Ray Papay as King Duncan, Marshall Haskell as Lennox, Sarah Mitchell as an Alternate Witch, Jeremy Cramer and Cameron Cramer as MacDuff siblings who both served the production as a stagehands. All enhanced the play with their stellar performances. Even if one had seen The Pocono Shakes production of William Shakespeare’s “Macbeth” The David W. Miller’s Park last September, this reviewer would recommend seeing it once again as there seemed a certain charm in doing so. However, if anyone reading this review hasn’t seen it at the park, well, a treat awaits those who enjoy Shakespearian theater done well.

The Pocono Shakes production of William Shakespeare’s “Macbeth” is directed by Richard M. Rose and Stage Managed by Amanda Kalinowski. The Costumer for the production was Bella Shanice while Irene Garner and Stacy Ritchie served as roving assistants. The producers of the productions presented at The Shawnee Playhouse are Ginny and Charlie Kirkwood while the group sales manager is Mary Horn. The Box Office Staff includes Chrissy McMannus while Becky Haskell serves as the playhouse’s Sales and Marketing Director. The Executive Director of The Shawnee Playhouse is Midge McClosky.

Pocono Shakes is a newly formed theatre group dedicated to shaking up Shakespeare and giving him back his groove. Their future plans include many more performances, film screenings, lessons, comedy, improv, and fun. They practice an absolute, no-discrimination policy and encourage all actors and musicians to audition and participate. Pocono Shakes is a non-profit 501(c)3 organization. For more information please contact Pocono Shakes at PoconoShakes@gmail.com or visit them on Facebook at www.facebook.com/poconoshakes.

The Pocono Shakes production of William Shakespeare’s “Macbeth” continues its run until November 13th. Future Shawnee Playhouse presentations will include their production of “ Home for Christmas” and their Children Theater production of “A Christmas Wizard of Oz” both running from November 18th until December 22nd, “The Ultimate Elvis Tribute” on Saturday November 19th, The Northeast Ballet Ensemble production of Pyotr Ilyich Tchaikovsky‘s “The Nutcracker” running from December 3rd until the 12th, and their Annual Holiday Sing In Concert featuring Handel‘s “Messiah” on Tuesday December 20th along with their children’s presentations of “Mark Mysterrio’s Tales of Magic and Mystery” on December 26th and 27th and “Kids Kabaret” on December 29th and 30th. In addition to these presentations, The Shawnee Playhouse is seeking aspiring playwrights to participate in their Shawnee Original Playwright Series (SOPS). The Submission deadline is January 31, 2012 with Staged Readings of the finalist are scheduled to take place March 6th - 30th.

Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $3.00 discount off the admission fee of The Shawnee Playhouse Productions (excluding Children Theatrical Productions and those presented by non Shawnee Production Companies). Please contact The Shawnee Playhouse at 570-421-5093 or Explore their website at www.theshawneeplayhouse.com for more information (including submissions for their 2012 Playwright Competition) and to reserve your ticket.

Photograph provided by The Pocono Shakes.

Theatrical Review: “The Glass Menagerie”

2011-11-07T15:04:00.004-05:00

Theatrical Review: “The Glass Menagerie”

Written by: Tennessee Williams
Directed by: Jan Julia
Theatrical Review by: Paul Adam Smeltz

The Shawnee Playhouse in Shawnee on the Delaware, PA presented The Kaleidoscope Players production of Tennessee Williams’ “The Glass Menagerie.” The play premiered in Chicago in 1944 and was reworked from one of the author’s short stories titled, “Portrait of a Girl in Glass.” The work became known as a “memory play” in which (as the term suggests) the onstage occurrences are derived from the recollections of a narrator named, “Tom Wingfield” (as portrayed by Scotty Vinnacombe) whom many consider to be Tennessee Williams himself. After receiving a modest reception in Chicago, the play moved to Broadway and received the New York Drama Critics Circle Award in 1945.

The play takes place in a St. Louis Tenement in which Tom, his sister Laura Wingfield (as portrayed by Shannon Felletter), and his mother, Amanda Wingfield, (as portrayed by Amy Jo Shaefer) lives. The family had been abandoned several years earlier by Mr. Wingfield who is the husband of Amanda and the father of Tom and Laura. Although he is a central influence on what occurs onstage, only a portrait of him hanging on the wall appears throughout the production.

In her somewhat delusional recollections of her younger days as a “Southern Belle,” Amanda seeks to instill the visages of her bygone days upon her physically handicapped daughter. Her goal throughout the play is to obtain a “Gentleman Caller” for her daughter so she could enjoy the securities of marital bliss. This in spite of the fact her marriage left her in a state of insecurity which is demonstrated through her desire to control the fate of her adult children.

Both Laura and Tom seeks to escape their mother’s overbearing by distancing themselves at every opportunity. Tom does this by leaving the apartment to attend late night screenings at the local cinema and returns home drunk so the criticisms heaped upon him by his mother is diluted. Laura retreats by listening to music from the records her father left behind and by gazing at the glass menagerie she keeps near her bed. When her retreats are not enough to isolate her from her mother, she becomes ill as she attempts to ward her effects away.

As they play progresses, Tom succumbs to his mother’s constant obsession of securing a husband for Laura and invites a co worker named, “Jim O'Connor” (as portrayed by Patrick Murphy) to come to dinner. Preparations are over made with great expectations by Amanda for Jim’s arrival. However, when the gathering occurs, Laura recognizes Jim as a boy she fell in unrequited love with in high school and is too embarrassed to greet him. She later succumbs to her mother’s will but becomes ill so she can be alone during the dinner. Jim comes to her after the dinner.

As they begin to strike up a friendship, Jim tells Laura about his Fiancé. He later reveals the news to Amanda and leaves soon afterwards. Amanda later accuses Tom of deceiving her and he soon leaves to go (as he said) to the cinema. However, this is a deception as he actually goes to sign up for the merchant marines and never returns. Yet, (as stated in his concluding soliloquy) he never left Laura behind because he is “more faithful than I intended to be.” From the distance of time, Tom encourages Laura to blow out her candles so she can walk into the brighter light of living her own life. The play ends with her seen doing so.

To say this production of “The Glass Menagerie” is very well done would be a grotesque understatement. The mood and pacing that was kept constant throughout the production enhanced the work‘s realistic depiction of every day life. It showcased all the flaws a frailties of existence often found in dysfunctional families with all its mundane aspects intact. It would be a considerable challenge for any member of the audience to leave the theater without recalling some aspect of their lives revealed through the play. The acting was superb by actors who were expertly cast for their roles.

The performance this reviewer attended, had a small audience which led to my reflection how the original production was received in 1944. However, it is with great hope more theatre lovers will come to experience this production as it will remind them why they love theater in the first place. It not only relates the stories and what composes them within each character seen and unseen on stage, but it also allows the audience to explore their own stories and what may have inspired them to be written.

The Kaleidoscope Players is a local theatrical group led by Jan Julia. In addition to presenting plays at a variety of venues including schools, They offer opportunities for those interested in the theater to develop these interests into tangible skills. Their next production at The Shawnee Playhouse will be “The Thwarting of Baron Bolligrew” to be presented from March 23rd until April 1st. The public is invited to attend auditions for the production which will take place at The Easter Monroe Public Library in Stroudsburg, PA on Saturday November 26th and Thursday December 1st. Please Explore The Kaleidoscope Players’ Website at www.poconoplays.com for more information.

The Shawnee Playhouse presentation of The Kaleidoscope Players production of Tennessee Williams’ “The Glass Menagerie” was Directed by Jan Julia and was Stage Managed by Emily Cioc as assisted by Jasmine Sacarello. The Production Manager was David Schappert. The producer of The Kaleidoscope Players production of Tennessee Williams’ “The Glass Menagerie” was Don Slepian who also composed the original music for the production. The producers of the productions presented at The Shawnee Playhouse are Ginny and Charlie Kirkwood while the group sales manager is Mary Horn. The Box Office Staff includes Chrissy McMannus while Becky Haskell serves as the playhouse’s Sales and Marketing Director. The Executive Director of The Shawnee Playhouse is Midge McClosky.

This presentation of The Kaleidoscope Players production of Tennessee Williams’ “The Glass Menagerie” will conclude its run at The Shawnee Playhouse in Shawnee on the Delaware, PA until November 13th. Future Shawnee Playhouse presentations will include their production of “ Home for Christmas” and their Children Theater production of “A Christmas Wizard of Oz” both running from November 18th until December 22nd, “The Ultimate Elvis Tribute” on Saturday November 19th, The Northeast Ballet Ensemble production of Pyotr Ilyich Tchaikovsky‘s “The Nutcracker” running from December 3rd until the 12th, and their Annual Holiday Sing In Concert featuring Handel‘s “Messiah” on Tuesday December 20th along with their children’s presentations of “Mark Mysterrio’s Tales of Magic and Mystery” on December 26th and 27th and “Kids Kabaret” on December 29th and 30th. In addition to these presentations, The Shawnee Playhouse is seeking aspiring playwrights to participate in their Shawnee Original Playwright Series (SOPS). The Submission deadline is January 31, 2012 with Staged Readings of the finalist are scheduled to take place March 6th - 30th.

Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $3.00 discount off the admission fee of The Shawnee Playhouse Productions (excluding Children Theatrical Productions and those presented by non Shawnee Production Companies). Please contact The Shawnee Playhouse at 570-421-5093 or Explore their website at www.theshawneeplayhouse.com for more information (including submissions for their 2012 Playwright Competition) and to reserve your ticket.

Photograph provided by The Kaleidoscope Players.

Dreams Touch a Cheeky Monkey

2011-11-05T19:10:00.004-04:00

The Cheeky Monkey Coffeehouse in Stroudsburg, PA held an Artist’s Reception featuring the works of John Kolbek and Michael Parsons on Friday November 4th as part of their Espresso Yourself Art Series. The dreamlike imagery touching the walls of the popular coffeehouse flowed in and out of the perceptions of those who encountered them until one began to question where the realities of their existence ended and where the fantastic depictions reflected in the works began. It wasn’t long until one was led to discover there were no beginnings or endings as the realities and fantasies emerged as their natural states dictated.

Although each artists has their own style and vision that permeates their work, John Kolbek and Michael Parsons share a great deal of traits in their artistic approaches and interpretations of existence. This may lead some to find it difficult to discern the difference between the two. However, if one would double their endeavors to do so, the observer would be enriched by the subtle aspects within the works that distinguishes the individual artist.

John’s work often depicts imagery reliant upon the viewer’s ability to recall the validity of their dream’s logic while Michael often utilizes familiar objects which can be readily seen throughout our waking states and reinvents them so they could be seen within the seemingly contorted context of our dreams. In either case, one is treated to a journey with each image serving as a marker to a new awareness of reality and the dreams that inspires it.

The music for the reception was provided by Singer/Songwriter Jeni Hackett on guitar as accompanied by her bass player simply known as Ken. Jeni has become a favorite among those who frequent the coffeehouse and with good reason. Her voice touches the songs and the hearts of those who listen with a gentleness which guides one to melodious routes leading to solemn reflections and amused smiles. The performance enhanced the reception a great deal.

As always, Jeni presents a mix of material consisting of original works as well as those composed by others. Except for the obviously popularized pieces, a listener is hard pressed to determine which songs are hers and which belongs to another song writer. She has the wonderful ability to make every song her own including (to a large extent) those obviously popularized ones. Jeni and Ken are members of The Steel Creek Band who perform throughout the area and information on the band along with their future performance schedule can be obtained by exploring their website at www.steelcreekband.us.

The John Kolbek and Michael Parsons Exhibition continues until January 1st. You’ll find more photographs taken during the reception in The Cheeky Monkey 2011 Gallery at www.facebook.com/media/set/?set=a.10150126424220421.327714.636000420&type=1&l=0ac968b925. The next Artist’s Reception in The Espresso Yourself Art Series to be held at The Cheeky Monkey is yet to be scheduled. In the meantime, Cheeky Monkey will host a comedy night featuring the Off Track Players on Friday November 11th beginning at 7pm and an Open Poetry Night on Friday September 16th beginning at 7pm. The Cheeky Monkey Coffeehouse also offers a variety of coffee, drinks, and culinary treats along with events such as the one described in this article. Please Explore The Cheeky Monkey Coffeehouse Website at www.cheekymonkeycoffee.com or call 570-236-5574 for more information.

Gillette and Mangsen at The Bookhouse

2011-10-30T14:59:00.004-04:00

The Eastern Monroe Public Library (EMPL) in Stroudsburg, PA presented Steve Gillette and Cindy Mangsen on Friday October 28th as part of their Bookhouse concert series. The event was well attended and, after a brief introduction from Linnae Cintron of the EMPL, the atmosphere of the library’s Edinger Community Room became filled with a wonderful array of folk tunes written throughout the ages as well as some original works written by the duo either together or individually. The performance was enhanced by the duo’s gentle demeanor creating the pleasant sense of community the room was designed to inspire.

Each song had it’s own history and it was shared not only through the entertaining introductions the couple conveyed but also through the expertly crafted narrative renditions of each piece and the instruments they employed (which included concertinas). Their entire musical arsenal allowed the essence of each song to become prominent as each theme and its subtle nuances were explored and revealed. The varied effect of the selection of songs could be seen in the faces of the audience whose countenances ranged from smiles and laughter to reflections upon the haunting melodies that entered their imagination and memories.

During the course of the concert, a friend of the duo who performs with them often took the stage to join them in a few wonderfully performed tunes. Anne Hills’ vocals added additional texture to the already splendid interpretations of the music performed throughout the evening. Ms. Hills’ performance proved to be a wonderful treat to the audience as it added to the delight the Steve and Cindy established earlier. You’ll find more photographs in The Music 2011 Gallery at www.facebook.com/media/set/?set=a.10150134623910421.332199.636000420&type=1&l=5c69119dd6.

Steve Gillette and Cindy Mangsen began traveling, performing, and recording together since their marriage in 1989. Their CDs include a “Live In Concert” album recorded in 1991 at The Ark in Ann Arbor, MI, “The Light Of The Day” which was named Top Folk Album of 1996, “A Sense of Place” which was released in 2001, and “Being There” which was released in 2006. In addition to her musical talents, Anne Hills is also known for her literary and theatrical skills. She has received numerous honors thoughout her career which includes the WFMA 2002 Kate Wolf Memorial Award and The Kerrville Music Foundation’s Outstanding Female Vocalist of the Year Award (1997). In addition to the Bookhouse performance in which she accompanied Steve and Cindy, she performed on a children’s CD titled, “Never Grow Up” in 1998 with Cindy and participated in a collaborative endeavor with Steve and Cindy for a CD titled, “Fourtold.” Please Explore The Steve Gillette and Cindy Mangsen Website at www.compassrosemusic.com and The Anne Hills Website at www.annehills.com to learn more information about their music, future concerts, and how to obtain a CD for your music collection.

##The Eastern Monroe Public Library (aka The Hughes Library) is located on N. 9th Street (aka route 611) in Stroudsburg, PA. It is the main branch of the Monroe County, PA library system which include their Pocono Township Branch in Tannersville, PA and their Smithfield’s Branch in Marshalls Creek, PA. The library offers access to numerous books, DVDs, Audio Recordings, and cultural programs free to the public. The library’s BookHouse series is part of its cultural programs designed to provide a venue for literary and musical events which are outside of the commercial and literary mainstream. Please Explore The Eastern Monroe Public Library Website at www.monroepl.org to learn more information about the library, their BookHouse series, and all the institution has to offer the community.

Duality and Robots Muses The PCT

2011-10-30T14:57:00.001-04:00

The Pocono Community Theater in East Stroudsburg, PA presented a special Haunted Halloween edition of their Silent Films to Loud Music Series on Thursday October 27th featuring the 1920 Horror Classic “Dr. Jekyll and Mr. Hyde” starring John Barrymore and 1927 science-fiction classic “Metropolis” directed by German expressionist Fritz Lang. Also featured were music performed by Willbium, King Dead, and Rez Lep and the Apparatus. The combination of these artistic forms created a newly inspired experience which led to a deeper appreciation of each approach expression of talent. The event was well attended and emceed by Derek McCauley of The Pocono Internet Broadcasting Company (PIBCO).

The evening began with the screening of “Dr. Jekyll and Mr. Hyde” as accompanied by Willbium whose instrumental explorations enhanced the film’s qualities by providing a score denoting the psychological implications of the film. The film is based upon The 1886 novel written by Robert Louis Stevenson titled, “Strange Case of Dr Jekyll and Mr Hyde” and is about a London lawyer named Gabriel John Utterson who investigates strange occurrences between his old friend, Dr Henry Jekyll, and the evil Edward Hyde.

The film departs from the novel in several ways which includes the introduction of characters not found in the novel along with deleting some that were. However, the film remains cinematically effective through it’s beautifully constructed scenes and thoughtful ##intertitles (aka title cards) which not only revealed the content of the dialogue but the inner workings of the characters. This added a depth as well as a sense of dread as the audience began to become involved in the story and wonder where the actions of the characters (especially those of Jekyll and Hyde) would lead.

The next film to be shown was “Metropolis” which was first accompanied by King Dead featuring Charlie Abriel on drums, Wil McG on 6-string bass, Will Sovinski on slide guitar and harmonica, and Kevin Vanderhoof on bass and later by Rez Lep and the Apparatus. King Dead’s music is often associated with a sound similar to the music found in what has become known as “Spaghetti Westerns” #(aka Italo-Westerns or Continental Westerns) which were films made popular during the 1960s and were a sub genre of Westerns made in Italy. Utilizing this musical genre as a soundtrack added an uncommon dimension to the film which reinterpreted much of its classic imagery. It was the stuff film historians get overly excited about but those who attended the event were able to simply sit back and enjoy the film.

Rez Lep and the Apparatus accompanied a later portion of the film and his performance added an eerie texture to the work even beyond the considerable one it had gained a reputation for. Rez Lep’s familiar use of electronic voiceovers, demonic vocalizations, and peculiar instrumentalities allowed the audience to explore the deeper and darker aspects of the film and themselves. In spite of the technical difficulties that plagued the performance, Rez Lep and the Apparatus created a dystopian environment reflecting that of the film while creating a Hellishly unique realm derived from his imaginative performance.

“Metropolis” takes place in a futuristic mega-city in which society is divided into two classes. These classes are managers (about 1 percent of the population) and workers (well, the rest). The city is a repressive and controlled state where those worker who are enslaved by the city’s managers live a meager existence while those who rule live in luxury. The conflict of the film derives from the love that blossoms between the city’s founder’s son named, “Freder” and a worker Named, “Maria.” Freder soon realizes the horrors the workers must endure and begins to sympathies with their condition as his love for Maria increases.

After his son leaves, #Joh Fredersen is disturbed by the news he had become aware of. However, his disturbance doesn’t inspire him to make life better for the workers but to find ways to secure the status quo and to discredit or do away with any thoughts of self determination among the workers. This later approach becomes more imperative when Maria begins to preach to the workers the need for a mediator to explore the needs of management and the worker so they may both be accommodated in equanimity.

Fredersen discovery of this threat to his way of life and control of his domain leads him to seek out his old collaborator Rotwang. Rotwang introduces Fredersen to a Machine-Man he has constructed. A plan is put into place in which Maria would be abducted and a replica of her would go before those whom she swayed with her oratories. This occurs and the Machine-Woman imitating Maria endeavors to discredit her reputation through various methods including presenting herself as “The Whore of Babylon.”

I wish I could share with you how the film progressed, but, like the screening of “Dr. Jekyll and Mr. Hyde,” the film was discontinued as the musical performances came to an end. This was an unfortunate aspect of an otherwise enjoyable evening which included a costume contest. Still, it was a good night to get out and enjoy some good music and films with friends. You’ll find more photographs in The Music 2011 Gallery at www.facebook.com/media/set/?set=a.10150134623910421.332199.636000420&type=1&l=5c69119dd6.

The Pocono Internet Broadcasting Company (PIBCO) is a radio station which broadcasts its programming over the internet with a desire to help support and promote our community, local musicians and artists, locally owned small businesses, and give the surrounding communities a locally owned broadcast outlet that it has been missing for many years. Towards these ends, PIBCO offers a variety of programs covering a wide array of interests and musical styles. Please Explore #The Pocono Internet Broadcasting Company (PIBCO) Website at www.pibco1.com to listen to their programs and for more information about all the station has to offer.

The Pocono Community Theater is located in East Stroudsburg, PA. The relatively small theater houses three screening rooms in which films ranging from the commercially popular films of the day to the Independent and Foreign films not readily available in larger venues are shown. The Pocono Community Theater also holds special events throughout the year including a Red Carpet Event at The Stroudsmoor Terraview on Friday November 11th, and a screening of the 1959 film “The Diary of Anne Frank” on Sunday November 13th in remembrance of Kristallnacht followed by a special presentation given by Ken Wolk. Please Explore The Pocono Community Theater Website at www.poconocommunitytheater.org or call 570-421-2036 for more information about these event and all the theater has to offer.

Color, Pattern, and Design at PCT

2011-10-24T14:34:00.002-04:00

The Pocono Community Theater Gallery in East Stroudsburg, PA is currently presenting an exhibition titled, “Color, Pattern, and Design: Highlighting the work of local Artist Marcos Oksenhendler of Monroe County.” I stopped by the gallery on Sunday October 23rd to experience the work as did a number of patrons who came to the theater to view one of their films. It was interesting to note how these patrons took time to view the work instead of going directly into the screening room after purchasing their tickets without giving the pieces a second glance. Instead, I saw many linger at the work as if they were visiting a long time acquaintance with the desire to catch up on all the news that occurred since they last seen each other.

Mr. Oksenhendler works are mostly abstracts whose properties have a tendency of bringing the viewer deeper into their compositions. This is a pleasurable tendency as one begins to feel a swimming sensation which nears the point of becoming hypnotic. I can’t say the effects are actually hypnotic as I, for one, was in full command of my facilities during the time of my visit to the gallery. However, I have heard many who have experienced hypnotism claim the same full command of their facilities so who knows.

In any case, the work is interesting and well worth the pause given to them while venturing into the Pocono Community Theater’s screening rooms. The Exhibition Continues Until January 8th. You’ll find more photographs in The Visual Arts 2011 Gallery Part 2 at www.facebook.com/media/set/?set=a.10150316388700421.390846.636000420&type=1&l=559eabb691.

The Pocono Community Theater Gallery is located within The Pocono Community Theater which is located in East Stroudsburg, PA. The relatively small theater houses three screening rooms in which films ranging from the commercially popular films of the day to the Independent and Foreign films not readily available in larger venues are shown. The Pocono Community Theater also holds special events throughout the year.

Theses special events include a screening of the films “Dr. Jekyll and Mr. Hyde” and “Metropolis” along with musical guest “Beasts of Traal,” “Willbium,” “King Dead,” and “Rez Lep and the Apparatus” on Thursday October 27th as part of their Silent Films to Loud Music Series, a screening of the 1973 film “The Exorcist” on Saturday October 29th as part of their film revival series, a Red Carpet Event at The Stroudsmoor Terraview on Friday November 11th, and a screening of the 1959 film “The Diary of Anne Frank” on Sunday November 13th in remembrance of Kristallnacht followed by a special presentation given by Ken Wolk. Please Explore The Pocono Community Theater Website www.poconocommunitytheater.org or call 570-421-2036 for more information about these event and all the theater has to offer.

Abandoning Phantoms with Flair

2011-10-24T14:31:00.004-04:00

The Gallery at Local Flair in Mountainhome, PA held a Pre Halloween Party and Artists’ Reception featuring the works of Sue Tatterson in an exhibition titled, “Spirits of the Abandoned” and Shane Izykowski in an exhibition titled, “Phantasmatography” on Saturday October 22nd. Numerous aficionados of the magazine gathered in the small but elegant gallery to partake of an enjoyably spooky evening out. They were met with imagery ranging from deeply haunting structural apparitions allowing reflections of a bygone era to depictions inspiring blood curdling terror to be experienced in the dreams of those who find it possible to sleep after cautiously laying their head upon their pillows.

The photographic work of Sue Tatterson depicts the ruins of the now dilapidated The Inn at Buck Hill Falls which opened in 1901 and ceased operations in 1991. During its tenure, the Inn became known for its elegant beauty and grandeur while reflecting their humble geographical surrounding by maintaining a rustic flavor throughout its dwellings. This could be seen clearly in the beautifully haunting images captured by Ms. Tatterson.

There were several attendees of the reception who have visited the Inn throughout its illustrious history. They presented a countenance while viewing the images suggesting they were once again walking along its corridors and resting upon its many alcoves. One could not help but to be touched by these silent remembrances while marveling at the photographic skills that inspired them.

Upon Ms. Tatterson’s website, she writes “We live in a constant cycle of abandonment and renewal, discarding the old for the new as we strive to build bigger and better facilities - erasing the past in our process.” While this is certainly true of the man made structures such as The Inn at Buck Hill Falls serves as an example, one can easily expand the theme to envelop the human condition as well. After all, the reason one is touched by the images depicted in Ms. Tatterson’s work is derived from the many times we have felt it necessary to discard aspects of ourselves in order to make room for a new perspective of how to continue living it.

Sometimes we find the act of removing these traits from our spiritual makeup to be a liberating one allowing us to live a more enhanced life freed of the chains keeping us from moving forward. Yet, there are times we wonder if what we’ve given up was worth the endeavor as we begin to feel there is something missing which wasn’t the case before. We become haunted by ghosts we may never be able to make contact with again and yearn to hear their wise council as we face the challenges their absence creates. And, our regret is compounded when we recall how cavalierly we cast them out.

This cavalier approach is often associated with property owners who have no sense or regard to the intrinsic value of what they see as unprofitable. They replace buildings with soulful histories which touched the lives of many with structures which have the sense of being a hollow echo inadequately replacing what had stood in their place. Many developers declare their love for the community as they present plans to improve the area by demolishing meaningful parts of it. But, it’s not difficult to decipher their proposals as means to make a profit regardless of what is right for the community.

It is said, “When the power of love becomes greater then the love of power (which includes an unconscionable desire to accumulate large amounts of money), the world would be a better place.” Perhaps if such developers would consider how the love their “unprofitable” acquisitions have empowered those with their beauty, they may find replacing it for the sole purpose of increasing there income is not as a worthwhile endeavor as their business plan suggests. Such considerations may not only make the community they claim to serve a better place, but the world as well. And, if we apply such considerations (on a more spiritual level) to the changes we contemplate as we develop ourselves, we may become a better world as well.

The photographic work of Shane Izykowski depicts unfathomable horrors made popular by the film genre along the fiction and video games associated with it. Yet, Mr. Izykowski’s work goes beyond the contrivances of the medium as the images he captures travels deeper into the human psyche. The viewer of his work knows intellectually Mr. Izykowski had created the images through the use of models, makeup, and set designs. However, each image gives each viewer the unnerving certainty these photographs are of their deeply concealed terrors which were taken clandestinely without their conscious knowledge. As a matter of fact, these images may have been captures without our sub conscious knowledge as well; as impossible as it sounds.

Although the images Mr. Izykowski are clear and concise in their uncanny composition, they remain difficult to describe through the usage of words. How can one describe the unfathomable dimensions of a dream? And, how much more daunting the endeavor would be when, in the process of doing so, one would encounter their own terror which has been high on their list to avoid since the age of three? I choose not to release such daemons by opening the doors one much in order to explore Mr. Izykowski’s work in depth as such avenues to the mind are best left alone.

However, I can tell you the quality inherent in his photographic approach is par excellence and perfect for the subjects he presents. Perhaps there are those of you reading this who may be more apt to disregard your cautious nature more than I am to share your unshielded perceptions of Mr. Izykowski’s work as displayed in The Gallery at Local Flair. I invite you to do so as the Exhibition Continues Until October 31st. You’ll find more photographs taken during the reception in The Visual Arts 2011 Gallery Part 2 at www.facebook.com/media/set/?set=a.10150316388700421.390846.636000420&type=1&l=559eabb691.

The Gallery at Local Flair is an extension of Local Flair Magazine which was first published in 2005 celebrating excellence in every aspect of the communities located through the Pocono Area in Northeast PA while striving to maintain the highest quality publication possible. The magazine has earned a reputation for being an informative guide to what is truly beautiful and life enhancing with a savvy, creative edge offering a refreshing view of the Poconos. Local Flair Magazine is published bimonthly and is available to be read free of charge at numerous distribution sites. Please Explore The Gallery at Local Flair Website at www.localflairgallery.com to learn more about the gallery and www.flairmag.com to learn more about the magazine.

Theatrical Review: Sold

2011-10-22T14:24:00.003-04:00

Theatrical Review: Sold
Directed by: Stephanie French
Based on the Novel: Day of Tears by Julius Lester
Adapted to the Stage by: Stephanie Daventry French and Ahleea Zama
Theatrical Review by: Paul Adam Smeltz

The East Stroudsburg University (ESU) Department of Theatre presented their production of “Sold” which was adapted by Stephanie French and Ahleea Zama and directed by Stephanie Daventry French. The production is based upon the novel “Day of Tears” written by Julius Lester which is about slavery in the United States which existed as a legal institution prior to the 1860s. Like the novel, the play is presented through first-person points of view from the perspectives of both the slaves and the slave holders and is centered around the lives who were effected by that has become known as “The Weeping Time.”

The weeping time was an event which took place at a race track in Savannah, GA on March 2nd and 3rd in 1857. The two day event was the largest sale of human beings on record in the United Sates with hundreds of Africans being sold into slavery. During the sale, rain touched the area and many interpreted this weather conditions to mean the heavens were crying at the spectacle of men, women, and children being sold off like cattle to the land owners. Several of the Africans died while standing at the race track waiting to be sold while the remainder were bought to continue their lives of slaves until those surviving the conditions associated with slavery were freed when the Civil War concluded.

The ESU production of “Sold” wasted no time to indicate how the issue of slavery remains a prevalent one for the audience of 2011. During the announcements known as “housekeeping” in which theatre goers are reminded to turn off their cellular and electronic devices while refraining to take pictures during the presentation, the audience was reminded slave trafficking still exists in many areas of the world and is especially prevalent in the sex trade industry. The cast’s reminder concluded with an equally powerful appeal for the audience to do whatever they can to stop the abduction of women and children by those who profit from these practices.

The play itself remained a powerful production throughout as it explored the lives and circumstances around the characters (mostly historical ones) that were depicted. The play begins at the home of Pierce Butler (as portrayed by Douglas Saint James) who was the 2nd largest Slave Holder in Savannah, GA. Hi wife, Fanny Kemble Butler (as portrayed by Shannon Leigh Christmann) who is an abolitionist and objects to how the slaves on her husband’s plantation are being treated. The marriage is seen in its deterioration as Fanny leaves the unacceptable situation to return to England and is forced to leave her two daughters, Sarah (as portrayed by Stephanie Clare) and Frances (as portrayed by Cassandra Daily), in their father’s care as he and the law of the 1800s saw children the property of their father.

As they play progresses, so do the lives of Pierce Butler and his children. Frances adopts a mentality which allows her to accept slavery and all its implications while Sarah re-examines the culture in which human bondage and the suffering it inflicts is an acceptable means of maintaining a high standard of living. The play also examines the lives and varied perspectives of the slaves which range from acceptance to the point their lives are seen as preferable to the challenging life they would lead once freed to those who either pray for freedom or death to come so their misery that accompany a life filled with a lack of dignity and self determination could end. The play also explored the lives of other slave owners which enhanced a revelation of a thread connecting all the characters of the play which is woven to the realization that no one is free in an oppressed society.

While it’s obvious those who are slaves have little or no say in their fate, the need of their “Masters” to suppress their property enslaves them as well. The “Masters” are unable to recognize their slaves as human beings deserving of the dignity and respect entitled to each person. The “Masters” must meet societal expectations and look upon their “Niggers” as sub human in order to justify their place in society. The “Masters” are not free to refrain from perpetrating the abuse many slaves experienced during those times nor are they free to comment upon the morality of such practices to their colleagues, friends, or family out of fear of losing their acceptance.

Although the play centered around the historical period of the 1800s, this reviewer began to reflect upon the references the cast made to slavery in the modern era. I began contemplating how many in our world are suffering the effects of slavery whether it’s imposed by others or self inflected. These effects pertain to relationships and situations many find themselves in throughout the course of their lives. Those who are abused in relationships are kept in fear of seeking a change in their condition and are immobilized by those who enslave them. It is often easy for those who wish to share their wisdom to say such life conditions are best avoided but the reality is they often can’t as emotional attachments come into play and these are not easily controlled.

There are also those who are enslaved by their own thoughts and prejudices. Many of us become attached to certain ideas or concepts and merely entertaining a contradictory one creates a great deal of anxiety. This is often due to our perception that to change our thoughts would deny us of our steadfast certainties and we lose our ability to control our part of the world. We then become prone to second guessing ourselves to the point where we begin to mistrust our every decision. Some may seek out individuals or groups who are willing to enslave them while others may isolate themselves in order to maintain a certain illusionary control over their environment. In either case, they become both the enslaved and the enslaver as, like several of the slaves portrayed throughout the production, they become accustomed to their enslavement as it allows them to live life without having to live it.

However, freedom does come to those who are tired of accepting the unacceptable whether it originates from others or from within. Those who accept a new life without oppression may find it to be a better one. Those who don’t may choose to remain in the comfort being enslaved provides them. Still, knowing one can be free if they’re willing to accept its blessings and challenges does empowers one whether they choose to embrace it or not. In other words, it’s the ability to choose and not the choice itself that makes one free; even if that choice is slavery.

As mentioned earlier, the production of “Sold” was a powerful one. It was well cast by exceptional actors who brought to life the characters they portrayed (both historic and fictional) in a very believable way. One often felt the soul of the person embodied the actor making it difficult to distinguish one from the other. This added significantly to the quality of the production along with the set design and direction the play was given by its director Stephanie Daventry French.

Besides those mentioned earlier in this review, members of this production’s cast included Tyler W. Adams as Will, Bob, and Samson, Esther Joseph as Emma, Shawanda Davis-Farber as Mattie and Aunt Hager, Andrew M. Confair as Auctioneer Weems, Brad Reigner as Mr. Denman and Jeremiah Henry, Michelle Jones as Mrs. Denman (who also served the production as its Dialect Coach), Tyler Whitman as Mr. Ellington, Michael Lloret as Mr. Powell (who also served the production as its Music Arranger and Choral Director), Brandon Luis Cabrera as Jeffery and Charles, Melquis Reyes as Anson, Mary Dennis as Mary and Winnie, Gabryal Rabinowitz as Joe, Joseph Dougherty as the Auctioneer’s Assistant, Tinesha Davis as Dorcas, and Marie Steeger as Mistress Henfield. The cast also included Karen Guilliams who added depth to the production by lending her voice in song and served the production as a member of its Running Crew. There were also understudies mentioned in the program and they were Aaqilah Lewis and Shannon Long

The East Stroudsburg University (ESU) Department of Theatre production of “Sold” was directed by Stephanie Daventry French who also adapted the novel by Julius Lester and was assisted by Ahleea Zama who also adapted the novel by Julius Lester and served the production as an understudy. The production was Stage Managed by Zenobia Colah who was assisted by Elyse Burnett and Katie Dembesky. Yoshinori Tanokura designed the set as assisted by Gillian Reinartz. The Lighting was designed by Robert McIntyre as assisted by Kelsey Pulzone who also served as a member of the production’s Carpentry Crew along with Eric Lang. Michael Thomas was the production’s Technical Director, Devon Sparks was the Master Electrician, Molly Bunkard was the Wardrobe Mistress, and Michelle Tuite was the Property Mistress as assisted by Briana Tyler and Mari Pollock. The Poster and Program Cover Design for the production was done by Michael Marshall.

This production of “Sold” will continue its run at The East Stroudsburg University (ESU) in East Stroudsburg, PA at The University’s Fine and Performing Arts Center in it’s Smith-McFarland Theatre until October 23rd and is recommended for those who wish to not only learn more about the plight of slaves in the United States during the 1800s but to reflect upon the insidiousness of its nature which persists to the modern day and may do so as long a humans inhabit the earth and themselves. The only drawback to this production is it only lasts until the 23rd so it is also recommended to be expedient in making arrangements to attend a performance. The next production to be presented at The University’s Fine and Performing Arts Center will be “A Christmas Carol” December 1st through 4th. Please contact The East Stroudsburg University (ESU) Theatre Department at 570-422-3483 for more information about future productions and to reserve your ticket.

Photograph provided by The East Stroudsburg University of PA.

Oooo. Look What COTA Did.

2011-10-12T13:43:00.004-04:00

It has long been a tradition for The Celebration of the Arts (COTA) to take some time after their annual festivals come to a conclusion to reflect the event and explore what aspects of it could be improved upon so next year’s celebration can be even better. This tradition continued at The Deer Head Inn in Delaware Water Gap, PA on Tuesday October 11th as jazz lovers and those who have volunteered their time and talents for The 34th Annual Celebration of the Arts Jazz and Arts Festival gathered. Although the gathering itself was a small one due to many going on trips abroad and becoming ill, there were many topics offered up for discussion and many issues were either resolved or tabled for further examination.

The meeting also included a sharing of information by friends of the festival which included a representative from East Stroudsburg University who will present their “Zoot Fest” on Sunday November 13th in The Keystone Room located on the University’s Campus. The event is dedicated to honoring Zoot Sims and Al Cohn who spent a good portion of their distinguished careers performing together in various Jazz venues. One of these venues was known as “The Loft” and the festival will have special presentations relating to the establishment including performances by musicians who not only played there but were also seen during the recent Celebration of the Arts Jazz and Arts festival last September. Please Contact East Stroudsburg University at alcohncollection@esu.edu or visit their website at www.jazzatesu.com to reserve tickets and to gain more information about Zoot Fest.

Besides taking time to reflect upon the festival and to learn how we can improve upon our loving endeavors, it was good to see some of the friends we’ve made throughout the years. These moments and the conversations they inspired encouraged us as we begin to envision The 35th Annual Celebration of the Arts Jazz and Arts Festival which will take place in September 2012. The next volunteer meeting to begin planning for the festival will take place in March with a specific date and time to be announced. You’ll find more photographs taken during the October 11th gathering in The COTA Meetings 2011 Gallery at www.facebook.com/media/set/?set=a.10150242895035421.370040.636000420&l=d7622cc3c1&type=1.

The Celebration of the Arts (COTA) presents and supports the arts and the music of jazz in all its forms and historical breadth through youth education, performing arts presentations, scholarship opportunities, and community outreach throughout the Pocono area. The festival and all its functions is organized and run by volunteers. You’ll be able to read my article about The 34th Annual Celebration of the Arts Jazz and Arts Festival www.forwardianartssociety.blogspot.com/2011/10/celebrating-jazz-with-bob.html and see the pictures I took at www.facebook.com/media/set/?set=a.10150372964630421.407227.636000420&l=c4f58c7479&type=1 and www.facebook.com/media/set/?set=a.10150374253425421.407492.636000420&l=e1257bf4be&type=1. More information the festival can be obtained by Exploring The COTA Website at www.cotajazz.org or by calling 570-424-2210. I hope to see you there.

The Abandoned Found at ESU

2011-10-06T14:53:00.003-04:00

The East Stroudsburg University of PA (ESU) held an Artist’s Reception in their Madelon Powers Gallery located within the Fine and Performing Arts Center on Wednesday October 5th for their exhibition titled, “From Dublin to Durango” featuring the work of Professor Herb Weigand. The work depicted geographical areas located in The Wicklow Mountains which are South of Dublin, Ireland and the cliffs Mesa Verde which are in the South Western United States. Both areas have been abandoned by those who dwell there and each has its own haunting unexplained story to why this is so.

Professor Weigand captures the haunting aspects of these areas although one can sense in more prevalently in the images of the Mesa Verde. This may be due to the arid environment of the region which cries out for the assumption of barrenness to be applied by those who view its depictions while the plush greenery of the Irish landscape connotes an area teaming with life and abundance. However, as with many things we encounter throughout our lives, appearances have their ability to deceive our initial perceptions and a deeper revelation can be gained upon further explorations.

These explorations may encourage one to go beyond the geographical images displayed in the exhibit to ponder our perceptions of the nature of abandonment and its effects on those who are left behind. Many such people have the obvious signs of the state which resemble the desolation found in the Mesa Verde. Yet, many who have been abandoned present themselves as nonchalant survivors whose busy lives are filled with so many distractions there is little time to reflect upon the pain they suffer when they first realized something or someone they once held dear will never be with them again.

The exhibition continues it showing at The Madelon Powers Gallery until November 22nd. It is filled with work capturing the flavor of it’s landscapes along with the essences (obvious and layered over) of their abandoned state. Those who would like to explore the ruins of an abandoned site which may lead them to discover the depths of the concept within themselves are encouraged to visit. You’ll find more photographs I took during the “From Dublin to Durango” reception in the Visual Arts 2011 Gallery Part 2 at www.facebook.com/media/set/?set=a.10150316388700421.390846.636000420&l=559eabb691&type=1.

The next Exhibition at the gallery will be the university’s semester review featuring the work of students enrolled in their art studio classes. The exhibit is scheduled to take place from November 29th until December 7th. The date of the Artists’ Reception is yet to be announced. Please Contact The ESU Art Department at 570-422-3483 for more information.

Monsters, Rezlep, and Dreams. Oh My

2011-10-03T20:32:00.001-04:00

The Dreamland Creations in Stroudsburg, PA held an Artists’ Reception on Sunday October 2nd for The Monsters Show. The exhibition was designed to provide an opportunity for artists to have some fun exploring the monstrous side of art in celebration of the upcoming Halloween season. This is a wonderful extension the Tattoo Studios offers local artists who would like to share their work in an atmosphere which encourages a cutting edge approach to creative expression that established galleries would be too frightened to alienate the conservative patrons to present.

While much of the work in The Monsters Show presented pieces depicting famous monsters like Frankenstein, Dracula, and other in a very interesting way, quite a few artists created monsters of their own creation. Some creations were inspired by children book such as “The Wonderful Wizard of Oz” while others derived from their own psyches and lives. Regardless of their point of origin, each piece took those who peered into it on a journey to a darkened realm which was as perversely enjoyable as it was fascinating.

The music for the reception was provided by Rezlep and his Apparatus. His unique performances of macabre multilayered cabaret music is a perfect fit for any exhibition who seeks to present work that challenges the perceptions of the ordinary mind. However, the evening’s performance upped the psychological ante of the monstrous depictions found within the imagination of the artists who presented them. Not only did Rezlep expand upon the delightfully disturbing effects of the work shown throughout the gallery, he did so with great revelry. Many who listened were infected by the performance as they desired even more of it. May the lord have mercy on their souls and provide more Rezlep to them all.

The visual artists participating in “The Monsters Show” include Myke Maldonado and Brandi Merritt, Victoria Penna, RenDi (who also collaborated in creating a piece with Shirley Escribano ), Ka-son Reeves, Emilio Arostegui, Shirley Escribano (who also collaborated in creating a piece with RenDi), Michael Parsons, Abby Braman, Sigurdur Sigurdsson, Tim Nebel, Brianna N Ace, Thomas W. Dillon, Gallows, Pawel Alexander Lijewski, Morgan Crespo, Shane Izykowski, Sander Martijn, Zaiah Kulano, Ana Marie Hendricks, and Paul (yeah, that‘s me). The Exhibition continues until November 28th. You’ll find more photographs taken during the reception in The Dreamland Creations 2011 Gallery at www.flickr.com/photos/9279760@N04/sets/72157625663462757.

The Dreamland Creations in Stroudsburg, PA serves as a studio where individuals can adorn their forms with a variety of body art such as tattoos and piercing reaching out to the vast community of conventional and non mainstream artists throughout the area. Their next Artists’ Reception will feature the work of Shane Izykowski with the reception taking place Sunday December 4th beginning at 4pm. The Exhibition will continue until December 31st. Please Explore The Dreamland Creations Website at www.myspace.com/dreamlandcreations or call 570-421-6313 for more information about the artists, the current and future exhibitions, and all they have to offer.

Marlana Holsten and Friends at ArtSpace

2011-10-03T20:29:00.005-04:00

The PoconoArts Community Cultural Center in Stroudsburg, PA held an Artists’ Reception on Sunday October 2nd in their ArtSpace Gallery. The featured Artist in the main gallery was Marlana Holsten who presented her latest series of photographic work. Ms. Holsten’s love of color and her subjects enhances each piece and it’s vibrancy seldom fails to bring a smile to the face of its viewer. Her images manages to not only bring out the features of her subjects in great detail but their essence as well. Among the artists who were showing their work alongside these photographs created by Marlana Holsten were Linda Kreckel, Thomas Augusta, Irene Bartz, JoAnn Castrillo, Sharon Cosgrove, Wil Daskal, Shirley Epstein, Jim Hannan, Helen Heeren, John Kopp, Bud laRosa, Maria Livrone, Don Manza, Marcos Oksenhendler, Ka-Son Reeves, Joan Sayer, Leslie Nagy, Batik, Alyson Doria, and Clarissa Jan Ward.

In addition to the ArtSpace Gallery, The PoconoArts Community Cultural Center also houses a Studio Gallery which featured works created by Penny Ross along with additional works by Don Manza. Ms. Ross works a great deal in pastels and she was seen working on a piece while the reception was taking place. This was a treat to those who desire to lean more about the technique by seeing a piece created in their presence. There were a number of questions asked her about her work and the ensuing conversation proved to enhance the exhibit. Don Manza also had a number of photographic pieces in the Studio Gallery which presented scenes with a darkness to their nature contrasting well with the pastel colors found in Ms. Ross’ work.

The PoconoArts Community Cultural Center also contains a Hall of Poetry and Writings on which poets and writers may share their talents with those who enter. This month the wall continued to feature the poems of Ka-Son Reeves. This exhibit was enhanced by illustrations created by the poet who is best known for his visual stylings. While the combination of these illustrations with the words did guide one to a clearer image to what the poem was to convey, it still encouraged the viewers’ imaginations to explore the deeper meaning of the piece that goes beyond what is read and seen. You’ll find more photographs taken during the reception in the Visual Arts 2011 Gallery at www.flickr.com/photos/9279760@N04/sets/72157625908252957.

The current exhibition continues until October 31st. The next exhibition at The PoconoArts Community Cultural Center will be presented in The ArtSpace Gallery and begin with an Artist’s Reception on Saturday November 5th. It will continue until the end of the month. Please Explore The ArtSpace Gallery Website at www.poconoarts.org/artspace for more information.

The PoconoArts Community Cultural Center is part of The PoconoArts Council which is an organization designed to build the communities in which it serves artistically and culturally by providing leadership, service, and education. It does so by offering avenues for artists to display their work through the ArtSpace and other galleries, educational opportunities for those who would like to explore and/or enhance their creative natures, and encouragement to those who seek to express and/or support the arts. You’ll be able to learn more about The PoconoArts Council and all they offer at www.poconoarts.org for more information.

Drawn to A Room with A View

2011-10-01T13:54:00.007-04:00

The Cheeky Monkey Coffeehouse in Stroudsburg, PA held an Artist’s Reception in one of their back rooms for a Small Format Art Show featuring the work of Bethany Wert on Friday September 30th. Contrary to what one might have expected due to the modest amount of advanced publicity it received, the reception was a relatively a well attended one. There were quite a few people there and this is taking in account the size of the room which could make a very small crowd look more enormous than it is.

The exhibit was a very interesting one for me. Not only was the work incredibly well done, but the presentation of it impressed me as well. It was very small with only 7 images on display along with a video feed of additional works created by the artist, but this simplicity added much to the potency of the entire show. One was able focus on each work at a leisurely pace which allowed one to explore it’s intricacies.

There were much to explore as these pen and ink renderings contained lines resembling mazes creating images entrapping the imagination of the viewer. The more one explores each piece the ore one finds it difficult to move away to explore another. Yet, each piece has its siren like call and one does eventually move towards it’s beckoning song.

There is one piece in particular that lingers in my mind. It is an untitled piece and it is of a womanly figure walking into what appears to be a shadowy domain. She seems to ignore the bright Autumnal colors which are part of the environment she is walking through as she begins to traverse into the darkness. The imagery in the work reminded me of the myth of Persephone who leaves the world at the end of each Autumn and goes into the underworld to be with her lover Hades before returning to her mother in the Spring. I realize it may be too bold for me to suggest a title for this well crafted piece, but if I were forgiven for doing so my suggestion would be to name it “Persephone’s Journey.”

Bethany Wert is currently finishing her bachelor's degrees in the field of Art and Design as well as in the field of Psychology. It seems to this observer she fully utilizes her interests in these areas to enhance their effect upon those who peers at them. I would encourage those who venture into The Cheeky Monkey to go through their corridor to experience the show as the work is an example of what wonderful things one can discover by peeking into a back room. You can learn more about Bethany Wert and her work by exploring her website at www.bethanywert.carbonmade.com. You’ll find more Photographs I took during the reception in The Cheeky Monkey 2011 Gallery at www.facebook.com/media/set/?set=a.10150126424220421.327714.636000420&l=0ac968b925&type=1.

The Small Format Art Show is part of The Cheeky Monkey’s Espresso Yourself Art Shows Series and will continue to be exhibited until October 30th in a room located near the rear of the establishment. The Cheeky Monkey Coffeehouse is also displaying the work of Kim Pollard in a photographic exhibit titled, “Show on Shuffle.” This exhibition can be seen upon the establishments walls as one enters its front door and will continue being displayed until November 1st. The next Artists to be presented in the Espresso Yourself Art Series will be John Kolbek and Michael Parsons featuring an Artists’ Reception on Friday November 4th beginning at 6pm with the exhibition continuing its run until January 1st.

The Cheeky Monkey Coffeehouse offers a variety of coffee, drinks, and culinary treats along with events such as the one described in this article. Other events include their Tuesday evening Open Mic Nites and their “Spoken Word Symposium” on Thursday evenings. In addition to these, The Forwardian Arts Society will hold its final Film Lovers Gathering for the season on Friday October 14th beginning at 7pm until we resume in April with our Forwardian Film Festival kicking off another season of gatherings. The gathering will feature a free screening of the film, “Student Bodies” which is a 1981 parody of the horror genre. Please Explore The Cheeky Monkey Coffeehouse Website at www.cheekymonkeycoffee.com or call 570-236-5574 for more information.

Celebrating Jazz with Bob

2011-10-01T13:51:00.000-04:00

The 34th Annual Celebration of the Arts (COTA) Jazz and Arts Festival was held in Delaware Water Gap, PA September 9th - 11th. In honor of his many achievements in the arts and his major contributions to the worldwide community, the festival gave special recognition to the life and career of Jazz Legend Bob Dorough. Bob is best known to those growing up during the 1970s who watched the Schoolhouse Rock segments shown between the Saturday Morning cartoons on the ABC Television Network. They were created to be educational tools to teach English Grammar, Civics, Mathematics, and other subjects. Even those who weren’t born during that decade can easily sing along to many of it’s classic tunes such as “Conjunction Junction,” “Mother Necessity” and “Three is a Magic Number.” Many forms of tribute to the work of Bob Dorough took place during the festival which included performers adding one of his many compositions to their set and the screening of scenes of the upcoming Documentary “Devil May Care.”

However, the festival itself began on an ominous note as the recent weather conditions around the area seemed to many as a threat to this year’s celebration taking place. The first of these threats was Hurricane Irene whose winds and perception caused a great deal of flooding in the area just two weeks prior to the festival. The second (and more devastating) threat was Tropical Storm Lee which caused widespread flooding throughout the Susquehanna Area destroying thousands of homes. The storm provided the area with a great deal of precipitation the day before the festival which caused a great deal of concern. Yet, on the first day of the festival, the abating rains renewed the anticipation of another festival filled with the music, arts, and camaraderie found in previous years in the fullness of its grandeur.

The festival began on Friday September 9th at The Antoine Dutot Museum and Gallery in Delaware Water Gap, PA who held an Artists’ Reception for their Music Motif Show. Prior to the Reception, those waiting to enter the gallery were entertained by the classical music performed by the ensemble known as Calliope which featured Gina Bertucci and Barbara McMahon on Flute along with Laura Goss on Bassoon. This gave a delightful air to the reception as those who stood to hear the enchanting sounds prepared themselves for the wonderful images that awaited them. It seemed as if no time had passed at all until the doors opened and the eager art lovers commenced their explorations of the wonderful work inside.

As each art lover did so, they were pleasantly overwhelmed by the enormity of the work placed upon the gallery’s walls. The exhibition featured the works of Artists, sculptors, and photographers who have created pieces to honor the art of music. The Annual Exhibition is a juried one with representatives from the Music, Educational, and Visual Arts Community who have shown a great degree of distinction in their fields serving as Jurors for the exhibit. This year’s jurors were Sue Terry (Music), Jill Howell (Education), and John C. Kopp (Visual Arts). Awards were given to artists in several categories touching upon a wide variety of style and artistic approach reflecting the overall beauty of the exhibit.

In the Works on Paper Category, Al Kratzer received the 1st place award for his work titled, “The Trio” done in Pastel while Bob Mancuso received an Honorable Mentioned for his work titled, “LIEB II” which was an Ink on Paper endeavor. Tim Helman received the 1st place award for his work titled, “True COTA CAT” as well as an Honorable Mentioned for his work titled, “Sprayed Jazz” in The Mixed Media Category. Garth Woods received the 1st place award for his work titled, “Nellie McKay at COTA 2010,” Marlana Holstein received the 2nd place award for her work titled, “Sweet Old Music Maker,” and Bud Nealy received the 3rd place award for his work titled, “Iconic” in the Photography Category. Ka-Son Reeves received the 1st place award for his work titled, “Tune Up” done in Acrylic, Jim Gloria received the 2nd place award for his work titled, “Doney Composes” done in Oil, Joseph Coco received the 3rd place award for his work titled, “Last Full Moon of 2009” done in Oil on canvas, and James Doddy received an Honorable Mention for his work titled, “Colors of Jazz” done in Oil in the painting category. The Best of Show Award went to Andrei Protsouk for his original 3-D oil on wood mix piece titled, “Concert for Violin No 1.”

As with previous years, the task of selecting the recipients of the awards must have been a daunting one as the quality of each piece was astounding. Each work allowed one to discover new aspects of the art of music to love. The inspired conversation was as lively and vibrant as the images sung their song to the eyes and souls of those conversing. Each word and concept shared was hungrily devoured as were the wonderful array of culinary treats that were also on displayed upon a central table additionally adorned with flowers provided by Donna Mason.

Those providing the evening’s varied and fulfilling cuisine included several well established local eateries including Andrew Moore’s Stone Bar Inn, Bruce and Marianne Brandii’s Big A Italian and American Grill House and Bar, and The Deer Head Inn along with several individuals such as Ed Mason, Michael Cooke, Christine Trembly (who also serves on the COTA Board of Directors and helped organize the exhibit), and Susan Wilson (who serves The Antoine Dutot Museum and Gallery). A staff of servers led by Diane Fienemann and Christine held before the attendees many a delicious hors d’ oeuvres that easily swayed anyone away from any desire to maintain a dietary reduction program. Those who joined Diane and Christine in their duties of culinary temptresses were Mary Hayes, Sue Predl, and Melissa Straton.

The Antoine Dutot Museum and Gallery in Delaware Water Gap, PA serves the area as an Art gallery and museum of local history housed in a charming brick school house which was constructed around 1850. The Music Motif exhibition completed its showing on September 18th. Their final exhibition features the works of The Pocono Photo Club membership who regularly schedules special programs, field trips, and other activities for local photography lovers and is currently showing until October 9th. Please Explore The Antoine Dutot Museum and Gallery Website www.dutotmuseum.com for more information in regards to their exhibitions and all they offer the community.

The first day of the 34th Annual Celebration of the Arts (COTA) Jazz and Arts Festival continued across the street of The Antoine Dutot Museum and Gallery in The Presbyterian Church of the Mountain with an evening filled with classical music, poetry, theater, and dance. The performances at the church allows the festival to honor these artistic forms prior to the commencement of the predominantly Jazz portion of its annual celebration. The evening proved to be a time in which those attending the show could sit back, relax, and absorb all the wonderful occurrences awaiting their attentions.

The performances began with The Marsha Cahn Ensemble led by Marsha Cahn on Viola and Violin with Mark Woodyat on Violin and Dan King on Cello. Their renditions of classical pieces along with some modern compositions proved to be a gentile initiation to the evening’s events at the church. Yet, the ensemble also included humor in their performance as Mark Woodyat improvised an instrumental piece based upon suggestions made from the audience. One could not listen without being reminded of the comedic musical approach of pianist Victor Borge. In fact, Mr. Woodyat may be considered the Victor Borge of the violin.

The evening at the church continued with a performance given by The Water Gap Players whose amusing and down right hilarious theatrics have become a favorite throughout the years. They are known for shining a humorous light upon many of the issues of serious concern and this year proved to be no exception. The wonderfully irreverent troupe consists of Joe Arner, Greg Back, Dennis Carrig, and David Hymes. Their first appearance on stage that night was for a skit written by Greg Back titled “Conspiracy Theory” in which the whole ensemble performed.

It presented a group of men assembled around a bar exploring and debating the merits of various conspiracy theories each of them embraces. They included all the fantastical theories familiar to anyone who ever viewed the history, discovery, or sci fi channels and the audience realizes how deserving each of these alternative approaches to reality are of their dismissiveness as do the characters when they hear of the most fantastical one of all. That is, until they learn this particular one is true.

The Water Gap Players were followed by The Totts Gap Dancers who originate from The Totts Gap Arts Institute (TGAI) located in the Bangor, PA area. A piece choreographed by Angeline Wolf titled, “Happy” featured Laura Buzzard, Rose Gloria, and Maeve Godstalk who danced joyfully to the music of Death Cab for Cuties. Their leaps through the air entertained as they took the smiles of the audience along with them on their journeys upward.

They were followed by another set of dancers from the TGAI who performed a piece choreographed by Jennifer Muller titled, “Burka” featuring Erin Harper, Gwen Little, Francesca Marinaro, Emily Perkins, and Angeline Wolf with music provided by Vicki Doney on Percussions as well as audio excerpts from “Chant.” The work explored the melancholy hopes one encounters throughout life and especially those encountered in the form of womanhood.

The haunting effects of the imagery created by these dancers were only surpassed by its choreographed beauty. There was a delay in applause when the performance concluded as the audience took time to absorb the internal and eternal substance of what they had experienced. However, this soon gave way to an enormous show of appreciation for an opportunity to witness something we have seen all along through new eyes and heart.

Comedy returned to the stage in the guise of Water Gap Players member David Hymes who gave a sermon based solely upon his composition titled, “The Book of No” which parodied several of the biblical mythologies known to anyone who attended a televised church service. It may be debated whether or not the conclusions and interpretations Mr. Hymes draws are more ludicrous than those of his evangelical counterparts, but one may be joyfully assured he and everyone who enjoyed his performance are going to Hell in a hand basket. That is, if one is lucky.

Poetry touched the hearts and thoughts of those attending the evening’s performances as Michael Stephans took his place to share his words. His recitations brought many a smile and thoughtful contemplation to those who listened not only with their ears but with their souls as well. Known as a percussionist, Mr. Stephans played the beats of his words on the drum of human experiences. The measured echoes resonated among the memories they resurrected along with the assurances they inspired.

Joe Arner and Dennis Carrig took the stage as Abraham Lincoln and Samuel Langhorne Clemens (aka Mark Twain) in a speculative skit the actors wrote titled, “Never the Twain Shall Meet.” The work explored what would have occurred if the 16th President of the United States who served from 1861 until his assassination in 1865 and the author of classics such as “The Adventures of Tom Sawyer” and its sequel “Adventures of Huckleberry Finn” would have met during their lives.

Although a fictional encounter, the skit humorously reveals aspects of the two men not readily known by the general population. It was interesting how the work utilized comic techniques very similar to those used by Mr. Clemens in his books and how Lincoln was portrayed as a country bumpkin as many who lived during his Presidency believed him to be. One might infer he was the G. W. Bush of his day. The work amused while allowing the audience to associate this encounter and the conversation with the times we live in during the here and now.

After the actors left the stage leaving their audience to contemplate the inferences of the piece, The Totts Gap Dancers returned to perform another work choreographed by Jennifer Muller titled, “Edge 3” featuring the talents of Laura Buzzard, Rose Gloria, Maeve Godstalk, Francesca Marinaro, and Emily Perkins. The music of Zap Mama filled the ears as the movement of the dancers filled they inner and outer eye. A contagious joy touched the audience from which no cure was sought by anyone inflicted with it. This was largely due to its effects bringing about a state of profound wellness which was eagerly embraced and kept within the petri dishes of the human spirit shared by all.

The evening drew to a close with a screening of excerpts from the documentary exploring the life and talents of Bob Dorough directed by Erin Harper titled, “Devil May Care.” The film was exceptionally well made as it revealed the nature of Mr. Dorough’s talents and the creative processes he employs as he composes his songs. The film accomplishes what many meaningful documentaries strive for and that is creating a desire among its viewers to learn more about the subject and their works. However, the film avoids being a mere cinematic love fest dedicated to Bob Dorough which would have cheapen its integrity greatly.

The film kept it real by allowing the focus to be taken off Bob Dorough and allowing other unplanned characters provide their own commentary from their non fan perspective. An example of this is in a scene in which Bob is making his way to perform at the New York City Restaurant which has become a Jazz Mecca for the city called, “Feinstein’s” through their kitchen. He is finely dressed and accompanied by a small entourage. He passes a waiter who notices him but is completely disinterested in who Bob Dorough is or what he does.

It reminded me of the scene in Francois Truffaut’s “Day for Night” in which a couple is walking down the hall of a hotel they’re staying. The man asks his female companion to walk ahead of him so he can watch her derriere as she moves. She does so with great exaggeration. Meanwhile, an older woman walking down the hall and, upon noticing the couple and their antics, simply passes them by while rolling her eyes at the mundane silliness of their behavior.

This minor act on the part of the older woman allows a breath of reality to enter the scene reminding us there is nothing new under the sun and not all things are important just because they are occurring. The waiter in the Feinstein scene has, for me, the very same effect. Although his disinterest does not trivialize the talents of Bob Dorough, the significance of his music, nor does it undermine the well deserved praise he has received throughout the years, the scene does reminds us the world does not evolve around Bob or his music and there are other realms of human experience he is not a significant part of.

This is not to suggest Bob Dorough holds himself up to the pretentious entrapments often associated with Celebrity. In fact, the opposite it true. Those who have become fortunate enough to know him knows of his approachable, laid back manner that welcomes all whom he encounters regardless of who and where they are in life. Still, the scene does serve a purpose by discouraging anyone to set Bob Dorough on a pedestal he would be uncomfortable upon. What happens later in the very same scene in the restaurant demonstrates why.

A bus person brought in a tray with dirty dishes into the kitchen. The camera shows Bob noticing a glass of half drunk water on the tray from which he took a sip. This simple and nonchalant act illustrates Bob’s “Devil May Care” approach to life which allows him to be an attainable part of the human race.

After the film, one of its producers, Steve Berger, talked about the film. Steve has played guitar for Bob since the late 1980s and passionately shared the reasons why he wanted to make the documentary. He also shared the progress he and others have made since the project’s inception and what is left to do before it can be released for theatrical consumption. Through a subsequent chat I had with Steve, I learned the film has over two hours of footage and funds are needed to edit it down to 90 minutes so it can be more marketable as a documentary film. We shared a few more thoughts about the film which enabled me to learn more about the art and practicalities (the business end) of filmmaking. It was soon after this exchange I went home to rest up in order to partake of the remainder of the festival which was to take place in its outdoor venue. Thus ended the first COTA Day.

The Totts Gap Arts Institute (TGAI) in Bangor, PA was created to nurture artists of all ages and to awaken the excitement, passion, and possibility of both the fine and performing arts by offering classes, showcasing talent, and hosting events that will infuse our community and the region with a love and respect for the creative process. These include the creative disciplines of Visual Art, Dance, Theater, Music, and Independent filmmaking in which TGAI helped provide a cast and crew to make a film directed and written by Erin Greenwell titled, “My Best Day.” You may learn more about the film by visiting their website at www.smithyproductions.com/mybestday as well as exploring The Totts Gap Arts Institute (TGAI) Website at www.tottsgap.com to learn more about the institute and all it has to offer the community.

The film “Devil May Care” in a documentary about Bob Dorough focusing on his life and music. The title of the film derives from that of his first album released in 1956 and recorded in Bethlehem, PA. The film is being produced by Beth Bogart and Steve Berger and directed by Erin Harper with Erin Greenwell serving at the film’s editor. The Director of Photography for the project is John Inwood with Erin Harper, Sam Henriquez, Ben Cole, Jeff Hoagland, Adam Benn, and Janis Vogel serving the film as its camera crew. Please Explore The Devil May Care Website at www.devilmaycarethemovie.com to learn more about the film and how to contribute towards its completion.

In addition to lending its sanctuary Annually to The Celebration of the Arts Jazz and Arts Festival, The Presbyterian Church of the Mountain in Delaware Water Gap, PA offers a weekly Summer Gazebo Concert Series presenting secular music in a variety of forms. They also offer a variety of spiritual programs for those who practice the Christian faith. These include worship services and missionary endeavors to the nations of Kenya and Cuba. They also have retreat facilities available for those hiking the Appalachian Trail which has a section of its route nearby. Please explore The Presbyterian Church of the Mountain Website at www.churchofthemountain.org to gain more information about the church and all it has to offer the community.

After receiving little sleep due to the reflections relating to the previous evening and the anticipation of the wonders of the festival yet to be discovered, I arrived at the festival’s outdoor venue early Saturday September 10th to assume my duties as a member of The 34th Annual Celebration of the Arts (COTA) Jazz and Arts festival’ Security Staff. I joined with my fellow blurry eyed staffers with whom I felt an immediate kinship with as I knew I wasn’t alone in my experience of a restless night as we made the final preparations for welcoming those who would come to enjoy the event. The sun began to shine dispelling all previous concerns about the weather inspiring one staffer to comment, “There’s not a sky in the clouds.”

As our tasks were nearing completion, the festival opened its gates to admit the many jazz and art fans who would inhabit the day. Those of us who have worked the festival throughout the years were invigorated as we began greeting attendees we have become friends with during our tenures. Their excitement in being a part of this year’s celebrations awakened our dormant enthusiasms and brought us back to life. And what a life it became as the COTA weekend progressed.

The music for the day’s concert began at 12noon with Peggy Stern on piano and “Sweet” Sue Terry on Saxophone and Clarinet. It proved to be a mystically hypnotic commencement of the outdoor festival as the chimes from the clock located within the steeple of The Presbyterian Church of the Mountain began to announce the hour. It was as if the church, who provide such an excellent array of entertainment the night before, were giving its blessings to the remainder of the festival.

As a testament to their talent, as well as to the musical art form of jazz, Peggy and Sue instinctively incorporated the sounds of the chimes into the first piece they presented. This not only pleased the crowd who celebrated their spontaneity but also created a mesmerizing effect which enhanced their enjoyment of the remainder of their set. And, what a satisfying set it was as the music that followed proved to be a wonderful beginning to something many would hope would never end. In other words, it was sweet.

Peggy Stern and “Sweet” Sue Terry were followed by The After Hours Trio plus One featuring Najwa Parkins on Vocals, Luke Brandon on Trumpet, Dan Hannahan on Guitar, and Justin Sekelewski on Bass. Although their youthful appearance may have given the impression they were too young to perform the songs they selected to present with any of the legitimacy found in more aged performers, a few measures into the works created an assurance lifting all doubts of their more than capable talents. The power and steadfastness of Najwa’s voice resonated throughout the festival grounds while blending seamlessly with the melodious sounds of her band mates. Several members of the audience could be seen shaking their heads in amazement while other simply closed their eyes to partake of the enormity of the sounds.

While The After Hours Trio plus One were performing, the COTA Children’s Area was experiencing some musical action of its own. Jazz Drummer Sherrie Maricle of The DIVA Jazz Orchestra set up some buckets and other noise making apparatus to inspire the children to play. This took little coaxing as the kids eagerly took up the pairs of sticks they were provided and banged away with the abandonment associated with the energies abundantly given to youth. Crowds began to gather in order to listen to the vibrant beats as they were guided by the exuberant talents of Ms. Maricle.

When The After Hours Trio plus One concluded their set, the time spent preparing the stage for another musical performance was filled by one presented by The Dixie Gents featuring Paul Hubbell on Soprano Saxophone, Rick Chamberlain (one of the founders of COTA) on Trombone, Roy Schweisguth on Banjo, and Jim Daniels on Tuba. The Dixie Gents continued to entertain the crowds as they strolled about the festival grounds between future sets.

The next performance upon the stage was presented by The Jay Rattman Quartet featuring Jay Rattman on Alto Saxophone and Clarinet, Sullivan Fortner on Piano, Martin Nevin on Bass, and Guilhem Flouzat on Drums. The smooth renditions the quartet’s audiences who had become familiar with came to call like long cherished friends sharing their gentle notes soothing the stressful encounters of our days. The music flowed through the instruments enhancing those who heard it.

The Jay Rattman Quartet were followed by The Jazz Artists Repertory Orchestra (JARO) who filled the stage with a huge ensemble presenting the power of a big band to those reminiscent of those popular during the 1930s and 1940s. The orchestra was directed Wolfgang Knittel and performed on piano. The members of orchestra itself consisted of what may be considered a who’s who of the local Jazz scene. They included Nelson Hill on alto saxophone, clarinet, and flute, Jay Rattman on tenor and soprano saxophones, clarinet, and flute, Pat Turner on tenor saxophone, clarinet, and flute, Richard Barz on baritone saxophone, clarinet, and bass clarinet, Danny Cahn, Peter Hyde, and Patrick Dorian on trumpets, Richard Chamberlain on trombone, John DeVivo on French horn, Jim Daniels on bass trombone and tuba, Tony Marino on bass, Bob D'Aversa on drums, and Judy Lincoln on vocals. JARO was followed by Stephanie Nakasian with the Hod O'Brien Quartet featuring Stephanie Nakasian on vocals, Hod O'Brien on piano, Paul Hubbell on tenor saxophone, Gene Perla on bass, and Bill Goodwin on drums. Unfortunately, I was unable to experience due to performing my duties as part of the COT Security Team. However, I was able to experience a set titled, “Bob Dorough Himself” when my shift was over.

The Celebration of the Arts Festival has gained a well deserved reputation throughout its 34 years to present the very best Jazz performances. The caliber of talent appearing on COTA’s stage is of the highest level so one is hard pressed on which performance could be considered the centerpiece of the event. But, if there ever were or could ever be a centerpiece to any COTA festival, few would disagree with the assertion the performance given by Bob Dorough during this year’s festival was deserving of the consideration.

There was an excitement in the air as festival goers awaited the arrival of Bob Dorough anticipating the familiar joy and quality of his songs and performance. This excitement was heightened by the appearance of
Peter Coyote who took the stage to introduce his long time friend. Mr. Coyote is best known for his voice narrations in numerous audio books and National Geographic documentaries along with appearances as District Attorney Jerry Hardin in “Law and Order: LA.” It seemed to be an impossibility to elevate Bob Dorough any higher in the audience’s hearts than he already is, but Mr. Coyote’s warm and genuine sentiments accomplished just that.

Bob Dorough entered the stage and gave his friend an appreciative hug. He then humbly took his place at the piano, expressed his appreciation to the audience, and began to play. He was joined by Rick Chamberlain on trombone, Steve Berger on guitar and vocals, Pat O'Leary on bass, and Peter Grant on drums. The performance was joyous and a heart felt one. There were times I heard a uncommon reflection in his voice as if his thoughts were upon all the adoration he had received throughout the year and how all they were all magnified in this moment. I can never be certain if this was or was not the case, but I felt it was enough to discover an empathetic tear touch my eye as the thought occurred to me.

In any case, by the time Bob finished his set, it seemed impossible anyone could follow him. However, this year’s festival became one of manifesting impossibilities as members of The Bill Goodwin Experience took the stage. Bill took his place among his drums while he was joined by Adam Niewood on saxophone, Bill Washer on guitar, and Adrian Thomas Moring on bass. The audience began to come down from the high they experienced throughout Bob’s set to rediscover a more tranquil environment within themselves as a new experience emerged through the music.

The Bill Goodwin Experience was followed by a tribute titled, “To Al and Zoot with Love” featuring the talents of Lew Del Gatto on tenor saxophone, Bob Keller on tenor saxophone, Jesse Green on piano, Bill Crow on bass, and Tom Whaley on drums. The performance was as educational as it was entertaining as it revealed a great deal of the history of Jazz and the influence Alvin Gilbert Cohn (aka Al Cohn) and John Haley “Zoot” Sims had on the musical art form.

Al Cohn played Saxophone during the 1940s for the Woody Herman Big Band and arranged many of their popular songs while gaining a reputation as a soloist. “Zoot” Sims also played Saxophone for the Woody Herman Big Band and became well known for his innovative style. Together they were often featured in the band’s song titled, “Four Brothers” along with Herbie Steward and Serge Chaloff. The Composition was noted for its implementation of four saxophones in an arrangement giving each "brother" a solo culminating in a hard-swinging saxophonic chorus. After leaving the Herman group, Al and Zoot developed a long-term partnership by beginning a quintet in 1956. The group was a favorite at the New York club known as “The Half Note.”

Al eventually moved and lived in Stroudsburg, PA until his death in 1988 while Zoot Sims died in New York City, NY in 1985. However, their music lives on as evident by the performance shared during the festival. This was especially true when Saxophonist Jay Rattman joined the tribute and sang a song utilizing Al Cohn’s voice. Many who were familiar with his work found themselves closing their eyes in order to imagine him there. It was a fitting tribute to the two.

The 34th Annual Celebration of the Arts (COTA) Jazz and Arts Festival ended it’s second day with a performance by Zen for Primates. Although they readily acknowledged they were not a Jazz band and openly speculated that may have been the reason they had not played the festival for several years, their existentialistic approach to the songs they selected to play soon entranced the audience as their minds became part of the esoteric arrangements. The band was led by T. Roth who performed on lead vocals and was joined by Mike Krisukas on guitar and vocals, Pete Fluck on saxophone, Jodi Beder on cello, and Shelagh Maloney on violin.

Not only is Zen for Primates not a Jazz band it isn’t what many would consider a typical band of any genre. Their presentations are more like performance art as they constrain every note and lyric forcing their audience to focus on what they can’t always hear. It’s as though the band is challenging us to discover a secret we are not meant to know. Yet, there are times when we do and a sense of accomplishing something touches us until we are somehow reminded what we’ve discovered wasn’t all that important to begin with. Still, in some perverse way, it was fun. Thus ended the second COTA Day.

The 34th Annual Celebration of the Arts (COTA) Jazz and Arts Festival continued on Sunday September 11th with it’s Annual Jazz Mass which has become a favorite among festival goers for the music composed, conducted, and orchestrated by Wolfgang Knittel and for the meaningful messages conveyed by The Reverend Karen Nickels (Retired from The Church of the Mountain) who served as Worship Leader, Reverend Bill Schram (Interim Pastor of The Church of the Mountain) who served as Liturgist, and The Reverend Bill Cohea (Retired) who served as Liturgist Emeritus. The service is also loved for it’s multitude of harmonious voices found within the JazzMass Choir as directed by Teresa Marino and assisted by choral coordinator Robert Hartman (Choral Director Emeritus). Michele Bautier, Jerry Harris, and Bonnie Childs also offered their voices in solo performances enhancing the service a great deal. Musicians contributing their talents to the worship service were Nelson Hill, Pat Turner, and Richard Barz on saxophones, Jonathan Searfoss, Vanessa Meggiolaro, Eddie Severn, and Danny Cahn on trumpets and flugelhorns, Rick Chamberlain (who also composed the mass) on trombone and euphonium, Jim Daniels on bass trombone and tuba, Spencer Reed on guitar, Tony Marino on bass, Bob D'Aversa on drums, and Ed Hudak and Bud Nealy on percussion.

As enjoyable and uplifting as the music was, the days meditation (aka Sermon) given by Reverend Karen touched the hearts and souls of those who heard her in a very profound way. Her words noted the day was the 11th Anniversary of what has become known as the 9/11 attacks. She also noted what a beautifully sunny day it was on September 11th, 2001 and how it was marred by the horrific tragedy ending so many people their lives. She then reminded us how our nation began to pull together soon afterwards as we helped one another and gave comfort to those who were effected by the deaths of their loved ones.

Yet, like the beautiful day that served as a prelude to those tragic events, this show of solidarity and compassion soon gave way to fear which has allow us to justify a great number of actions we as a people would never had considered undertaking before that fateful day. We and our values have become diminished in the eyes of the world as our national confidence has become weakened. We have become a fearful people who have lost the way our nation has forged for us, but we can regain our footing again.

Karen reminded us the principles our nation holds dear did not come from men and men can not take them away. They come from a higher, divine source and we can choose to follow its guidance or decide to forego it to our ruin. And, even if we do forego such guidance, as our nation has done so many times during its history, we can always seek the source of this wisdom and renew our journeys upon our enlightened paths. We can dispel the fears imbedded in our consciousness during the past 10 years and become free to be the people we are meant to be.

I looked around after Karen spoke to take note of the response to her words. I saw many in quiet contemplation while others were smiling and shaking their head in agreement. I also saw others with eyes touched with tears. I began to wonder about the many possible sources of this emotional response. Some may have been tears of hope which comes from releasing the fears instilled in one so now a new beginning can commence while others may have been in reflection of how we as a people have allowed fear to keep us from expressing our better natures. Regardless of the reasons why tears touched so many eyes, the meditation offers of redemption to those who choose to dispel themselves of their fear forged shackles and embrace it’s commission to “Let Freedom Ring.”

After the Jazz Mass, the customary act of asking those attending the service to leave the site so the front gate would be able to meet the festival’s financial needs to determine who paid to enjoy the rest of the event. While the process was being enacted, The Lost Ramblers performed near the front gate area entertaining everyone with their well known renditions of bluegrass and country music making the necessary process an enjoyable one. The lost Ramblers consists of John Updike on the 5 string banjo, Neil Morris on guitar, Jim Schaffer on bass, Scott Eager on mandolin, and Tony De Marco on fiddle.

As those who reentered the festival site regained their seats upon the wonderful hill that is a natural amphitheater, the first notes of the day’s lineup began to play. These belonged to Go Trio who consisted of Gene Perla on bass, Sean Gough on piano, and Doug Hirlinger on drums along with Jeannie Brooks on vocals. The music was smooth and invigorating while Jeannie’s solid voice penetrated the air and sliced through it like a micro waved knife through warm butter. The word, “Wow” does not suffice in describing their performance, but it seems to be the best I can do in searching for a way to do so. Wow. Go Trio plus Jeannie Brooks were followed by COTA Cats Volume XXXI

During the 4th year of the festival in 1981, COTA surviving founders Phil Woods and Rick Chamberlain saw a need for area high schools to develop their music programs to include instruction in the art of Jazz. This realization led to the development of a mentorship program in which established world class jazz musicians would work with students who exhibit interests and extraordinary talent in order to enhance their skills with their chosen instrument. The tutoring and sharing of inspirational experiences cumulate with a performance during the festival by all those students who benefit from the program. Thus, a COTA Cat is born.

The 34th Annual Celebration of the Arts (COTA) Jazz and Arts Festival presented COTA Cats Volume XXXI who were directed by Ryan Churchoe, Thomas Fadden, and Lance Rauh. The school hosting this year’s edition by providing rehearsal space for the band was East Stroudsburg South High School whose music program is directed by Kayte Clogg. Those students who the 2011 version of the endeavor were Josh Smith, Brandon Briggs, Collin Strunk, Elias Frantz, Alex Testino, and Damian Kitt on Saxophones, Thomas DiAgostino, Kaitlyn Weiss, Robert Ortega, Ashley Segarra, Michael Bosetti, and Andrew Sorton on Trumpets, Mark Pages, Ian Denny, Christopher Collins, Skyler Shepp, and Ilijiah Denny on Trombones, Peter Bank and Gage Hojnowski on Guitar, Mitchell Cheng on Piano, Christopher Potter on Vibes, Connor Koch on Bass, and Tyler Williams on Drums.

The performance contained the uncontainable energies of youth showcasing all the vibrant freshness associated with the age. The excitement of each student proved to be contagious as the audience which included many proud family members eagerly devoured each note and contemplated each well crafted arrangement. The talents of these young people (and when did I become old enough to call teenagers “Young People?”) shown like a beacon allowing a glimpse to the future of the musical art form.

Although each COTA Cat possess exceptional talent, there are some who are recognized for having special promise and are awarded scholarships so they may continue their musical education. This year, the recipients were Erica Golaszewski who will be attending The Berklee College of Music in Boston, MA to study jazz base performance, Emily Fox who will be attending East Stroudsburg University of PA to study marine science, and Jason Sandonato who will be attending Catawba College in Salisbury, NC to study music education. Please join with me in congratulating these talented musicians through leaving a sentiment in this regard in the comment section of this posting.

After The COTA Cats Volume XXXI completed their riveting performance, Jazz greats Urbie and Kathy Green took the stage. They were accompanied by their son’s group known as the Jesse Green Trio. The assemblage featured Urbie Green and John Jensen on trombone, Kathy Green on vocals, Jesse Green on piano, Gene Perla on bass, and Daniel Gonzales on drums took the stage. Their smooth sounds delighted the audience as these Jazz veterans demonstrated the talents and musical skills they acquired over the many years they performed. Notes and vocalizations were played masterfully throughout the set.

Urbie and Kathy Green were followed by 3Spirit which features Vicki Doney on piano, drums, and vocals, Val Hawk on guitar and vocals, and Nancy Reed on bass and vocals. Although each member has gained renown as solo performers, the trio began as back up singers for Bob Dorough and became known as “The Bobcats.” Their experience and the warm reception they received from the audience inspired them to form their own stand alone trio and renamed it “Girl Talk.” After touring under that name for a while performing and developing their unique style, they changed their name once again to “3Spirit.” Although I wasn’t present during their performance at COTA due to may duties as a member of the COTA Security Staff, I know from past experiences their set was filled with the melodious voices and lyrical instrumentations very common in their uncommon repertoire.

They were followed by The David Liebman Group who celebrated their 20th Anniversary. The group consists of David Liebman on saxophones, Vic Juris on guitar, Tony Marino on bass, and Marko Marcinko on drums. My duties is security again kept me busy while the group performed, but I have seen them before this year’s COTA and I have nothing but fond memories of their past performances.

Like many great virtuosos of Jazz, Dave Liebman’s love for the musical form can be traced back to his youth. He began learning how to play the saxophone by the age of 12 and was encouraged to explore the depth of his instrument when he saw John Coltrane in a live performance. Dave enhanced this exploration of his instrument by studying with Joe Allard, Lennie Tristano, and Charles Lloyd. Dave later help form the “Free Life Communication” organization which became an integral part of the New York loft jazz scene in the early 1970s.

After doing a a world tour with pianist Chick Corea in 1977, Dave formed The David Liebman Quintet with John Scofield, Kenny Kirkland and Terumasa Hino. After a successful career with the quintet, The David Liebman Group was formed in 1991. The group’s signature stylings which combining fusion, avant garde, and classic jazz entrances audience as much today as they did 20 years ago.

In recognition to his talent and contributions to the arts throughout the past 20 years, Dave has received a number of prestigious honors. He was awarded an Honorary Doctorate from the Sibelius Academy of Helsinki, Finland and was inducted into the International Association of Jazz Educator's Hall of Fame in 2000. In addition to these honors, Dave received a Grammy nomination for Best Solo Performance in 1998 and Best Arrangement for Big Band in 2005 along with a Artist Grant from the Pennsylvania Council of the Arts in 2005 and a NEA Jazz Masters lifetime achievement award in 2011 from the National Endowment for the Arts. Based upon my experience of his past performances and having had the privilege in being acquainted with the man, I would say all of these honors are well deserved.

While Jerry Harris and Sweetlife featuring Jerry Harris on vocals, Marcell Bellinger on trumpet, Jesse Green on piano, Paul Rostock on bass, and Neil Braunstein on drums took the stage after The David Liebman Group finished their set, I was elsewhere performing my security related duties at my assigned position in the Children's Area. It was there when I experienced the delightful sounds Mark Hamza made upon his accordion as he strolled around the festival site entertaining festival goers between sets. I also enjoyed the storytelling provided by Maria Horn and Rick Peoples who touched the imaginations of not only the children but the parents who were present as well.

I finished my shift in time to experience The Grace Kelly Quintet. And, what an experience it was. The Quintet featured Grace Kelly on alto saxophone and vocals, Phil Woods on alto saxophone, Jason Palmer on trumpet, Doug Johnson on piano, Evan Gregor on bass, and Bill Goodwin on drums. If one would look up the word “Powerhouse” online or anywhere else, they would be sure to find a picture of Grace Kelly playing her sax to illustrate the concept. Beyond that word, there is very little I can say to describe the performance. She had an energy that would not quit. It was wild, adventurous, and everything you could possibly associate with the word and I almost became exhausted watching her.

The 34th Annual Celebration of the Arts (COTA) Jazz and Arts Festival concluded its performance schedule with The Erin McClelland Band which featured Erin McClelland on guitar and vocals, Ryan Leaver on guitar and keyboards, Anthony Lavdanski on bass, and Chuck Cooper on drums. Dancing and laughter filled the street in front of the stage as the band’s highly charged rifts and chords moved the crowd with its rhythms. It was a fitting end to a weekend long journey through the arts and music which led everyone who partook of the trip to a wonderful place within. And, it was fun, too. I took over 300 photographs during the festival and they could be seen in The COTA 2011 Gallery at www.flickr.com/photos/9279760@N04/sets/72157627655093732.

In addition to the music and art presented during the festival, there are many people who help make the event the wonderful asset to the community it is. These include the vendors who shared their talents and skills with those who come to the festival, the Board of Directors who constantly seek to make every festival even more memorable than the one preceding it, and the volunteers who help in making it all happen. It is at this point, I would like to mention these wonderful people who have done so much for so many all because they love the arts and those who come to the festival.

Those who had the good fortune of visiting their tent to the many vendors along the runway were treated to some wonderful items and delightful conversations which enhanced the COTA experience. These vendors included Artists and Artisans such as Jewelers Ingrid Blackert, Shelly Ann D’Anna (along with Clay works), Harriet Ford, Patrice Jiunta, and Ursula Pooley (Me Crazy Jewelry) who presented their works. Clay works, Pottery, and Sculpture by Rachel Cohen, Steve Linden, Don Conklin, Tim Helman, John Sittig, and members of the Madala Design Works (Susan Bradford, Anita Bondi, Marci Molina, and Stan Stewart) were also there to present their work. Also David Coulter and Ron Ford presented their photography, Dawn Linden presented her paintings, and various other works were presented by Emily Gartner, Linda Newswanger, Liz Pemberton, Paul Reiche, and The Totts Gap Institute. Artists Constance Fowlkes, Ka Son Reeves. Jeweler Deirdre R. Nonnemacher of Deirdre Rose Designs, and representatives from The Shear Design Salon and Day Spa were among the many who shared their talents and conversations with all who came to visit their tent.

As mentioned earlier, The COTA Board of Directors has the awesome job of insuring every festival transcends the previous ones. The Board presently consists of Lauren Chamberlain, Bill Goodwin, Tim Helman, Rich Madigan, Karen Nickels, Christine Trembly, Allison Trotter, Garth D. Woods, and Jim Wychoff. They are often known to inspire those who attend the Volunteer meetings with their dedication and the knowledge they have obtained throughout the festival’s 34 year existence. However, they are inspired by an Advisory Board consisting of Susan Bradford, Rick Chamberlain, Carol Dorshimer, Shirley Gilmore, Jill Goodman, and Phil Woods.

In addition to these outstanding individuals, there are a multitude of volunteers without whom the festival could not take place. Although they are too many to mentions, COTA Volunteers could easily be seen throughout the festival site performing various tasks and providing information to many festival goers to enhance their experience. As you well know by now, I’ve been a part of the Security team performing many of the functions the designation suggests since 2005. Every year has been more awarding than the previous one and I look forward to the 2012 festival as I’m sure many of the volunteers serving the festival in other areas are.

Those who have been with COTA as volunteers throughout the years can attest to the meaningful friendships they have developed during their time with the festival. Along with the joys inherent with the experiences of being a part of something truly incredible, there are times for tears to be shed. One of these times relates to the lost of a dear friend of the festival. Those who have visited the COTA Booth may have plentiful memories of Randy C. Shumaker who offered CDs, Posters, and information to the many festival goers who were fortunate enough to come by for a visit. Randy passed away during 2011.

My first memory of Randy goes back to the times before I became a volunteer. I use to go to the festival as an attendee wearing my tie dyed Tee Shirt. Randy would often comment on it and call me “Dave” who is the man who owns and operates The Tie-Dye Dave's Hippie Gift Shop which is located in Tannersville, PA. It was a source of amusement for us both and I looked forward to attend the festival every year to share in a conversation with him. These many exchanges were among the numerous factors leading me to become a volunteer.

After I became a volunteer and began attending the COTA Meetings at The Deer Head Inn. I remember a comment Randy made in regards to the establishment deciding to become a smoke free restaurant. At the time, several restaurants decided against having such a ban while maintaining a No Smoking Area. Randy said, “That’s like having a public swimming pool with a No Peeing Area.” Thank you Randy for all you have done to lighten our days. You will be missed.

Those who would like to lend their time and talents to the festival are welcomed to attend COTA’s Volunteer Meetings. They are held at The Deer Head Inn in Delaware Water Gap, PA during the Spring and Summer Months. The festival and all its functions is organized and run by volunteers. Numerous volunteer positions are available and they include Program Ad Sales Manager, a Program Ad Salesperson, Back and Front gate workers, Security, and Marketing/PR personnel. I hope to see you at a future meeting so we can serve the festival together while creating some wonderful memories.

In addition to supporting the community and the arts through its annual festival, COTA expands its mission as it seeks to recognize exceptional individuals who contribute to the endeavors COTA aspires to through their awards program. These awards are distributed throughout the festival. The 2011 Sterling and Dorothy Strauser Award was given to in Memory of Barbara Robinson in honor of her contribution to the visual arts, The 2011 Joanne Mayer Award was given to Pat and Terry Gaughan in honor of their Volunteer endeavors for COTA, and The 2011 Fred Waring Award was given to Molly Whalen and Joe Ashcroft for their outstanding contributions to the arts and the community. A special award was given to Brian Hill who was in charge of the Delaware River Bridge Commission and was recognized for all his help and support he gave to COTA. He retired just after the festival and will be missed. Each of these awards reflect an intricate aspect of the spirit that moves COTA to be what it is to so many people.

The Celebration of the Arts Festival also receives a great deal of community support. This support includes the BNY Mellon Jazz 2011 Living Legacy Award to be given to one of the festival’s founders Phil Woods in a special ceremony at the John F. Kennedy Center for the Performing Arts in Washington, D.C. to be held on Friday October 14th. The Award is part of a program created by The Mid Atlantic Arts Foundation honoring living jazz masters who have achieved distinction in jazz performance and education. Please feel free to join in the congratulatory sentiments Phil richly deserves for all he has done and still offers the community through his talent and desires to make it a place were music flows through every heart by leaving your thoughts in the comment section of this posting.

The Celebration of the Arts (COTA) Jazz and Arts Festival began in 1978 by Phil Woods, Rich Chamberlain, and the late Ed Joubert and takes place every year the Weekend after Labor Day. From its humble beginnings which consisted of a 4 hour concert held on risers near the steps of an Annex of the Castle Inn with an audience of just over 500 people which was mostly made up of friends, family, and some ardent jazz fans, the festival has evolved to become a Mecca for jazz enthusiasts throughout the world. The three day festival is presently presented in cooperation with the Borough of Delaware Water Gap, PA, The Castle Hill Development, Inc., and the Delaware Water Gap, PA Joint Toll Bridge Commission. Music presented at the festival is recorded by Chiaroscuro Records for later release. In addition to it’s annual festival, The Celebration of the Arts (COTA) also supports the arts and the music of jazz in all its forms and historical breadth through youth education, performing arts presentations, scholarship opportunities, and community outreach throughout the Pocono area. One of these avenues of support is their Annual Summer Jazz Camp.

The Celebration of the Arts (COTA) Camp Jazz is offered every summer to those who seek an intensive, week long immersion in jazz music and technique mentored by renowned jazz greats. It was formed in 2007 by Phil Woods and Rick Chamberlain (co-founders of COTA) as an extension of the festival and its educational arm to foster and encourage local talent in a more relaxed environment than that found in a school. In addition to Phil Woods and Rick Chamberlain, the camp’s staff of mentors guiding the talents of the campers include Sue Terry, Jay Rattman, Spencer Reed, Evan Gregor, Bobby Avey, Matt Vaslishan, Michael Stephans, Vicki and Eric Doney, Bob Dorough, Caris Visentin, Jim Daniels, and Sherrie Maricle. Enrollment is open to all aspiring musicians and information about the camp and all it has to offer can be found by exploring The Camp Jazz Website at www.campjazz.org.

As you can see, The Celebration of the Arts is an organization that is more than it’s annual festival. I am pleased, honored, and humbled to be a part of what has been a life changing endeavor for me. In 1986, I went to my first festival and fell in love with it. However, every year after that experience, I had jobs in which I had to work during the time the festival took place. But, in 1999, I had an opportunity to attend the festival and decided I was too old not to experience things that enhance my joy. So, whenever I’m apply for a job, I make sure I share in the interview I need to take the Friday, Saturday, and Sunday after Labor Day off so I can go to the festival. I haven’t been employed much since then, but the opportunity to attend the festival every year more than compensates me.

As difficult it is to believe, this article merely scratches the service of what happened during The 34th Annual Celebration of the Arts Jazz and Arts Festival and all the organization has to offer. More can be learned through their website but even more can be learned through the sharings from those of you who were there. S, please explore The Celebration of the Arts (COTA) Website at www.cotajazz.org for more information about the festival, what the organization has to offer the community, and how you can be involved in all they do and feel free to share your comments and reflections of the festival. Thank you for reading this article.

The Valley of the Dollies (Ho Ho Ho)

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The Forwardian Arts Society hosted its monthly Film Lovers’ Gathering at The Cheeky Monkey Coffeehouse in Stroudsburg, PA on Friday September 23rd. Due to the weather, very few were present as the screening of the 1967 “Valley of the Dolls” began and fewer stayed as the film progressed. The film is based upon the 1966 novel written by Jacqueline Susann which became very successful. Her success later led the way for other authors such as Jackie Collins to depict the private lives of the real-life rich and famous under a veneer of fiction. The term “Dolls” as referred to in the title is a slang term for downers and barbiturates used as sleep aids.

The film featured Barbara Parkins, Patty Duke who began portraying more serious roles after the film‘s release, and Sharon Tate who was married to Roman Polanski and became a victim of the Charles Manson Family in 1969. It about three women who come to New York City with dreams of stardom in their eyes. They meet with some success but the pressures of being always on top of the hill leads to the use of drugs and romance in order to maintain whatever they need to maintain. This is never quite clear throughout the film.

One does have to constantly remind oneself the film was made in 1967 in order to keep laughing uproariously at the tragic lives being paraded upon the screen. However, there are some groups who meet in theatres and reads the script in order to enjoy a hearty laugh at the film’s campy qualities. It is also a favorite among the gay and lesbian community for one derogatory line Sharon Tate utters. Although the line is derogatory, her utterance of it recognizes gays and lesbians exist. No film up to that time did so.

During the time of the film’s release, it received a number of positive reviews and nominations for awards from the Academy of Motion Picture Arts and Sciences Award for Best Music, Scoring of Music, and Adaptation or Treatment of music by John Williams, The Hollywood Foreign Press Association (HFPA) Golden Globe Award for Most Promising Female Newcomer to Sharon Tate, and the National Academy of Recording Arts and Sciences of the United States Grammy Award for Best Original Score Written for a Motion Picture to André Previn. One can’t help wondering if the film was made in 2011 in the same style and manner if these accolades would be bestowed on it. I personally doubt it, but stranger things have happened.

Still, the film was fun to watch and it was interesting character study in some instances. I feel it would have been a better film if they wiped away the glittery generalities and focused the story on one woman instead of trying to give screen time to all three. But, that is merely second guessing a film maker’s approach that was decided upon nearly 45 years ago and, since the film made lots of money at the time, who really cares what I think. Smiles.

The Cheeky Monkey Coffeehouse offers a variety of coffee, drinks, and culinary treats along with events such as the one described in this article. The next Film Lovers Gathering held at The Cheeky Monkey is yet to be scheduled and the film has not been decided upon. However, our October gathering will be our last for the season and will resume in April with out Forwardian Film Festival kicking another season off. The Cheeky Monkey is currently showing the work of Kim Pollard as part of their Espresso Yourself Art Shows Series in an Exhibition which continues until November 1st. Ongoing events at The Cheeky Monkey include their Tuesday evening Open Mic Nites and their “Spoken Word Symposium” on Thursday evenings. Please Explore The Cheeky Monkey Coffeehouse Website at www.cheekymonkeycoffee.com or call 570-420-8222 for more information.

The Forwardian Arts Society is a fellowship for people who love the arts seeking to enhance the creative community by encouraging those interested in the arts to go forward toward their dreams, by supporting those groups and individuals who are manifesting their dreams through performances and/or presentations, and by loving them and all they do. In addition to their Film Lovers’ Gatherings and Annual Forwardian Film Festival, The Forwardian Arts Society publishes a literary and arts magazine titled, “Forwardian” and is currently displaying the work of Kari Nespola as part of their “Forwardian Solo” exhibition being presented at The Sarah Street Grill and will continue until October 31st. The Forwardian Arts Society also offers information and news relating to the arts through its website. Please Explore The Forwardian Arts Society Website at www.theforwardianartssociety.com to learn more information about all they have to offer the creative community.

Theatrical Review: “Postmortem”

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Theatrical Review: “Postmortem”

Written by: Ken Ludwig
Directed by: Sue Butler
Theatrical Review by: Paul Adam Smeltz

The Shawnee Playhouse in Shawnee on the Delaware, PA presented The Center Stage Players’ production of “Postmortem” by Ken Ludwig. The title of the play refers to events occurring after a death. These events include those involving police investigations in which a post mortem examination (autopsy) is performed to determine if the cause of death of a corpse was natural, accidental, or resulted in foul play (murder). The play itself is centered around such an investigation leading to discoveries of aspects embedded in each character long thought to be dead.

The play takes place in 1922 at the home of William Hooker Gillette (as portrayed excellently by Patrick Turner who serves on The Center Stage Players’ Board of Directors and helped designed the set) who was actually an actor who lived from 1853 until 1937 and was best known for his portrayals of Sherlock Holmes introducing his iconic deerstalker cap and meerschaum pipe. Ken Ludwig presents a scenario in which Gillette utilizes the mechanics of the Sir Arthur Conan Doyle detective in order to solve the case of the apparent suicide of his fiancée Maude Redding who was found dead of a gunshot wound the previous year. He utilized the celebration of the 30th Anniversary of his famous play titled, “Sherlock Holmes” (which he co wrote with Sir Arthur Conan Doyle) which he recently revived to assemble those he suspects to be Maude’s murderer.

The Center Stage Players’ production of “Postmortem” by Ken Ludwig begins with all the makings of a gentile dinner party murder mystery but it isn’t long until tensions between the characters makes the air thick enough to cut with a chainsaw. This served to draw the audience into the plot more deeply by adding an unexpected texture to the play. It also put the audience on notice there may be more unexpected turns ahead and it may be wise to look out for them.

These turns include landmarks on intrigue and secrets which well makes for a treacherous and mysterious theatrical journey. They are embodied in the characters who include Bobby Carlyle as portrayed by David Schappert (who helped design the set as well as the lighting design and special effects), May Dison as portrayed by Jessica Sue Santos, Marion Barrett as portrayed by Mary Stewart Erm (who also serves as The Center Stage Players’ Vice President) in the production I experienced and is portrayed by Katherine Neville Who served the production as the designer of the program’s cover and The Center Stage Players as its Treasurer) on other dates, Leo Barrett as portrayed by Dan Eash (who helped design the set and serves on The Center Stage Players’ Board of Directors), Lilly Warner as portrayed by Pat Van Varick (who serves on The Center Stage Players’ Board of Directors), Louise Parradine as portrayed by Juliet Dunham, and Macready as portrayed by an actor who makes his debut at the playhouse and bares an uncanny resemblance to Paul Newman named, “Casey Anderson.” Each had a motive to murder dear ol Maude and each have a reason to keep their motivations undiscovered.

Many productions presented by The Center Stage Players gave the audience the sensation the actors really enjoy the art of theatre. This production is no exception as one can tell the time and dedication each actor placed in discovering their character so it can be presented in a manner faithful to the script. This created a depth of understanding to the role which translated well on stage. The dialogue flowed freely and naturally suspending the audience’s disbelief that what they were witnessing wasn‘t being staged.

As wonderful as the acting was, there was one instance during the play which proved to be quite impressive. There was a scene in which a séance took place in order to contact Maude Redding. The stage was darkened and the characters sat around a table with some having their backs turned to the audience. This is a potentially dangerous thing to do as it breaks many theatrical rules and may have resulted in producing a very boring sequence.

However, it had the effect of entreating the audience to feel as if they were a part of the séance and involved with its progressions. This was a result of not only the caliber of acting but also of the play’s direction provided by Sue Butler. It is relatively easy to follow theatrical precedence and come up with a good scene but it is somewhat of a challenge to break with tradition and wind up with something as engaging as the scene described in this review.

The Center Stage Players’ production of “Postmortem” by Ken Ludwig was Directed by Sue Butler who also serves as The Center Stage Players’ President and as one of the production’s Set Designers. The production was Stage Managed by Lillian Ramirez-Gonzalez who also serves as The Center Stage Players’ Secretary. Jack Butler helped with the set design and Luke Swierczek served the production as its lighting and Sound Technician.

The Center Stage Players is a non-profit community theater group which was formed in April of 1990 and led by a board of directors. Membership is open to everyone regardless of experience. All auditions to their productions are open to the public as they strive to provide an environment in which persons with an interest in theater can grow and develop in all aspects of theater. Please feel free to Explore The Center Stage Players Website at www.sites.google.com/site/centerstageplayersorg to learn more information about them.

This presentation of The Center Stage Players’ production of “Postmortem” by Ken Ludwig will conclude its run at The Shawnee Playhouse in Shawnee on the Delaware, PA until October 23rd. I would recommend seeing this production as it‘s a truly great theatrical experience filled with mystery and intrigue. This is enhanced by the excellent acting and interesting staging techniques.

The Shawnee Playhouse provides professional quality year-round entertainment in a historic yet comfortable setting while bringing their guests a variety of theatrical experiences to the residents and vacationers of the area. They also serve as a training ground for young theatre performers and technicians. The Executive Director of The Shawnee Playhouse is Midge McClosky while the producers are Ginny and Charlie Kirkwood. Their Group Sales Manager is Mary Horn with Becky Haskell serving in the Marketing Department. Members of the Box Office Staff are Barbara Ross and Stacey Mattern. The Playhouse’s costumer is Missy Benefield.

Future presentations at The Shawnee Playhouse will include “Hollowed Wedding” by Brydie Jacques running October 28th through 31st, Pocono Shakes’ production of William Shakespeare’s “Macbeth” running November 4th through 13th, “Home for Christmas” by Rod Foote running November 15th through December 22nd, “A Christmas Wizard of Oz” which is a Children’s Show by Kathryn Schultz Miller running November 18th through December 22nd, The Northeast Ballet Ensemble production of “The Nutcracker Ballet” #by Pyotr Ilyich Tchaikovsky running December 3rd through 12th, Mark Mysterrio’s Tales of Magic and Mystery for Kids running December 4th through 27th, The Annual Messiah Sing In featuring the work of George Frederick Handel on Tuesday December 20th, and a Kid’s Kabaret titled, “Back to the 80s” running December 29th and 30th. Please contact The Shawnee Playhouse at 570-421-5093 or Explore their Website at www.theshawneeplayhouse.com for more information and to reserve your ticket.

Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $3.00 discount off the admission fee of selected productions (excluding Children Theatrical Productions and those presented by non Shawnee Production Companies) of The Shawnee Playhouse.

Image provided by Katherine Neville.

A Community Celebrates in Smithfield

2011-09-20T17:01:00.003-04:00

The 175th Anniversary of Monroe County was Celebrated in The Smithfield Township’s Waterfront Park in East Stroudsburg, PA on Saturday September 17th. The celebration at the park was one of the many events commemorating the anniversary taking place throughout the year at various locations. Although the temperatures of this event reflected the approaching Autumn season by being a bit nippy, those who gathered to participate and partake of the day were provided with a warmth as their shared interest in the history of the county and the joyous entertainment ignited the furnaces of their being. I, personally, was honored to serve the festival in the capacity of an emcee in the guise of P. T. Barnum who lived in the 1800s and is best known for his business partnership with James Bailey that became a Circus.

Although the festival itself would not be considered a circus, it did have quite a variety of events going on reflecting the wide diversity of what the County has become throughout the years. The festival had numerous vendors selling merchandise and food while others shared the history of the area through demonstrations of how people lived in days gone by. The diversity of the county was also find in the entertainment it provided attendees ranging from presentations by actors portraying historical figures to dance and music performances.

The vendors and demonstrators at the festival included Fiber Artist Charlotte Weitzmann, Rose Ann Whitesell of Kooky Knitts, David and Kathy Reder of Pocono Alpacas, and Tammy Maple of Justin’s Parties Catering along with representatives from The Latino American Alliance of Northeast Pennsylvania (LAANEPA), The Lenape Nation, The New Jersey Buffalo Soldiers Motorcycle Club, The Single Action Shooting Society, and The North Country Spinner, Inc. The festival also had an antique car show, a Horse-drawn Hay Ride, and a civil war camp reenactment from which rifles of the era (with blank cartridges) were being shot. Engaging in a conversations while gun shots were being fired was a very interesting experience reminiscent of my misspent youth. The festival also featured a variety of performances presented in two areas which were the Pavilion and the Gazebo Stages.

These performances began on the Pavilion with the singing of the National Anthem for the United States and continued with some stunningly beautiful dance performances presented by The PA Dance Mission led by Maria Triano. They were followed by Midge McClosky, Sara Ferguson, and Kara Snyder who portrayed the Andrew Sisters who were a favorite musical trio during the years associated with World War II. Their performance echoed that of the one presented at The Shawnee Playhouse in Shawnee on Delaware, PA titled, “Sister of Swing: The Story of the Andrew Sisters” which ran from June 1at to September 3rd. They were followed by a performance given by Stephen Washington as William Penn who founded the state of Pennsylvania presenting the 1682 frame of government for the (at that time) province of Pennsylvania.

Meanwhile, the Gazebo Stage presented a performance titled, “The Devotions and Despairs of George and Marsha Washington” recounting the private life of the first elected President of the United States and his wife. They were followed by The Pocono Barbershop Choir who sang a treasure trove of songs bringing back pleasant memories of younger days to many of their listeners. They were followed by presentations made by actors portraying historical figures including Fredrick Douglass who escaped slavery to become a prominent orator and worker for social justice, Harriet Tubman who escaped slavery and became a beacon of hope by forming the underground railroad, Sojourner Truth who escaped slavery with her infant daughter and became the first black woman to gain custody of her son from a slave owner, and Rosa Parks who decided not to leave her seat designated for “Whites Only” on a public bus.

The Gazebo Stage also bore witness to some rock and blues sounds of the band “Least Likely” whose Gospel messages were empowered by its kick butt beat, guitar riffs, and penetrating vocals. They were followed by some German Folks Songs performed by The Sheila/Mark Duo whose renditions of joyous music enhanced the celebration of the day with laughter. Meanwhile, the Pavilion Stage enjoyed the presence of Mark Twain and Abraham Lincoln in an amusing skit titled, “Ever the Twain Shall Meet” and African Tribal Dancing performed by the Cultures Closet Studio. There was something for everyone at the festival and I had a lot of fun.

As mentioned earlier, I severed the festival by being an emcee for some of it’s performances. Fulfilling this meaning and enjoyable function did not afford me the opportunity to experience all the wonderful aspects of the festival. So, not everything that occurred was a part of this article as I only intended to record what I’ve actually witnessed. However, if there are those among you who are reading this and find they or some participant was not included in these writings, please feel free to amend my words by mentioning them or yourself in the comment section. You’ll find more photographs I took during the festival in The Monroe County 175th Anniversary Celebration Gallery at www.facebook.com/media/set/?set=a.10150380367390421.408651.636000420&l=18035ef26b&type=1.

Monroe County is located in eastern Pennsylvania, situated 90 miles north of Philadelphia, 75 miles west of New York and 116 miles east of Harrisburg. Today, the County stretches across 611 square miles of rural terrain, rolling hills, and farmlands to the more populated boroughs. The County Celebrates its Anniversary in appreciation for its unique history, its beautiful natural features, memorable past events, present and past assets and amenities, and its exciting future endeavors. The next event to join in the celebration will be the Annual Harvest Festival taking place at The Quiet Valley Living Historical Farm in Stroudsburg, PA. Please Explore The Quiet Valley Living Historical Farm Website at www.quietvalley.org for more information. To gain more information about Monroe County and all it has to offer, please explore their website at www.co.monroe.pa.us/monroe.

Theatrical Review: Macbeth

2011-09-19T19:19:00.003-04:00

Theatrical Review: Macbeth

Written by: William Shakespeare
Directed by: Richard M. Rose
Theatrical Review by: Paul Adam Smeltz

A new theatrical group known as Pocono Shakes formed by Richard M. Rose presented their production of William Shakespeare’s “Macbeth” (aka “The Tragedy of Macbeth”) in the David W. Miller’s Park located behind the Dansbury Depot in East Stroudsburg, PA. The outdoor theatrical setting provided a modern audience an opportunity to experience a Shakespearian play in a similar way it was experienced by an audience living in the 17th Century. This added to the charm of the production as it allowed the audience to be an intimate part of by being in a proximity closer than that of a modern traditional theater.

Although many historians believe “Macbeth” was seldom (if ever) performed for an audience outside the court of King James during the time it was written, the play has been presented in a variety of styles to accommodate the tastes and cultural diversities of the modern era. The first most notable example of this was The Federal Theater Project’s (which was part of a recovery program initiated during the Great Depression) production by Orson Wells which was presented in 1936 at The Lafayette Theatre featuring an all African American cast and set in post-colonial Haiti. The production has become known as “Voodoo Macbeth.” The second example how adaptable the play can be is seen in the cinematic production directed by Akira Kurosawa titled, “Throne of Blood” (aka “Kumonosu jô”). This Japanese film version of “Macbeth” was set in feudal Japan and contained none of the play's script. However, it was considered one of the best film version of the work by many of the critics of the day.

#The Play “Macbeth” itself is known as one of Shakespeare’s shortest tragedies and is loosely based on the accounts recorded in The Holinshed's Chronicles of Mac Bethad mac Findlaích (aka “the Red King”) who was King of the Scots in the 11th century. It’s about a Lord (Thane) of the Scottish Court named Macbeth (as portrayed by Patrick Bresnyan) who, along with his friend and fellow nobleman Banquo (as portrayed by Richard M. Rose who also served as the production’s director and fight choreographer), encounters three witches (as portrayed by Amy Cramer who also portrays Lady Macduff and served as the production‘s Choreographer, Emily Rose who also served as one of the production’s Property assistants, and Lorelei Sands) #as they are returning triumphantly from a war fought with the allied forces of Norway and Ireland who were led against King Duncan (as portrayed by Scott E. McIntosh who also portrayed Siward) by the traitor to the Scottish Crown Macdonwald. The witches greet the men with a series of predictions which include one foretelling of Macbeth becoming the thane of Cawdor (which was the position Macdonwald held before the treachery) and another of his rise to the throne of Scotland itself. The witches also informs Banquo he will produce a line of kings though he will not be one.

After this other worldly encounter, a thane named Ross (as portrayed by Robin Kessler who also served as the production’s Music Director) informs Macbeth of the king’s favor for his part in the war by declaring him the thane of Cawdor as predicted by the witches. Macbeth is also informed King Duncan will be staying at his castle for the night in which Macbeth writes to his wife, Lady Macbeth (who is portrayed by Gillian Bender), about his elevated position and the prophecies he received from the witches. They both begin to harbor ambitions of Macbeth becoming king.

An assassination is planed, carried out, and Macbeth does indeed become King of the Scotts. However, his position is accompanied by neurosis and paranoia as the prophecy of Banquo producing a line of kings leads Macbeth to send men (Mark Pender who also portrays Angus and the Bloody Sergeant, Griffin Wagner, and Ryan Moore who also portrays Malcolm) to murder him and his son Fleance (as portrayed by Bryce Cramer) in an effort to secure his throne. But, Fleance escapes and Macbeth’s political insecurities are heightened as he begins seeing apparitions such as Banquo and the realization that thane Macduff (as portrayed by Robert Taylor) suspects him as the assassin of Duncan. As a result visiting the witches again and receiving additional prophecies from their goddess Hecate (as portrayed by Holly Newcomb who also portrays a Gentlewoman), Macbeth exiles Macduff to England and kills his wife and son (as portrayed by Samantha Wagner).

Meanwhile, Lady Macbeth becomes wracked with guilt and eventually kills herself as armies begin to march upon Macbeth led by an English Nobleman named Siward and Macduff. The battle is won and, after he kills Young Siward (as portrayed by Grant Wagner who also portrays Caithness) Macbeth is beheaded by Macduff. Malcolm, the son of Ducan, takes the throne. Thus ends the play.

The Pocono Shakes production of William Shakespeare’s “Macbeth” was very well done although the pacing of the play seemed a bit rushed at times and kept the audience from absorbing the enormity of the horrendous slaughtering and their aftermaths. However, upon doing some research of the work and it’s history, this reviewer discovered this approach would have been exactly how a theater company in Shakespeare’s day present the work. Still, a slowing down of the pace a bit may enhance an already fine production of the play by adding a slight more depth to it.

Otherwise, there are many reasons to recommend seeing this production. There so many things that can go wrong in performing in a play written in an Elizabethan style for an actor. Yet, the skill these group of actors have in translating the play’s manner of speech and actions to resonate with a modern audience is superb. This was not only true for the principle players, but for the remainder of the cast as well. The members of the cast include Glenn Geiser-Getz as Lennox, Maureen Harms as Doctor and Gentlewoman, Marty Courtney as Old Gentleman and Porter, Renard Cohen as Seyton, and Cordelia Rose as Donalbain. All gave stellar performances.

How the technical aspects of the production were utilized during the production were also impressive. The lighting for the play consists of a simple row of lights strewn along the edge of the acting area. In the scene where Lady Macbeth is lamenting on her part of the murder of Duncan, she moves so the light hits her in a manner in which her face appears ghostly and withdrawn. This underlines the potency of her speech and enhances the scene a great deal. All in all, this is a production worth seeing for all who love the theatrical classics which is well represented by this presentation which was done extremely well.

The Pocono Shakes production of William Shakespeare’s “Macbeth” continues its run free and open to the public at David W. Miller Park located on South Kistler St. in East Stroudsburg, PA from Thursday September 22nd to Sunday September 25th. Attendees are asked to bring a chair and it is advised to dress for the weather. Refreshments are provided by The Brakeman Coffeehouse which will be located in the newly renovated Dansbury Depot and rest rooms facilities are also available.

The Pocono Shakes production of William Shakespeare’s “Macbeth” is directed by Richard M. Rose and Stage Managed by Robin Kessler and Amanda Kalinowski. Dramaturges of the production are Sean Gubitosi and Catherine Zini. The Costume Consultant for the production was Bella Person while Missy Benefield, Irene Garner (who also served as a Production Assistant), and Stacy Ritchie served as costumer. Lou Grillo served as a Production and Property Assistant as did Krysten Swithers. Edward Kelly served the production as its Graphic Artist designing the program, the poster, and other promotional material.

Pocono Shakes is a newly formed theatre group dedicated to shaking up Shakespeare and giving him back his groove. Their future plans include many more performances, film screenings, lessons, comedy, improv, and fun. They practice an absolute, no-discrimination policy and encourage all actors and musicians to audition and participate. Pocono Shakes is a non-profit 501(c)3 organization. For more information please contact Pocono Shakes at PoconoShakes@gmail.com or visit them on Facebook at www.facebook.com/poconoshakes.

Photograph provided by The Pocono Shakes.

A Transregional Castle

2011-09-15T20:41:00.001-04:00

The Castle Inn in Delaware Water Gap, PA held an Artists’ Reception on Saturday September 10th for their Exhibition titled, “Transregional Aesthetics” which derives it’s name from the contributions of the artists who came from various countries to show their work. They included Melissa Jordan, Ira Kvetny, Michelle Jane Lee, Mira O’ Brien, Nickolas Roudane, and Alan Ruiz (who curates the exhibit) along with Eoin Burke and Jim Desscino. While each artist brought their individual insights based upon their life’s (which included their geographical) experiences to their work, together they produced a show that not only complimented each other’s work but also brought a sophisticated aura in which those who came to see the exhibit could contemplate how deeply the area in which we find ourselves effect our perceptions and how we regard life as a whole.

The work itself was displayed in what some would refer to as a simplistic almost Zen like fashion. There was a sense of separation between each piece (or grouping of pieces) which entreated the gallery’s visitors to focus upon each one as if it were the only work the establishment was exhibiting. It isn’t until one steps back from their transfixed gaze when it is remembered there were other images and sculptures to be explored in the same satisfying manner. Perhaps the sparse placement of the pieces were meant to underline a theme which suggest, while each region and point on the planet (including ourselves) may seem separate from the rest, it is all part of a whole from which we can derive a great sense of comfort from.

The reception greeted a sizable number of people which could be largely attributed to The 34th Annual Celebration of the Arts (COTA) Jazz and Arts Festival which was in the fullness of its festivities while it was taking place. However, the interesting aspects of the work may have been all that was needed for area art lovers to attend this very unique exhibit. As for me, it was a very pleasing experience as it allowed me to explore another realization of the unity inherent in the human condition without hearing the insipidly repetitious echo of “We are The World.” You’ll be able to find more photographs in The Visual Arts 2011 (Part 2) Gallery at www.facebook.com/media/set/?set=a.10150316388700421.390846.636000420&l=559eabb691&type=1.

The Castle Inn in Delaware Water Gap, PA was built in 1906 and was the last of the great hotels to be built in area. It housed an ice cream parlor, a mosaic floor, bowling alleys, a pool, and a billiard parlor. Performances were presented which included those given by Opera legend Enrico Caruso, Marching Band Leader John Phillip Sousa, and Big Band Leader Fred Waring along with the Pennsylvanians. This all came to an abrupt end when fire touched the Inn in the 1970s and it laid dormant until 2005 when it was purchased by Theresa Veltri and Frank Paccione who continues to endeavor to bring the Inn back as an asset to the community and all who visit it.

The Transregional Aesthetics Exhibition continues in The Castle Inn Gallery located in Delaware Water Gap, PA until November 4th. The Production Coordinator for the exhibition is Kristin Speranza while Jose Sanatmaria serves as the Gallery’s Director. More information about the exhibition as well as The Castle Inn can be gained by explore their website at www.castleinndwg.com.

COTA is Approaching

2011-09-07T21:08:00.000-04:00

On Tuesday September 6th, The Celebration of the Arts (COTA) held their final Volunteer Meeting in order to plan for their 34th Annual Jazz and Arts Festival at The Deer Head Inn in Delaware Water Gap, PA. The festival will begin taking place in various locations throughout the town on Friday September 9th which is just a few days after the meeting. New and established friends met to receive the final updates on how things are progressing and to tidy up any last minute tasks that are still needed to be completed.

The meeting include the introduction of new volunteers who have experienced COTA who wish to be a part of the process that brings it all together. They were welcomed into the gathering as their presence reasserted the fact it is never too late to become involved with the festival. The meeting continued with the announcement of some changes in staff procedures designed to help make things run smoothly especially if there is a great deal of rain during the festival as predicted by a number of weather services. However, text messages and emails have been sent to the people who are responsible for the Earth’s weather so it should be a nice weekend.You’ll find more photographs taken during the gathering in The COTA Meetings 2011 Gallery at www.facebook.com/forwardian.dude.

The 34th Annual Celebration of the Arts Jazz and Arts Festival is scheduled to begin Friday September 9th and will continue until Sunday September 11th. The three day festival begins on Friday evening with an Artists’ Reception at The Antoine Dutot Museum and Gallery who will present their Annual Music Motif Exhibition and continues with the night of Music, Theater, and Dance presented at The Presbyterian Church of the Mountain. The festival continues the following Saturday and Sunday with outdoor performances of Jazz on the Main Stage along with numerous strolling musicians, story tellers, and vendors offering a variety of high quality crafts, art, and food. You’ll be able to read my article about The 33rd Annual Celebration of the Arts Jazz and Arts Festival which took place in 2010 at www.cotajazz.org/cota-2010.html.

The Celebration of the Arts (COTA) presents and supports the arts and the music of jazz in all its forms and historical breadth through youth education, performing arts presentations, scholarship opportunities, and community outreach throughout the Pocono area. The festival and all its functions is organized and run by volunteers. Their next volunteer meeting will be held Tuesday October 11th at The Deer Head Inn in Delaware Water Gap, PA beginning at 7:30pm in order to explore this year‘s festival and determine what changes (if any) should be made in order to make The 35th Annual Celebration of the Arts Jazz and Arts Festival an even better one. More information the festival can be obtained by Exploring The COTA Website at www.cotajazz.org or by calling 570-424-2210. I hope to see you there.

Photographic Fantasies for the Community

2011-09-07T21:04:00.000-04:00

The Pocono Community Theater held an Artists’ Reception on Sunday September 4th for their exhibitions. The exhibition presented in their front gallery was titled, “Fantasy” featuring the works of Myke Maldonado, Peter Ambush, Shane Izykowski, Don Manza, and Joan Sayer while the exhibition presented in their back gallery was titled, “Photo” featuring the work of John Kopp. The exhibition opened to a modest gathering but this did not diminish the excellent qualities contained within the work.

The general mood among the work in the “Fantasy” exhibit seemed to be a dark one. Several of the images contained monsters, dissatisfied fairies, and scenes of torture which was somehow perversely refreshing as compared to the “Feel Good” images society associates with a fantasized existence. The exhibit correlates a realization there is a darker side to what we dream about and we should be careful (unless we prefer the darker side to prevail) what we wish for and fantasize about.

The “Photo” Exhibition had nearly the opposite mood going on. Many of the pieces depicted automobiles in a way epitomizing the term, “Joy Rides” as colors were manipulated to create a sense of celebration. A motto of an automobile manufacture once proclaimed, “It’s not just a car. It’s your freedom.” and the images Mr. Kopp presents reflects the truth of that assertion without trying to sell the viewer of them a car. Although one can appreciate the expertise in creating each image not much more can be said about them except they were fun. Perhaps that is all one needs to say as having fun can be a profound experience in and of itself. You’ll find more photographs taken during the reception in The Visual Arts 2011 Gallery at www.facebook.com/forwardian.dude.

In addition to hosting art exhibits, The Pocono Community Theater presents a variety of films both popularly current as well revivals of those films released in the past. They also host special events such as their Pocono Got Talent competition and their Book Club which explore novels that have been adapted to the screen and are currently being shown. The “Fantasy” and “Photo” exhibition will continue until October 23rd while the next exhibition will begin in November featuring the work of Marcos Oksenhender. Please Explore The Pocono Community Theater Website www.poconocommunitytheater.org for more information.

Dead Things Kick… Well, You know

2011-09-07T21:02:00.000-04:00

The Main Street Jukebox in Stroudsburg, PA held an Artist’s Reception on Saturday September 3rd for an exhibition titled, “Dead Things and Women” featuring the Art of Victoria Penna. If the title of the exhibit wasn’t enough to catch your attention, the work displayed upon the Jukebox’s walls certainly did. They ranged from deceptively simple drawings sprawled out on huge sheets of paper to portraits of intriguing characters who one may wish to avoid due to their apparent creepiness. But then, they could be related to us.

And, like a creepy uncle, many of the images presented in the exhibition lures one in so they can have their way with you. Ms. Penna’s work may or may not lead one to the need for therapy after one’s encounter, but a journey to some inner dimension of the mind is certain to take place. The images on the wall served as signposts but there were also prints, flipbooks, mini books, mini comics, stickers, and other extensions of Ms. Penna’s creativity to provide some additional landmarks to guide your way. That is, if one dares to disembark from their comfortable abode of mediocrity in the first place.

Those who are brave enough to venture forth on the journey Ms. Penna entreats one to partake, won’t find any hint of mediocrity anywhere. What they will find are images that reflect we create but wish not to gaze upon due the discomfort they cause us. Ms. Penna opens the cupboards we hide our creations in and we are forced to see them in all their splendor. Sometimes this revelation can be liberating as we realize the monsters we manifest aren’t monsters at all and are really a part of us we need to embrace a bit more endearingly. However, there are times when looking into the depth of our own abysses pulls us down into them and we become lost in the labyrinth of madness. The doors to enlightenment and insanity are never clearly marked, but a great adventure often awaits one who courageously turns the knob.

The music presented during the Reception was well matched to the themes and implications the work. The collection of musicians that performed tumbled through their songs grabbing everyone by their throats as their voices and instruments kicked some big time ass. Singer/songwriter Ritchie Murder was the first to reach out with his music and to lift his boots which found their mark before most knew what hit them. He was joined for a few selections by Lucy Fuur which led some to think would bring a softer tone to the set, but it was soon learned she could kick as hard if not harder even though she’s not aiming as an ass. They were followed by what many were certain would be a more mellow band as they are well know as a Christian Rock band. But, those who have heard LeasT Likely perform know they have a way of making their listeners enjoy turning the other cheek as it means they’ll be slapped with more of their hard hitting music whose non preachy Christian messages make more meaningful. They were followed by Rob Carlton and his band who miraculously managed to rip the slight remnants of the souls that were left to the listeners after the previous performances and tied them up in a bow in order to give them back without the pretensions a societal induced morality inflicts upon the masses. The music was raw, it was hard, but it was real.

The combination of the music, art, and conversation made the “Dead Things and Women” Reception a great end of a fantastic day which happened to be the day Stroudfest 2011 was celebrated. It was a lot of fun. You’ll be able to find photographs I took during the festival in Stroudfest 2011 Gallery at www.facebook.com/forwardian.dude. However, you’ll find more photographs I took during the “Dead Things and Women” Reception in the Main Street Jukebox 2011 Gallery at www.facebook.com/forwardian.dude.

In addition to the Art Exhibitions held at The Main Street Jukebox, they offer recordings made on CDs, Tapes, and Vinyl. The “Dead Things and Women” exhibition featuring the Art of Victoria Penna continues until September 30th with the artist featured in the October exhibition yet to be announced. Please Explore The Main St. Jukebox Website at www.myspace.com/mainstjukebox or call 570-424-2246 for more information about these events and all they have to offer.

The Vergence of Womanhood is Centered

2011-09-07T20:59:00.000-04:00

The PoconoArts Community Cultural Center in Stroudsburg, PA held an Artists’ Reception on Saturday September 3rd in their ArtSpace Gallery. The featured Artist in the main gallery was Joann Castrillo who presented her latest series of work titled, “Women On The Verge.” One can hardly look at her work with wondering which is more fascinating in regards to the individual pieces. Is it the vibrancy of the colors and they way she molds each image to the surface or is it her selection of the surfaces themselves which often consist of wooden boards or some other non conventional material. In either case, one can’t help but to be captivated and impressed by the deftness of skill embodied in her work.

The images presented in Ms. Castrillo work invites the viewer to enter the work. In fact, one can almost hear a voice seductively entreating the one to partake of all the luxurious emotionality the piece has to offer. A smile begins to form as one begins to encounter the full experience which is led to a deep feeling of satisfaction as the time we dwell within it increases. Some may describe this as hypnotic but I simply consider it being in a state of a profound pleasure although they could be the same thing.

In addition to the ArtSpace Gallery, The PoconoArts Community Cultural Center also houses a Studio Gallery which featured works created by Shirley Epstein and Tricia Lowrey Lippert. Both artists focused their works on the theme of nature. Ms. Epstein presented soft watercolor images of flowers and other works of nature while Ms. Lippert presented oil painted images of a variety of pets which reflects her love of animals. Both artist’s work were pleasing to the eye as their eye for detail and ascetics enhance the beauty found upon each canvas.

The PoconoArts Community Cultural Center also boasts a Hall of Poetry and Writings on which poets and writers may share their talents with those who enter their center. This month the wall featured the poems of Ka-Son Reeves whose words form images in the mind by reflecting the realities we experience. Although Mr. Reeves is best known for his visual works, his poetry seems to touch a deeper chord than the images he creates. I, personally, am not sure what it is but this may be because there are much more inner landscape I need to explore before I can find the words to describe what they are. Yet, I sense there is something and it isn’t always to know what that something is. But, knowing there is a something can lead us to a wonderful journey of discovery even if we never find out what that something is.

The PoconoArts Community Cultural Center reception took place in the midst of the Stroudfest 2011 festival which occurred throughout the town. You’ll be able to find photographs I took during the festival in Stroudfest 2011 Gallery at www.facebook.com/forwardian.dude. However, you’ll find more photographs I took during The PoconoArts Community Cultural Center reception in the Visual Arts 2011 Gallery at www.facebook.com/forwardian.dude.

The current exhibition continues until September 30th. The next exhibition at The PoconoArts Community Cultural Center will be presented in The ArtSpace Gallery and begin with an Artist’s Reception on Saturday October 1st. It will continue until the end of the month. Please Explore The ArtSpace Gallery Website at www.poconoarts.org/artspace for more information.

The PoconoArts Community Cultural Center is part of The PoconoArts Council which is an organization designed to build the communities in which it serves artistically and culturally by providing leadership, service, and education. It does so by offering avenues for artists to display their work through the ArtSpace and other galleries, educational opportunities for those who would like to explore and/or enhance their creative natures, and encouragement to those who seek to express and/or support the arts. You’ll be able to learn more about The PoconoArts Council and all they offer at www.poconoarts.org for more information.

A Festive Day in Stroudsburg

2011-09-07T20:57:00.000-04:00

It was just one week after Hurricane Irene wrecked havoc on much of Northeast PA when Stroudsburg held its Annual Stroudfest to throughout the town of Stroudsburg, PA on Saturday September 3rd to celebrate all things relating to the municipality and all who live, work, and play there. It was a perfect day to not only celebrate the town but it was great to get out and about after the effects of the hurricane subsided. The streets were aligned with music sharing their songs, merchants selling their wares, and artists sharing their talents as those who attended the festival encountered many moments which were soon to become lasting and enjoyable memories.

My experiences began with a visit to The Stroud Mansion which represented for me the genesis of the festival. The mansion was the family home Jacob Stroud in 1795 who founded the town which is now the Monroe County seat and now houses The Monroe County Historical Association which ##is a non-profit community organization dedicated to preserving the history of the area. The Association held its 3rd Annual Olde Time Fun Event featuring a variety of children’s activities in the mansion’s backyard while providing tours within the mansion for those who wished to learn more about the town’s heritage.

The tour not only included a view of how life was lived throughout the town’s history but it also included an exhibit commemorating the 150th Anniversary of the beginning of the American Civil War. The exhibit titled, “Monroe County in The Civil War” began July 1st and will continue until October 28th. It features many artifacts from the era along with numerous interesting facts such as the area did not support the war or President Lincoln and became a haven for those soldiers (from both sides) who deserted their regiments. You’ll be able to learn more about The Monroe County Historical Association and all it has to offer the community by contacting them at (570) 421-7703 or by exploring their website at www.monroehistorical.org.

After being reacquainted with the local history which was first introduced to me through a tour of the building when I was in the 3rd grade, I ventured out to partake of all the sights and sounds the festival had to offer. I soon became overwhelmed by the multitude of vendors and musicians that I encountered after taking only a few steps onto the sidewalk. Those who participated in the day are far too numerous to mention, but I’m going to give it a try. Of course, if you are or know someone who I neglect to list, please accept my apologies and feel free to make a comment in order to make yourself known as well as partake of an opportunity to share your impressions of the day.

The vendors who inhabited the sidewalks of Stroudsburg included The Shawnee Market who sells local produce every Tuesday at The Shawnee Inn and Golf Resort in Shawnee on Delaware, PA and Equi-Librium, Inc. Adopt-A-Horse who provide therapy horses for handicapped individuals. There were plenty of adornments for the human form including those of Leeland Jewelry featuring pieces made by Gloria Lee, Earth Envi featuring jewelry designed by Mitzi S. Mager, Gemini Designs featuring jewelry designed by Claire Lai, and Bettlecap Creations featuring jewelry designed by Tina Traver. There were many artists and crafters sharing their talents and they included Jimmy Smeltz, Jewell Woods of the Bijou Art Studio, Amy Donahue of Twigs and Twine Devine, Craig D. Harley of Twist of Fate, and “We Like to Party” who offer theme parties for any occasion. There were also several community organizations and services to be found throughout the town including The Red Cross of Monroe County and The Salvation Army along with political groups such as the Democrat, Republican, and TEA Parties (not to be confused with the many Beer Parties going on in the many drinking establishments that were opened during the day). Members of the local media made their way through the abundant crowd which included those from Blue Ridge Cable (WBRC) Television and their talk program titled, “The Morning Mix Show.”

Music filled the air and souls of the festival goers. Again, these were too many to remember in order to mention in this article. But, here are those I can recall. They are Randy Bigness and friends, Jazz Juice, The Dirk Quinn Band, The Erin McClelland Band, Upstairs Down, Los Diablos with Johnny Rydell, Vince Del Sol, and Friends, The Statesman with Jonah Smith, Josh Dion, Ben Rubin, and Eric Metzger, The Pocono Vocal Arts, Mystery Fyre, The Kevin Brennan Band with Chris London, Sonni Shine, and Waiting For Katie. Again, my apologies to those who were not mentioned but please feel free to make yourself known along with your reflections of the festival by leaving a comment.

There were also performances given during what I consider festivals within a festival and they included those given at Driebe Freight Station which was postponed from last week due to the hurricane and featured The SheilaMark Band, Mark Hamza, Sheila Stratton, Steve Shiposh and Big Daddy Dex, Steve Nelson, Dean Rickardand, Don Slepian and music and other cultural performances held at The Latino American Alliance of Northeast Pennsylvania (LAANEPA) Festival. The LAANEPA Festival also had vendors which included Optimus Health and Wellness who offers a number of physical fitness programs and classes.

It was a great day and I met a great number of wonderful people. Many were friends I’ve encountered throughout the many years I’ve lived in the area while others I met for the very first time. In either case, it was a pleasure and delight to meet and share so many meaningful conversations with. I had fun. You’ll find more photographs taken during the Stroudfest 2011 Gallery at www.facebook.com/forwardian.dude.

The Annual Stroudfest event is organized by The Jacob Stroud Corporation and The Sherman Theater designed to Celebrate the town by providing entertainment throughout the day along with opportunities to explore and purchase works created by local artists, artisans, and crafters. The Jacob Stroud Corporation was formed in 1995 in order to revitalize the downtown historical heritage. They continue to establish a healthy downtown environment for residents and visitors to the area. To gain more information about The Jacob Stroud Corporation and all they have to offer the community as well as its visitors, please Explore their Website at www.stroudsburg.net.

The Sherman Theater was built in the 1920s and now presents many of today’s biggest shows. Please Explore The Sherman Theater Website at www.shermantheater.com to learn more about the establishment and for a full schedule of their upcoming shows. You can learn more about Stroudfest and how to become involved in next year’s festival by exploring their Website at www.stroudfest.com.

Shuffling the Cheeky Fantastic

2011-09-07T20:54:00.000-04:00

The Cheeky Monkey Coffeehouse in Stroudsburg, PA held an Artist’s Reception featuring the work of Kim Pollard for a photographic exhibit titled, “Show on Shuffle” on Friday September 2nd as part of their Espresso Yourself Art Series. The work that touched the walls of the popular coffeehouse primarily depicted scenes of nature and were quite stunning. Each image inspired thoughts of exploring the many wonders to be found in the world around one along with those found within.

Kim has noted that “The world looks so different when I view it through the lens of my camera.” and she encounters “unexpected surprises in nature… things you stumble upon when you weren't even looking for them.” The worlds revealed upon the walls at The Cheeky Monkey populated the mind of each attendee to a fully abundant capacity. The vibrancy of each photograph captivated each viewer while its intricacies wove an unexpected web to bring the viewer deeper into its simple complexities. The resulting experience was that few were able to leave each piece untouched by its beauty and found themselves eager to partake of those who neighbored it. You’ll find more photographs taken during the reception in The Cheeky Monkey 2011 Gallery at www.facebook.com/forwardian.dude.

The Kim Pollard Exhibition continues until November 1st. The next Artist’s Reception as part of their Espresso Yourself Art Series will be held at The Cheeky Monkey on Friday November 4th beginning at 6pm featuring the works of John Kolbek and Michael Parsons. The Exhibition continues until January 1st. In the meantime, Cheeky Monkey will host a comedy night featuring the Off Track Players on Friday September 9th beginning at 7pm, an Opera Night on Friday September 16th beginning at 7pm to benefit The Women’s Resources of Monroe County, and The Forwardian Arts Society Film Lovers’ Gathering on Friday September 23rd beginning at 7pm featuring a free screening of a film which will be followed by a discussion of it. Those who attend the gathering will be afforded the opportunity to suggest what film will be shown during their October get together. The Cheeky Monkey Coffeehouse also offers a variety of coffee, drinks, and culinary treats along with events such as the one described in this article. Please Explore The Cheeky Monkey Coffeehouse Website at www.cheekymonkeycoffee.com or call 570-236-5574 for more information.

Note: Kim Pollard’s work titled, “Night and Day” was selected to appear on the back cover of the next issue of The Forwardian Arts Society Art and Literary Magazine, “Forwardian” during it’s recent Cover to Cover Exhibition held at The Sarah Street Grill in Stroudsburg, PA. You may see the piece hung at The Cheeky Monkey Coffeehouse.

Soloist Delights the Night Fantastic

2011-08-25T14:39:00.000-04:00

The Forwardian Arts Society held an Artist’s Reception on Wednesday August 24th at The Sarah Street Grill in Stroudsburg, PA for their Exhibition titled, “Forwardian Solo” featuring the work of Kari Nespola. An air of excitement was felt a while before anyone who wished to attend the reception arrived as last minute adjustments were being made in order to prepare for the visual and audio enchantments that would greet the art, music, and poetry lovers who would be a part of this wonderful event. As the modest gathering began to assemble, all such preparations proved themselves to be worthwhile endeavors as evident in the eyes and smiles of those who entered the gallery.

The visual work that met their eyes were as varied as they were colorful. The difficulty of believing the pieces presented in the show was created by one individual artist were expressed by several attendees. However, as Kari revealed herself to each person, they began to see the vibrancy of her talent and its ability to encompass and master the variety of styles and themes they were witnessing. Many conversations were initiated by those who desired to learn more about the artist, her work, and themselves. The profound beauty found in much of her work touched their souls while the humorously light heartedness found in others touched their hearts.

The exhibition and continued as the reception also featured Solo performances given by the talented poets and musicians who enhanced the enjoyment of the evening’s visual delights. After sharing some welcoming remarks, Paul Adam Smeltz (yeah that’s me) began the pleasurable task of introducing each recitation and performance. Sally Wiener Grotta began the performances with the sharing of her poetry which inspired and captivated all who heard it. She was followed by Emmitt Henry Derrick whose bluesy compositions and harmonica echoed the variety of styles The Forwardian Arts Society has become well known for. While his performance did not meet with everyone’s taste, it did contain several jewels awaiting to be appreciated by those who endeavored themselves to polish them.

The evening continued with a poetry reading given by Wayne Tuttle whose theatrical approach to his recitations entreated all who partook of it. He was followed by Rick Fisher whose voice touched each song he played with an uncommon quality which transcended the years he said that lapsed since he last shared his talents with others. More music followed his performance as Holly Avila and her guitar took their place. Her love songs enchanted those who heard them whether they knew the language they were written in or not while her songs addressing her political concerns of our day enraged and inspired many to activism. The Reception concluded with some closing remarks expressing a deep appreciation to all who made it wonderful.

However, many who attended the reception moved downstairs at its conclusion to participate in the Sarah Street Grill’s Open Mic Night. These included Crystal Gabrielle Martinez who was unable to perform during the Artist’s Reception due to technical reasons but was able to delight the audience with her considerable vocal skills. Rick Fisher also took the stage and shared his talents as well. The band “Forbidden Dreams” were also among the musicians who performed to the delight of their friends, fans, and music lovers in general. You’ll find more photographs taken during the reception and the Open Mic Night that followed in The Forwardian Arts Society 2011 Gallery at www.facebook.com/forwardian.dude.

In addition to gallery presentation of art and photography, The Sarah Street Grill offers an enticing cuisine served in a relaxed and inviting atmosphere. This atmosphere is enhanced by the musical entertainment available to their clientele along with events such as wine and beer tasting events and functions designed to benefit the financial needs of community minded endeavors. Please Explore The Sarah Street Website at www.sarahstreetgrill.com or call 570-424-9120 to lean more about the establishment and all it has to offer.

The Forwardian Arts Society is a fellowship for people who love the arts seeking to enhance the creative community by encouraging those interested in the arts to go forward toward their dreams, by supporting those groups and individuals who are manifesting their dreams through performances and/or presentations, and by loving them and all they do. In addition to presenting exhibitions, The Forwardian Arts Society holds an annual Forwardian Film Festival along with monthly Film Lovers’ Gatherings and publishing a literary and arts magazine titled, “Forwardian.” The Forwardian Arts Society also presents a series of “ArtSmash of the Poconos” festivals showcasing the creativity of all visual and performing artists throughout the creative community. These festivals are presented at various times and locations throughout the Year. The Forwardian Arts Society also offers information and news relating to the arts through its website and posting found on social networks such as bloggers, facebook and myspace.

The next event to presented by The Forwardian Arts Society will be their Film Lovers’ Gathering to be presented at The Cheeky Monkey Coffeehouse located at 526 Main Street in Stroudsburg, PA near The Sherman Theater. This September’s Film Lovers’ Gathering tentatively scheduled to take place 7pm on Friday September 16th featuring a free showing of a film yet to be decided. The screening will be followed by a discussion of the film and those attending will be given an opportunity to suggest what film will be shown and discussed during the October gathering.

The “Forwardian Solo” exhibition being presented at The Sarah Street Grill began Wednesday August 17th and will continue until October 31st. The next visual arts exhibition to be presented by The Forwardian Arts Society is presently in the planning stages and information regarding it is hoped to be available soon. Please Explore The Forwardian Arts Society Website at www.theforwardianartssociety.com to learn more information about this and other events along with all they have to offer the creative community.

The High Standards of Friendship

2011-08-22T22:14:00.000-04:00

The Presbyterian Church of the Mountain in Delaware Water Gap, PA presented Jay Rattman and Friends as part of their Summer Gazebo Concert Series on Sunday August 21st. The rainy weather forced the concert from its traditional location at the Gazebo outside the church to the dry and welcoming sanctuary of the structure’s interiors. Although the outdoor venue (as well as the Summer Sunshine) were missed, the relaxing atmosphere created by the quartet more than compensated for the sense of absence.

Saxophonist Jay Rattman was joined by Spencer Reed on Guitar, Paul Rostock on Bass, and Bill Goodwin on Drums. Each musician is well known throughout the international jazz community for their individual endeavors and it was a treat for fans of the music’s genre to experience them all performing together on the same stage. This treat was enhanced by the selection of songs which mostly consisted of familiar standards played afresh with the considerable talent of each musician. They almost became new compositions created for the audience as they were listening to them. You’ll find more photographs taken during the concert at The PCOM Summer Gazebo Concerts 2011 Gallery at www.facebook.com/forwardian.dude.

Jay Rattman began his exposure to the art of Jazz as a young child when his parents took him to see performances presented at the Deer Head Inn in Delaware Water Gap, PA www.deerheadinn.com and other venues. He was inspired by musicians that met his ears and soon began taking lessons from many of them. He has since performed at The Deer Head Inn as well as many of the venues he attended during his childhood to great acclaim. You can learn more about Jay Rattman, his music, his inspirations, his schedule of upcoming engagements, and more at www.myspace.com/jayrattman. You’ll be able to find similar information about Jay’s friends Spencer Reed at www.reedjazz.com, Paul Rostock at www.myspace.com/paulrostockbass, and Bill Goodwin at www.philwoods.com/goodwin.htm.

In addition to the weekly Summer Gazebo Concerts, The Presbyterian Church of the Mountain in Delaware Water Gap, PA offers a variety of spiritual programs for those who practice the Christian faith. These include worship services and missionary endeavors to the nations of Kenya and Cuba. They also have retreat facilities available for those hiking the Appalachian Trail which runs nearby.

The next and final musical performance presented in their Summer Gazebo Concerts Series for 2011 will be Bonnie Childs and the Church of the Mountain Band on Sunday August 28th beginning at 6pm. The concert is free and open to the public. Please Explore The Presbyterian Church of the Mountain Website www.churchofthemountain.org call 570-476-0345 for more information about the concert and all they have to offer the community.

Terry and Tanchon in the house

2011-08-22T22:12:00.000-04:00

The ArtMusic Coffeehouse in East Stroudsburg, PA presented Jesse Terry and Carley Tanchon on Saturday August 20th. After some wonderful conversation with the performers as they readied themselves for the evening’s enchantments, an improvisational interlude of music provided by the concert’s host Don Slepian allowed the sharing of words a transcendence that traveled beyond the thoughts conveyed during the social intercourse. By the time Jesse and Carley took the stage, the modest gatherings were prepared in a mesmerized state as the performance began.

The couple introduced themselves by clarifying they were not a “couple” in the romantic sense of the term which answered speculations of many a curious mind. As if to further demonstrate this, Jesse and Carley each sang songs separate from one another although they did provide background harmony for one another from time to time. This proved to be an interesting concept for the evening of a duo not performing as a duet. However, the personal relationship between the two performers had little significance when one heard the deeply echoing sounds of their songs.

Yet, although they didn’t officially perform as a duet, in many ways they did. This was because when one was singing, the other listened with a facial expression that spoke of a subtext embodied in the song which allowed the audience to experience the piece from an even deeper perspective. This may have been due to the clear and open love they had for the music of one another’s and this love infected the audience as well.

At one point I wondered if this might be how Simon and Garfunkel would have performed if they chose to present their songs as individual singer/songwriters and not as a duet. After all, they and their perspective songs shared the same qualities associated with Simon and Garfunkel as they spoke of truths not only found in the personal relationships they were obviously singing about but in the more profound experiences life grants us throughout our lives. The songs performed throughout the evening touched those who attended the gathering in ways unique to the individual as well as a collective whole. Truly wonderful stuff. You’ll be able to see Photographs taken during the concert in The ArtMusic Coffeehouse 2011 Gallery at www.facebook.com/forwardian.dude.

Jesse Terry is known for his down-to-earth appeal and deceptively sharp writing along with his warm and precise baritone vocal abilities that enhance each song. Although his music is often associated those in the popular realms of music, he never fears transcending these commercial boundaries in order to compose a truth that is close to his heart and soul. You can learn more about Jesse Terry, his music, his inspirations, his schedule of upcoming engagements, and more at www.jesseterrymusic.com.

Carley Tanchon lists among her favorite performers as Stevie Nicks who is best known for her work in the band “Fleetwood Mac.” This is an interesting revelation as the band also presented Lindsey Buckingham who was said to be the intelligence of “Fleetwood Mac” while Stevie Nicks was its soul. From her performance at The ArtMusic Coffeehouse, one can easily ascertain Ms. Tanchon could provide any band with a source from which it can transcend themselves and become something truly wonderful. You can learn more about Carley Tanchon, her music, her inspirations, her schedule of upcoming engagements, and more at www.carleytanchon.com.

The ArtMusic Coffeehouse is held in the home of Don Slepian and Jan Julia who reside in the borough of East Stroudsburg, PA as part of the Concerts In Your Home Series. A variety of musical forms are presented including folk, jazz, classical, and electronic music. Although the concerts welcomes all who wish to attend, seating is limited as it they take place in a private home. The Next The ArtMusic Coffeehouse Concert will feature “Mean Mary” James on Sunday September 11th beginning at 8pm. Please Explore The ArtMusic Coffeehouse Website at www.ArtMusicCoffeehouse.com or Call 570-476-6307 for more information and to reserve your seats.

Singing a Karmic Tune

2011-08-22T22:10:00.001-04:00

The Vintage Karma in Stroudsburg, PA presented a variety of musicians on Saturday August 20th featuring the talents of Freddy Fudd Pucker, The Reasons, The Billy Mack Collector, and Zekibird. A crowd of music lovers and friends filled the studio to enjoy the atmosphere. It was a nice place to be in order to listen to some original music which bordered on the avant-garde as one of the musical instruments included a cutting saw played with a violin bow. You’ll find more photographs in the Visual Arts 2011 Gallery at www.facebook.com/forwardian.dude.

Vintage Karma is a studio of fine art and tattooing offering affordable pricing, free consultations, and organic/vegan ink. You’ll find more information about future events and what Vintage Karma offers the community at www.artofvintagekarma.com.

A Park Flourishes with the Classics

2011-08-22T22:08:00.001-04:00

The Jacob Stroud Corporation presented Calliope on Saturday August 20th at The Dreibe Freight Station in Stroudsburg, PA as part of their Music in the Park Series. A small group of music lovers gathered to listen quietly to the gentle classical fare. The selection included pieces composed by the 18th and 19th century masters such as Beethoven, Mozart, and Handel as well as 20th century works by Gershwin, Copeland, and Berlin. However, regardless of when the pieces were written, musicians Gina Bertucci, Barbara Mahon, and Laura Goss brought them alive to be enjoyed by a modern audience through their considerable talents.

The music, the musicians, and the cool breeze that enlightened the afternoon all served to enhance the charm of the concert. The light reflecting off the nearby stream onto the leaves of the trees situated behind the performers made for a magical backdrop as one could imagine the spirits of the composers were dancing to the tunes they created. They must have enjoyed the renditions of their work as much as those who attended the concert. You’ll find more photographs taken during the concert in the Music in the Park 2011 Gallery at www.facebook.com/forwardian.dude.

The Dreibe Freight Station was built in 1882 and serviced shipments traveling along the New York, Susquehanna and Western Railroad. In now serves as an art gallery to showcase the collections of the Monroe County Historical Association. Special exhibits by local artists are offered throughout the year. Please Explore The Monroe County Historical Society Website www.monroehistorical.org for more information about the Station and to learn more about the history of the area.

The Jacob Stroud Corporation was formed in 1995 in order to revitalize the downtown historical heritage. They continue to establish a healthy downtown environment for residents and visitors to the area. The next performance in their Music in the Park Series will feature The Great Swamp Blues Band at The Dreibe Freight Station on Saturday August 27th beginning at 12 noon and will be the final concert of the series for 2011. However, a festival celebrating all things relating to the town of Stroudsburg, PA will take place Saturday September 3rd. The Annual “Stroudfest” event will feature entertainment throughout the day along with opportunities to explore and purchase works created by local artists, artisans, and crafters. Please Explore The Stroudfest Website at www.stroudfest.com for more information. To gain more information about The Jacob Stroud Corporation and all they have to offer the community as well as its visitors, Please Explore their Website at www.stroudsburg.net.

Falling to a Higher Realm

2011-08-22T22:00:00.001-04:00

The Forwardian Arts Society hosted its monthly Film Lovers’ Gathering at The Cheeky Monkey Coffeehouse in Stroudsburg, PA on Friday August 19th. A small but eager group of film lovers came out to see the featured film which was titled, “The Man Who Fell to Earth.” The film is based upon the 1963 novel written by Walter Tevis but what made the 1976 film a cult classic has more to do with it being David Bowie’s film debut than anything else. You’ll find more photographs taken during the gathering in The Forwardian Arts Society 2011 Gallery at www.facebook.com/forwardian.dude.

The science fiction film (directed by Nicolas Roeg) and novel are about an extraterrestrial who lands on Earth in order to save his home planet from a devastating drought. His plan is to market his home world’s advanced technology in order to raise enough funds to help his people wither by (as in the novel) to ferry them to Earth or (as in the film) transport water to his planet. In either case, his plans goes awry when he becomes immersed in a sea of confusion and distractions after he is introduced to the elements of alcohol, sex, and television so prevalent in western society. This and the government’s desire to learn all about this stranger who has entered an even stranger land leads to his complete assimilation and his blindness to the hope of ever returning to his people to relieve them of their suffering.

Although the film did receive some mixed reviews when it was first released, it did (as mentioned earlier) become a cult classic. Many of the scenes were beautifully shot as it does have a certain surrealist quality to it which may have much to do with its 11 week shooting schedule. The film also contains a number of intellectual themes which are deserving of attention as they’re still relevant today. And, then there’s David Bowie. To me, the most interesting thing about the film was seeing someone walking around in 1976 with orange hair. Not to say the rest of the film was without any interesting scenes, but seeing something that is now commonplace occurring 35 years ago did get my attention.

Another aspect of the film to be noted is it’s graphic depiction of sex. Although I’ve seen the film shortly after it was released, I was surprised by it. I must have seen a cleaned up version of the film. It did border on being pornographic but did not allow sex to be a prominent element of the film. Instead, the scenes depicting sex merely served to illustrate one of the many distractions the David Bowie character encountered which keeps him from fulfilling his mission. The scenes relating to sex were disturbing and uncomfortable to watch but so were the scenes relating to alcohol and television. Perhaps this is why many have considered “The Man Who Fell to Earth” an art film as art is said to be at its best when it “Comforts the disturb and disturb the comfortable.”

The Cheeky Monkey Coffeehouse offers a variety of coffee, drinks, and culinary treats along with events such as the one described in this article. The next Film Lovers Gathering held at The Cheeky Monkey is tentatively scheduled for Friday September 16th. Future events will include an Artist’s Reception on Friday September 2nd featuring the work of Kim Pollard beginning at 6pm as part of their Espresso Yourself Art Shows Series. This Exhibition continues until November 1st. Ongoing events at The Cheeky Monkey include their Tuesday evening Open Mic Nites and their “Spoken Word Symposium” on Thursday evenings. Please Explore The Cheeky Monkey Coffeehouse Website at www.cheekymonkeycoffee.com or call 570-420-8222 for more information.

The Forwardian Arts Society is a fellowship for people who love the arts seeking to enhance the creative community by encouraging those interested in the arts to go forward toward their dreams, by supporting those groups and individuals who are manifesting their dreams through performances and/or presentations, and by loving them and all they do. In addition to their annual Forwardian Film Festival, the Film Lovers’ Gatherings, and their literary and arts magazine titled, “Forwardian.” The Forwardian Arts Society also presents a series of “ArtSmash of the Poconos” festivals showcasing the creativity of all visual and performing artists throughout the creative community. These festivals are presented at various times and locations throughout the Summer. The Forwardian Arts Society also offers information and news relating to the arts through its website. Please Explore The Forwardian Arts Society Website at www.theforwardianartssociety.com to learn more information about all they have to offer the creative community.

Getting So COTA Close

2011-08-16T23:21:00.000-04:00

The Celebration of the Arts (COTA) held their Volunteer Meeting in order to plan for their 34th Annual Jazz and Arts Festival on Tuesday August 16th at The Deer Head Inn in Delaware Water Gap, PA. New and established friends met to receive updates on how things are progressing and to share new ideas on how to make this year’s festival even better than the ones that came before. In fact, the meeting began with the introduction of new volunteers who have experienced COTA as audience members and found within them a desire to be a part of the process that brings it all together. They were welcomed into the gathering as their presence reasserted the fact it is never too late to become involved with the festival.

The meeting continued with the announcement of names of the jurors who have been selected to judge the work presented in the Annual Music Motif Exhibition at the Antoine Dutot Gallery and Museum. A portion of the September 9th Opening Night Activities of the festival will be an Artists’ Reception at the Dutot in which local artists will present work with the theme of music embodied in their creations. Those who wish to submit their work for the exhibit may do so by contacting Christine Trembly at 570-424-4900 or visit the page containing information and a submission application at www.cotajazz.org/musical-motif-show.html.

The meeting continued with an update of the plans to hold a Thursday September 8th screening of the documentary about Bob Dorough titled, “Devil May Care” at the Pocono Community Theater in East Stroudsburg, PA which will include a Question and Answer session after the film has been shown. It was reported a number of conversations with its management are yet to take place before details of the event are finalized. However, once they are, they will be made public so all lovers of Jazz and film can experience it. You’ll find more photographs taken during the gathering in The COTA Meetings 2011 Gallery at www.facebook.com/forwardian.dude.

The 34th Annual Celebration of the Arts Jazz and Arts Festival is scheduled to begin Friday September 9th and will continue until Sunday September 11th. The three day festival begins on Friday evening with an Artists’ Reception at The Antoine Dutot Museum and Gallery who will present their Annual Music Motif Exhibition and continues with the night of Music, Theater, and Dance presented at The Presbyterian Church of the Mountain. The festival continues the following Saturday and Sunday with outdoor performances of Jazz on the Main Stage along with numerous strolling musicians, story tellers, and vendors offering a variety of high quality crafts, art, and food. You’ll be able to read my article about The 33rd Annual Celebration of the Arts Jazz and Arts Festival which took place in 2010 at www.cotajazz.org/cota-2010.html.

The Celebration of the Arts (COTA) presents and supports the arts and the music of jazz in all its forms and historical breadth through youth education, performing arts presentations, scholarship opportunities, and community outreach throughout the Pocono area. The festival and all its functions is organized and run by volunteers. Their next volunteer meeting will be held Tuesday August 30th at The Deer Head Inn in Delaware Water Gap, PA beginning at 7:30pm. Those who would like to lend their time, talents, and insights are welcomed to attend. Numerous volunteer positions are available and they include Program Ad Sales Manager, a Program Ad Salesperson, Back and Front gate workers, Security, and Marketing/PR personnel. More information abut these positions, the festival, and how to purchase tickets in advance at a 20% discount can be obtained by Exploring The COTA Website at www.cotajazz.org or by calling 570-424-2210. I hope to see you there.

Enjoying a Dose of Anthrax

2011-08-14T19:39:00.000-04:00

The Sherman Theater in Stroudsburg, PA presented Joey Belladonna on Saturday August 13th who is best known for his vocal work in the band known as “Anthrax” which is a heavy metal band and received several nominations from the National Academy of Recording Arts and Sciences of the United States which recognizes outstanding achievement in the music industry through the distribution of their annual Grammy Awards.

While the band is completing work on their latest album, Mr. Belladonna is taking a break by forming a band titled, “Belladonna” and tours several venues throughout the country. The performance included songs Anthrax has made famous among their numerous fans as well as new compositions written by Mr. Belladonna himself. There were also several cover tunes performed which please the audience as well.

Although those who attended the concert were an enthusiastic bunch, the small number of attendees were quite surprising due to the notoriety and popularity of Mr. Belladonna and the band he’s associated with. The music was well performed and its reception was very favorable. So, it was a mystery why so few were present. You’ll find more photographs at The Music 2011 Gallery at www.facebook.com/forwardian.dude.

The performance of Belladonna was preceded by local bands “Forbidden Dreams,” “The Test,” “The Curse of Sorrow,” “Our Ashes Remain,” and “Menace and Hellfire.” I’ve personally seen some of these bands earlier throughout the past years and can account on the quality of their performances. However, I didn’t arrive at The Sherman Theater in time to experience their performance for that evening. So, it is with great regrets I can not share with you any current assessment of what transpired while they were on stage. But, if those of you who read this would like to share their experiences, please feel free to do so by leaving a comment to this article. It would be much appreciated.

The Sherman Theater was built in the 1920sand presently presents many of today’s biggest shows. Their next presentations include a presentation of the band “Patent Pending” on Saturday August 20th along with “Goodbye Friday,” “The Body Electric,” “Don’t Panic,” “Gasoline Heart,” and “Roses in July” as part of their Independent Rock Series, Gregg Allman on Tuesday September 6th, Infected Mushroom on Thursday September 22nd, The Tartan Terrors on Saturday October 1st, 1964: The Tribute (to the Beatles) on Saturday October 22nd, Boolesque featuring a Halloween-themed Burlesque and Vaudeville show for a night of comedy, ghoulish glamour, and the classic art of the striptease on Friday October 28th, a screening of “The Rocky Horror Picture Show” on Saturday October 29th, and Arlo Guthrie on Friday November 4th. You’ll be able to learn more about The Sherman Theater and all it has to offer the community by exploring their website at www.shermantheater.com.

Love That Shakespeare

2011-08-14T19:36:00.000-04:00

The Cheeky Monkey Coffeehouse in Stroudsburg, PA hosted The Pocono Shakes presentation of their “Screening Shakespeare” Movie Night on Saturday August 13th which featured a free screening of the 1998 Academy Award Winning film titled, “Shakespeare In Love.” The viewing was preceded by a talk given by Pocono Shakes founder Richard Rose which enhanced the enjoyment by providing a historical backdrop to all that occurred within it.

As mentioned earlier, “Shakespeare In Love” received an award from The Academy of Motion Picture Arts and Sciences (AMPAS) for best picture as well as “OSCARS” for Gwyneth Paltrow (Best Actress), Judi Dench (Best Supporting Actress) and in several other categories. There are few who would argue these and other kudos are well deserved except for those who later sued the film makers writers claiming the film’s script was lifted from their work but were later declared to be frivolous.

In spite of these controversies, the film is an enjoyable one to be watched. It has the wonderful quality of teaching the history relating to the Elizabethan Theatrical Era while remaining entertaining. It does this by actually utilizing many comedic devices found in a Shakespearian play. These include mistaken identity and the “Play within a play” effects. However, the film does not shy away from utilizing modern day clichés in order to elicit a chuckle from its film going audiences.

An example of this can be seen in a scene in which Shakespeare is chasing an (what he believes to be) an actor whom he wants to be in his play, “Romeo and Ethel, the Pirate's Daughter.” The object of his pursuit enters a boat and the oarsman begin taking his passenger across the river. Shakespeare quickly jumps into another boat and tells his oarsman to, “Follow that boat” which mimics the well worn cliché of “Follow that cab” seen in numerous action films throughout the 1940s and 50s.

However, comedic devices aren’t the only Shakespearian qualities found within the film. There are dramatic and romantic reflections of his work to be seen as well. Not only do they move the story forward, but they profoundly demonstrate the bard’s ability to touch the human heart with tears of both joyous laughter and empathetic sorrow almost 500 years after his work was written. This makes the film more than a biography of the man but a tribute to his wonderful gift for words.

And yes, it is duly noted the film is entirely fictional and can’t be really considered biographical. Yet, there are those who assert the art of fiction often holds more truths than the presentations of fact and this film embarks upon a journey to prove the validity of this assertion. It does so by sharing historical information about William Shakespeare, his contemporaries, and the day to day tasks and challenges those who chose a life in the theater encountered in the Elizabethan Era which took place from 1558 to 1603. So, while the main plot of the film holds many untruths about the relationship between Shakespeare and his love (and few would be surprised if it was discovered to be true due to his philandering reputation), the film has an abundance of the reality of the times so it may share its truths.

The film, “Shakespeare in Love” was directed by John Madden and written by Marc Norman and playwright Tom Stoppard. It features Joseph Fiennes as William Shakespeare and Gwyneth Paltrow as Viola de Lesseps along with numerous well known actors and actresses. Although I’ve seen the film when it first came out in theaters, it was a joy to see it once again accompanied by Richard Rose’s insightful commentaries. The atmosphere was a very congenial one which made everyone feel they were sharing a wonderful experience among friends.

The Pocono Shakes presentation of their “Screening Shakespeare” Movie Night is said to be the first of such events and met with a respectable measure of success. Thus, its completion left many eager to learn when the next installment will occur so they can make arrangements to attend. You’ll find more photographs taken during the event in The Cheeky Monkey 2011 Gallery at www.facebook.com/forwardian.dude.

Pocono Shakes is a newly formed theatre company involved in education and performance of the works of William Shakespeare who lived in from the mid 1560s until 1616 in who has written over 30 plays during his lifetime. Pocono Shakes seeks to perform Shakespeare's texts in order to demonstrate their relevance to a modern audience. The next event presented by Pocono Shakes will be there production of William Shakespeare “Macbeth” scheduled to be performed at The Miller Park located in East Stroudsburg, PA September 8th - 11th and September 15th - 18th along with additional performances to be presented at The Shawnee Playhouse in Shawnee on Delaware, PA November 4th - 14th. You’ll be able to gain more information about Pocono Shakes and all they have to offer by contacting them at poconoshakes@gmail.com or by visiting their page on Facebook at www.facebook.com/poconoshakes.

In addition to hosting The Pocono Shakes’ “Screening Shakespeare” Movie Night, The Cheeky Monkey Coffeehouse is currently presenting The Laura Bee Exhibition which continues until September 1st as part of their Espresso Yourself Art Series. The next exhibition in the series will feature the work of Kim Pollard and begin with an Artist‘s Reception on Friday September 2nd beginning at 6pm and will continue until November 1st. In the meantime, Cheeky Monkey will host The Forwardian Arts Society Film Lovers’ Gathering on Friday August 19th beginning at 7pm featuring a free screening of the 1976 Science Fiction Cult Classic “The Man Who Fell to Earth” starring David Bowie which will be followed by a discussion of it. Those who attend the gathering will be afforded the opportunity to suggest what film will be shown during their September get together. The Cheeky Monkey Coffeehouse also offers a variety of coffee, drinks, and culinary treats along with events such as the one described in this article. Please Explore The Cheeky Monkey Coffeehouse Website at www.cheekymonkeycoffee.com or call 570-420-8222 for more information.

Dreaming with a Little Help from their Friends

2011-08-08T14:41:00.002-04:00

The Dreamland Creations in Stroudsburg, PA held an Artists’ Reception on Sunday August 7th for The Collaboration Show. The exhibition was designed to provide an opportunity for artists to combine their talents and visions with other artists in order to create something which may just lead their individual creative perspectives in a new and vibrant direction. This is a wonderful extension the Tattoo Studios offers local artists who would like to share their work in an atmosphere which encourages a cutting edge approach to creative expression that established galleries would be too frightened to alienate the conservative patrons to present.

While much of the work in The Collaboration Show presented pieces which combined styles of artists that intermingled in very interesting ways, there were quite a number pieces which brought to life a new form that went beyond the individual artists previous works. These works may be best described as mutations in which a newly discovered vein of creativity was developed without any trace of the genetic code of the artists are recognized. These pieces were even more exciting to experience and leave one wondering what the future work created by the artists as they return to their individual renderings will be like now that they have been deeply influenced by their collaborators.

The music for the reception was provided by Dale Stephens with selections from his upcoming CD titled, “Metropolitan Memoirs” performed. He was joined by Sigurdur Sigurdsson on Bass Guitar, Michael Demarest on Drums, and Chimu Osiris Chiosu on vocals while Dale performed on Lead Guitar. The sounds proved to be a quite eclectic mix ranging from smooth hypnotic melodious journeys to heavy metal and “screamo” styles. All pleased an avid audience who found the entire performance an enjoyable one which complimented the show and the work it displayed. You’ll be able to experience the music of Dale Stephens at www.youtube.com/dalestephens1.

The visual artists participating in “The Collaboration Show” include (as collaborated) Myke Maldonado and Jill Reinartz, Mark Purcell and Donald Twist, Myke Maldonado and Hethur Babka, Crystal Handelong, Aurora Jaidin Smith, and Thaddeus Damon, Victoria Penna and Richie Murder, John Kolbek and RenDi, Myke Maldonado and Ka-son Reeves, Shirley Escribano and Myke Maldonado, Emilio and E. J. Arostegui, RenDi and Myke Maldonado, Shirley Escribano and Chris Frantz, Capozzolo and Parsons, Brian Despain and RenDi, Myke Maldonado and Abby Braman, and Paul (yeah, that‘s me) and Rose (my niece). The Exhibition continues until September 26th. You’ll find more photographs taken during the reception in The Dreamland Creations 2011 Gallery at www.facebook.com/forwardian.dude.

The Dreamland Creations in Stroudsburg, PA serves as a studio where individuals can adorn their forms with a variety of body art such as tattoos and piercing reaching out to the vast community of conventional and non mainstream artists throughout the area. Their next Artists’ Reception will feature numerous artists who will present their work for an exhibition titled, “The Monster Show.” The reception will take place Sunday October 2nd beginning at 4pm. The Exhibition will continue until December 27th. Please Explore The Dreamland Creations Website at www.myspace.com/dreamlandcreations or call 570-421-6313 for more information about the artists, the current and future exhibitions, and all they have to offer.

Kayla at the Jukebox

2011-08-07T13:06:00.000-04:00

The Main Street Jukebox in Stroudsburg, PA held an Artist’s Reception on Saturday August 6th featuring the works of Kayla O'Connor. When one encounters Kayla’s work, one is immediately confronted with images that challenges the imagination enhancing the desire to interpret each piece along with the perspective one utilizes throughout the ordinary activities of life. Those who were fortunate enough to visit The Main Street Jukebox for the reception met some of the most unusual and inventive works of art seen throughout the Monroe county, PA area.

There is one piece that seemed to define the entirety of the exhibition. Upon it is written the words, “I’m so Good I’ll Put Thoughts in Your Head.” This is exactly what Ms O'Connor does as the double, triple, and even quadruple meanings found within the imagery adds to those commonly found only in the most lucid and bizarre of dreams whose understanding of which can reveal the greater mysteries of the universe and are the stuff new religions are born. Although it’s safe to say there is little (if any) intent on Ms O'Connor part to initiate a new systematic faith configuration, it is safe to infer a profound experience does take place in the minds of each person who absorbs her work and their inner meanings. You’ll find more photographs in the Main Street Jukebox 2011 Gallery at www.facebook.com/forwardian.dude.

In addition to the Art Exhibitions held at The Main Street Jukebox, they offer recordings made on CDs, Tapes, and Vinyl. The Kayla O'Connor Exhibition continues until August 31st with the artist featured in the September exhibition yet to be announced. Please Explore The Main St. Jukebox Website at www.myspace.com/mainstjukebox or call 570-424-2246 for more information about these events and all they have to offer.

Linda Kreckel and friends at ArtSpace

2011-08-07T13:03:00.001-04:00

The ArtSpace Gallery in Stroudsburg, PA held an Artists’ Reception on Saturday August 6th featuring the work of Linda Kreckel in the main gallery while the works of Miharu Lane and Jill Swersie were featured in their studio gallery. The reception also presented images created by over 18 local artists whose works have become familiar to those visiting the gallery over the past several years. In spite of the rain that dominated the day, the attendance was substantial and included a number of Asian students from Shanghai University which is located in the eastern region of The People’s Republic of China at the mouth of the Yangtze River who are visiting to enhance their educational experiences in the field of art at The East Stroudsburg University of PA.

Among the artists who were showing their work alongside those created by Linda Kreckel, Miharu Lane, and Jill Swersie were Andrea Robbins Rimberg, Thomas Augusta, Irene Bartz, Dee Huxster, Irene Bartz, JoAnn Castrillo, Sharon Cosgrove, Wil Daskal, Shirley Epstein, Jim Hannan, Helen Heeren, Marlana Holsten, John Kopp, Bud laRosa, Maria Livrone, Don Manza, Lenore Fiore Mills, Marcos Oksenhendler, KaSon Reeves, Joan Sayer, and Clarissa Jan Ward. The entire exhibition featured images that were pleasing to the eye while treating the spirit of the viewer to move beyond their everyday experiences to examine what can be. You’ll find more photographs in the Visual Arts 2011 Gallery at www.facebook.com/forwardian.dude.

The current exhibition continues until August 28th. The next exhibition at The ArtSpace Gallery will begin with an Artist’s Reception on Saturday September 3rd and continue until the end of the month. Please Explore The ArtSpace Gallery Website for more information. www.poconoarts.org/artspace.

The ArtSpace Gallery is part of The PoconoArts Council which is an organization designed to build the communities in which it serves artistically and culturally by providing leadership, service, and education. It does so by offering avenues for artists to display their work through the ArtSpace and other galleries, educational opportunities for those who would like to explore and/or enhance their creative natures, and encouragement to those who seek to express and/or support the arts. You’ll be able to learn more about The PoconoArts Council and all they offer at www.poconoarts.org for more information.

Getting COTA Close

2011-08-03T14:50:00.001-04:00

The Celebration of the Arts (COTA) held their now tri monthly meeting for August on Tuesday August 2nd at The Deer Head Inn in Delaware Water Gap, PA in order to plan for their 34th Annual Jazz and Arts Festival. New and established friends met to receive updates on how things are progressing and to share new ideas on how to make this year’s festival even better than the ones that came before. The meeting began with the announcement of plans to hold a Thursday September 8th screening of the documentary about Bob Dorough titled, “Devil May Care” at the Pocono Community Theater in East Stroudsburg, PA which will include a Question and Answer session after the film has been shown.

Other topics mentioned included a report of a very successful Camp Jazz experience and the unveiling of the poster and other promotional materials for this year’s festival. This last item added to the excitement of all that went before as the concepts of this year’s festival became visualized and those in attendance were eager to snatch up copies of the poster so they may help distributing them in areas where jazz lovers gather to await news of the festival’s arrival.

However, although the information shared and explored were germane to the meeting and to the success of this year’s festival, the most meaningful aspect was the opportunity to gather together with fellow jazz lovers. This combination of catching up on what the friends one has made throughout previous festivals and re learning why we love the musical form and the festival it celebrate through the conversation we hold with those who come to COTA for the first time enlivens our endeavors as we work toward our wonderful goals. You’ll find more photographs taken during the gathering in The COTA Meetings 2011 Gallery at www.facebook.com/forwardian.dude.

The 34th Annual Celebration of the Arts Jazz and Arts Festival is scheduled to begin Friday September 9th and will continue until Sunday September 11th. The three day festival begins on Friday evening with an Artists’ Reception at The Antoine Dutot Museum and Gallery who will present their Annual Music Motif Exhibition and continues with the night of Music, Theater, and Dance presented at The Presbyterian Church of the Mountain. The festival continues the following Saturday and Sunday with outdoor performances of Jazz on the Main Stage along with numerous strolling musicians, story tellers, and vendors offering a variety of high quality crafts, art, and food. You’ll be able to read my article about The 33rd Annual Celebration of the Arts Jazz and Arts Festival which took place in 2010 at www.cotajazz.org/cota-2010.html.

The Celebration of the Arts (COTA) presents and supports the arts and the music of jazz in all its forms and historical breadth through youth education, performing arts presentations, scholarship opportunities, and community outreach throughout the Pocono area. The festival and all its functions is organized and run by volunteers. Their next volunteer meeting will be held Tuesday August 16th at The Deer Head Inn in Delaware Water Gap, PA beginning at 7:30pm. Those who would like to lend their time, talents, and insights are welcomed to attend. Numerous volunteer positions are available and they include Program Ad Sales Manager, a Program Ad Salesperson, Back and Front gate workers, Security, and Marketing/PR personnel. More information abut these positions, the festival, and how to purchase tickets in advance at a 20% discount can be obtained by Exploring The COTA Website at www.cotajazz.org or by calling 570-424-2210. I hope to see you there.

Camp Jazz 2011

2011-08-03T14:47:00.001-04:00

Since its inception in 1977, The Celebration of the Arts (COTA) has sought not only to present an Annual Festival showcasing the works of Jazz Musicians who reside in the Monroe County, PA area but to encourage artists in all genres to share and develop their talents. This has led to the expansion of the festival from a simple four hour show presented on the steps of the old Castle Inn in the town of Delaware Water Gap, PA to three day event located throughout the entire town so it may include theatre, dance, poetry, crafts, and the visual arts in its offerings to the public. Endeavors to provide opportunities for young musicians seeking to expand their talents saw the development of the COTA Cats in which schools were encouraged to suggest students who showed a proficiency in Jazz who would be mentored by leading Jazz Artists and perform in a special big band during the festival.

In the year 2007, when COTA was celebrating its 30th year, the original concept of the COTA Cats program was expanded upon by the idea of offering a Summer Camp in which young Jazz musicians can explore and enhance their talents in a more informal setting. Campers would still be given insightful instruction by mentors whose prestige and professional experience would encourage them to unleash their talents while providing a glimpse of where their talents could lead them when they realize the professional success that awaits them. In the short 4 years Camp Jazz has been in existence, several Jazz Campers have met with such success and are well on route to becoming as a great (if not greater) presence in the Jazz world than their mentors.

The Camp itself consists of opportunities of its attendees to learn a number of techniques such as Ear Training and the art of Improvisation given by Evan Gregor and Caris Visentin as well as opportunities to explore the art of Jazz through Master Classes given by such Jazz greats as Phil Woods (Co- Founder of COTA), Dave Leibman, Jesse Green, and Bob Leive. A recording session at Red Rock Studios provides both insights and encouragement as the excitement of placing the elements one has learned throughout the week on a professionally produced CD. The Jazz Camp experience concludes with a Jazz Barbecue which members of their families are invited to attend along with a special live performance held at The Presbyterian Church of the Mountain as part of their Summer Gazebo Concert Series.

The 2011 Camp Jazz began on Monday July 25th and concluded on Sunday July 31st. The concluding day saw the culmination of all the days that went before it as campers and their families enjoyed the camaraderie they established during the week. Many talked about their experiences and their love for the musical form while creating memories that will last their lifetime. Some even shared their eager anticipation of the prospects of attending the 2012 Camp Jazz sessions with a profound glitter in their eyes and voices.

The concert at The Presbyterian Church of the Mountain Gazebo we met by a lawn filled with family, friends, and those eager to catch a glimpse of the future of Jazzdom. They, in turn, were greeted with an early evening performance that combined the talents of finely tuned instruments and musicians along with the excitement and exuberance of youth. This excitement and exuberance proved to be quite contagious as demonstrated by the expressions upon the faces of those who came to experience this mini COTA Festival. It is certain many of those who came out to the performance partook of it as a appetizing prelude of the originating 34th annual festival scheduled to take place from September 9th to September 11th.

After an introduction by Evan Gregor, The Sue Terry Ensemble began the show with their renditions of established Jazz classics. This was followed by ensembles formed by Jay Rattman, Spencer Reed, Evan Gregor, and Bobby Avey and consisted of the young people who attended Camp Jazz. Although much of the work presented was familiar to many jazz enthusiasts, the presentation of the compositions reflected the unique qualities of each musicians as he/she blended his/her talents to bring to light an exceptional rendition of the piece. This was most evident as two separate ensembles played The Dave Brubeck Quartet 1959 classic written by Paul Desmond titled, “Take Five.” Each ensemble freely explored all of the aspects the composition offered and captured nuances which reflected their individually communal perceptions interpreted. To many, this is what jazz is all about. You’ll find more photographs taken during the Jazz Barbeque and the Concert at The Camp Jazz 2011 Gallery at www.facebook.com/forwardian.dude.

The Celebration of the Arts (COTA) Camp Jazz is offered every summer to those who seek an intensive, weeklong immersion in jazz music and technique mentored by renowned jazz greats. It was formed in 2007 by Phil Woods and Rick Chamberlain (co-founders of COTA) as an extension of the festival and its educational arm to foster and encourage local talent. In addition to Phil Woods and Rick Chamberlain, this year’s staff of mentors guiding the talents of this years class of campers include Sue Terry, Jay Rattman, Spencer Reed, Evan Gregor, Bobby Avey, Matt Vaslishan, Michael Stephans, Vicki and Eric Doney, Bob Dorough, Caris Visentin, Jim Daniels, and Sherrie Maricle. Enrollment is open to all aspiring musicians and information about the camp and all it has to offer can be found by exploring The Camp Jazz Website at www.campjazz.org.

The Celebration of the Arts (COTA) presents and supports the arts and the music of jazz in all its forms and historical breadth through youth education, performing arts presentations, scholarship opportunities, and community outreach throughout the Pocono area. The 34th Annual Festival is scheduled to begin Friday September 9th and will continue until Sunday September 11th. The three day festival begins on Friday evening with an Artists’ Reception at The Antoine Dutot Museum and Gallery who will present their Annual Music Motif Exhibition and continues with the night of Music, Theater, and Dance presented at The Presbyterian Church of the Mountain. The festival continues the following Saturday and Sunday with outdoor performances of Jazz on the Main Stage along with numerous strolling musicians, story tellers, and vendors offering a variety of high quality crafts, art, and food. You’ll be able to read an article about The 33rd Annual Celebration of the Arts Jazz and Arts Festival which took place in 2010 at www.cotajazz.org/cota-2010.html.

The festival and all its functions is organized and run by volunteers. Their next volunteer meeting will be held Tuesday August 16th at The Deer Head Inn in Delaware Water Gap, PA beginning at 7:30pm. Those who would like to lend their time, talents, and insights are welcomed to attend. Numerous volunteer positions are available and they include Program Ad Sales Manager, a Program Ad Salesperson, Back and Front gate workers, Security, and Marketing/PR personnel. More information abut these positions, the festival, and how to purchase tickets in advance at a 20% discount can be obtained by Exploring The COTA Website at www.cotajazz.org or by calling 570-424-2210. I hope to see you there.

As mentioned earlier, The Camp Jazz Concert was part of a series of Summer Gazebo Concerts presented at The Presbyterian Church of the Mountain in Delaware Water Gap, PA. In addition to these concerts, the church offers a variety of spiritual programs for those who practice the Christian faith. These include worship services and missionary endeavors to the nations of Kenya and Cuba. They also have retreat facilities available for those hiking the Appalachian Trail which runs nearby.

The next musical performance presented in their Summer Gazebo Concerts Series will be Skip Detrick and his Band-mates Sunday August 7th beginning at 6pm. The concert is free and open to the public. Please Explore The Presbyterian Church of the Mountain Website www.churchofthemountain.org call 570-476-0345 for more information about the concert and all they have to offer the community.

Lounging Around at The Freight Station

2011-07-30T20:33:00.001-04:00

The Jacob Stroud Corporation presented Danny Grae and Robby Kae on Saturday July 30th at The Dreibe Freight Station in Stroudsburg, PA as part of their Music in the Park Series. Numerous fans and well wishers filled the little known McMichaels Park where the train station is presently located along with several individuals who began as passersbies and became listeners as they became drawn in by the musical tones the duo presented. This respectable multitude were treated to a number of tunes performed in a style not unfamiliar to that found in many cabarets and casino lounged environments whose quaintness (in the better sense of the word) entertained them enough to allow them to forego the worries and cares many of us face throughout our weekly ordeals and just have a thoughtless afternoon to enjoy some good music performed well. You’ll find more photographs taken during the concert in the Music in the Park 2011 Gallery at www.facebook.com/forwardian.dude.

Danny Grae’s first major musical influence can be traced back to The “Motown Sound” as he grew up in its place of origin in Detroit, MI. He later performed with his high school choir and performed in all of the school plays for which he was given the “Dramatics Achievement Award.” He later pursued a career in theater but found his true passion was in singing. He then became popular in cabarets but soon discovered a profound love for country which he continues to dedicate the majority of his performances today. Please Explore the Danny Grae Website at www.dannygrae.com to learn more about their musical offerings.

Robby Kae graduated several years ago from East Stroudsburg University of PA and now performs as a Jazz Guitarist throughout the area. However, he is best known for his work in theater as he has performed in several local productions with some impressive acclaim. More information about Robby Kae can be found on his website at www.myspace.com/RobinTheGrey.

The Dreibe Freight Station was built in 1882 and serviced shipments traveling along the New York, Susquehanna and Western Railroad. In now serves as an art gallery to showcase the collections of the Monroe County Historical Association. Special exhibits by local artists are offered throughout the year. Please Explore The Monroe County Historical Society Website www.monroehistorical.org for more information about the Station and to learn more about the history of the area.

The Jacob Stroud Corporation was formed in 1995 in order to revitalize the downtown historical heritage. They continue to establish a healthy downtown environment for residents and visitors to the area. The next performance in their Music in the Park Series will feature The Chris London Band at The Dreibe Freight Station on Saturday August 6th beginning at 12 noon. This will be followed weekly by other musicians. A festival celebrating all things relating to the town of Stroudsburg, PA will take place Saturday September 3rd. The Annual “Stroudfest” event will feature entertainment throughout the day along with opportunities to explore and purchase works created by local artists, artisans, and crafters. Please Explore The Stroudfest Website at www.stroudfest.com for more information. To gain more information about The Jacob Stroud Corporation and all they have to offer the community as well as its visitors, Please Explore their Website at www.stroudsburg.net.

Lee Morgan At The Bookhouse

2011-07-30T20:30:00.000-04:00

The Eastern Monroe Public Library in Stroudsburg, PA presented singer/song writer Lee Morgan on Friday July 29th as part of their Bookhouse Concert Series. The delightfully gentile atmosphere that dominated the concert was set even before the first notes were played as Lee prepared for his performance while playfully sharing his stories with the audience and answering questions about his work. This help create a mood in which those in attendance almost forgot they were coming out for a concert at the Library but instead coming home to relax in their favorite chair as a much beloved houseguest began to make his welcomed presence known.

However, after all preparations were made, Rob Ramos shared some opening announcements relating to the show and other germane news. Part of this news revealed this was to be the last Bookhouse program he would help the Library present as he shall be moving from the area in the near future. After being an intricate part of the creative community for over 20 years, his considerable contributions in theater, music, and other disciplines will be deeply missed. At this time, I (on behalf of The Forwardian Arts Society) would like to thank Rob Ramos for sharing his talents and wish safe and enriching journeys as he continues going forward toward his creative dreams.

The concert itself consisted of a number of original songs whose accompanying stories furthered the pleasing mood created prior to the official beginning of Lee’s performance. A variety of musical genres were presented which included folk and blues selections as well as compositions from a literary project he and his wife Shelle Sumners are in the process of presenting to the public. All of which brought a sense of joy and thoughtfulness to the ears and heart of the audience enriching their evening at The Eastern Monroe Public Library. You’ll find more photographs in the Music 2011 Gallery at www.facebook.com/forwardian.dude.

The literary project mentioned earlier in this article is a novel written by Lee’s wife (Shelle Sumners) titled, “Grace Grows.” It is designed to allow the reader to add to their literary experience to listen to songs written by Lee Morgan that reveal a depth to one of its main characters not found in the written work alone. You can learn more about the novel by exploring its website at www.gracegrows.com. You can also learn more about Lee Morgan and the music he performs by Exploring his website at www.leemorgan.com.

The Eastern Monroe Public Library is located in Stroudsburg, PA and offers its BookHouse Series to the public providing literary and musical events that are outside of the commercial and literary mainstream. These events are free and open to all who wish to partake of them. Suggestions for future bookhouse performers are always welcomed. Please Explore The Eastern Monroe Public Library website at www.monroepl.org for more information about the bookhouse series and everything they offer the community.

A Light Black Night of ArtMusic

2011-07-24T13:42:00.001-04:00

The ArtMusic Coffeehouse in East Stroudsburg, PA presented Marc Black on Saturday July 23rd. After an improvisational interlude of music provided by the concert’s host Don Slepian created a translucent atmosphere, Marc Black took the stage to greet the full capacity audience with his joyous style and light hearted demeanor. Those who attended the concert were treated to a delightful mix of original songs along with those very familiar to all. This added to the wonderful congenial environment created by the Slepians whose warm hospitality and peaceful countenance allows everyone to feel as if they were entering their own home.

His original songs included the titled track from his award winning “American Children” CD which he collaborated with Richie Havens and “No Fracking Way” which is a song written to create awareness about the dangers inherent in the hydro-fracking process gas and oil companies use to extract more petroleum products from the ground. His cover pieces included such classics as “The Boxer” by Paul Simon of the Simon and Garfunkel Folk Duo and #“Wooly Bully” written by Domingo "Sam" Samudio of Sam the Sham and the Pharaohs. While the majority of the songs performed brought a smile to the face and a tap to the toes, many others brought a thought to the heart which could be seen in the gestures and the eyes of those who contemplated them. You’ll be able to see Photographs taken during the concert in The ArtMusic Coffeehouse 2011 Gallery at www.facebook.com/forwardian.dude.

Marc Black is well known for utilizing his music to deal with social and spiritual challenges and has won numerous song writing competition. He was also a featured performer at the Sundance Film Festival and his Youtube videos have been viewed as many as 35,000 times. His most recent full CD is titled, “Stroke of Genius” and features the talents of Art Garfunkel and John Sebastian and many others including himself. You’ll be able to learn more about Marc Black, his music, his upcoming concerts and more by exploring his Website at www.marcblack.com.

The ArtMusic Coffeehouse is held in the home of Don Slepian and Jan Julia who reside in the borough of East Stroudsburg, PA as part of the Concerts In Your Home Series. A variety of musical forms are presented including folk, jazz, classical, and electronic music. Although the concerts welcomes all who wish to attend, seating is limited as it they take place in a private home. The Next The ArtMusic Coffeehouse Concerts will feature Jesse Terry on Saturday August 20th and "Mean Mary" James on Sunday September 11th both beginning at 8pm. Please Explore The ArtMusic Coffeehouse Website at www.ArtMusicCoffeehouse.com or Call 570-476-6307 for more information and to reserve your seats.

Theatrical Review: “Annie”

2011-07-23T17:29:00.000-04:00

Theatrical Review: “Annie”
Book, Music, and Lyrics by: Thomas Meehan, Charles Strouse, and Martin Charnin
Directed by: Carmela Guiteras Mayo
Theatrical Review by: Paul Adam Smeltz

The Shawnee Playhouse in Shawnee on the Delaware, PA is currently presenting their production of the musical “Annie” written by Thomas Meehan, Charles Strouse, and Martin Charnin. The play is based upon the Comic strip titled, “Little Orphan Annie” which was created by Harold Gray and debuted on August 5th, 1924. The strip took its name from the 1885 poem titled, "Little Orphant Annie" (originally titled, “The Elf Child”) written by James Whitcomb Riley from which the well known line “An' the Gobble-uns 'at gits you Ef you Don't Watch Out!” derives.

While the poem it was inspired by contained cautionary tales of what happens to children who misbehave, the comic strip focuses on the life of an orphaned girl name Annie and her adventures in a mean and corrupt world and attracted an adult readership by providing political commentary to the issues of the day. The Comic Strip’s began its story in an orphanage where Annie is routinely abused by the cold, sarcastic matron until a wealthy but mean-spirited Mrs. Warbucks takes Annie into her home “on trial.” Her husband develops an instant paternal affection for the child and she eventually calls him “Daddy.”

While away on business, his spiteful, jealous wife returns Annie to the orphanage who then sends her out to work as a drudge in Mrs. Bottle's grocery store. One day Annie saves a puppy called Sandy from a gang of cruel boys, but she find she can no longer endure the abuse and runs away. After some wandering the countryside and several adventures, she is reunited with “Daddy“ Warbucks after he offers a huge reward for her return.

Those who have seen the 1977 musical stage version of the life of Annie and her patron “Daddy” Warbucks can find some recognizable remnants of the original 1924 story line. However, one can not help but wonder what a play it would have been if the script was more faithful to it. It may not have become the lighthearted holiday (Christmas) musical it evolved into, but it would be something much more interesting to view. However, to review what might have been is a very foolish and self indulgent enterprise and this reviewer will do his best not to let his speculations influence the content of his critique.

The play takes place during the Great Depression of the 1930’s and begins in an orphanage where Annie (as portrayed by Mackenzie Maula) and her friends (as portrayed by Catherine Ferguson, Hava Parker, Angelyse and Anastacia Cordero, Ava Stripp, Hannah Rau, Jordyn Albanese, Chelsea Cirillo, Elizabeth and Jena Otting, Eirienn Byrne, Jadelyn VanWinkle, and Camile Famularo) lament about their lot in life with hopes for a better tomorrow. Annie tries to escape but her attempts are thwarted. However, her second try proves successful until she is apprehended by Lt. Ward of the police (as portrayed by David Schappert who also served as the Production Manager as well as performing in the roles of Wacky and the Cabinet Member) and returned to the orphanage. She faces a grim future gleefully described to her by the orphanage’s Matron Miss. Hannigan (as portrayed by Sarah McCarroll) until Grace Farrell (as portrayed by Kara Snyder) arrives to announce her employer Oliver Warbucks (as portrayed by Rod Forte) wishes to adopt a girl who uncannily fit’s the description to what is desired.

Annie is taken to her new home to meet her adoptive parent and his staff. “Daddy” Warbucks, Grace Farrell, and Annie soon go out and about throughout the streets of New York City during its Christmas celebrations in order to become acquainted with one another. “Daddy” Warbucks become deeply fond of his new charge and seeks to give her a gift of a new locket. However, upon an attempt to replace her old locket with the new one, he discovers the locket Annie presently has contains her only hope of seeing her birth parents again. So, “Daddy” Warbucks enlists the help of the F. B. I. and President Franklin D. Roosevelt (as portrayed by Dante) himself to help find them. He offers a large reward and is soon inundated with people falsely claiming to be Annie’s parents.

Two of these imposters are a couple known as Rooster (as portrayed by Jim Lynch) who is Miss. Hannigan’s brother and his girlfriend Lilly (as portrayed by Sara Ferguson). They devise a scheme to con “Daddy” Warbucks into giving them the reward by posing as Annie’s parents and presenting him with fraudulent birth documents. They illicit the help of Miss. Hannigan who provides them with information about Annie only the orphanage knows. Thus the perfect plan to set the three on “Easy Street” is put into effect until the discovery the fate of Annie’s true parents are revealed by the president and the F. B. I. The three swindlers are incarcerated and Annie is officially adopted by “Daddy” Warbucks. Merry Christmas.

The production is a nicely done one but this reviewer would not consider it one of the Shawnee Playhouse’s best. There were some unevenness in the acting quality and some of the musical effects made it difficult to hear the spoken dialogue. However, the sound system connected to the actors were turned up when they began to sing. This was a bit bothersome to this reviewer as it almost indicated the songs of the musical was deemed more important than the spoken dialogue. However, this was not the case throughout the play and it’s story was conveyed adequately.

The cast of this production of “Annie” consisted of several main characters (who were mentioned earlier in this review) and quite a number of ensembles. These ensembles featured the talents of Michael Marone, Bridgitte, Krystal, Cory, and Richard Endrulat, Karen Doherty Raub, Marty Courtney, Sean Mc Farlane, Shannon Christmann, Amy Hayakawa, Michelle Handy, Stacey Mattern, Joseph Ambrosia, Maddy Ledergerber, Annalee Marine Paige, Julie Albritton, Samantha Wagner, Elizabeth Wagner, Mira Hartshorn, and Christopher Kirkwood. Other actors appearing in the production were Luke Swierczek as Drake the Butler and Zeus as Sandy the dog.

For this reviewer, this production of Annie seemed be a bit mundane one until the introduction of the Rooster and Lilly characters. The actors portraying them led the play to a more enjoyable space through their antics and approach to life which reflected their criminality. It was like taking a breath of deviant fresh air in an otherwise wholesome holiday family experience. This didn’t lift the entire production from its#humaneness, but it almost did.

The Shawnee Playhouse production of “Annie” by Thomas Meehan, Charles Strouse, and Martin Charnin was Directed by Carmela Guiteras Mayo and Staged Managed by Amanda Malinowski (who also served as a Sound Technician) as assisted by Emily Heller and Natalie Price. Amy Rau served the production as its Music Director with Kyle Donahue on Keyboards. Lou Grillo served the production as Lighting and Sound Technician while Emily Cioc served as an additional Lighting Technician. Missy Benefield served as the production’ costumer while Adam and Philip Benefield served as the production’s Dog Wrangler. The Shawnee Playhouse producers are Ginny and Charlie Kirkwood with Midge McClosky serving as the playhouse’s Executive Director. The Box Office Manager is Mary Horn as assisted by Barbara Ross, Christina McManus, Pam Hudak, and Ariel Hudak. Becky Haskell serves as The Shawnee Playhouse’s Sales and Marketing Director.

Although the this production of “Annie“ and maybe the play itself was not this reviewer‘s cup of tea, there were some aspects to the presentation that made the evening an enjoyable one. Some may find such aspects worth the price of admission while other won’t. If one likes wholesome family fare, then the play is worth the fee. If not, one might want to look up the original comic strip on the internet. You may find it interesting what they published in the funny papers.

This production of “Annie” continues its run at The Shawnee Playhouse in Shawnee on the Delaware, PA until August 27th. Their current productions being presented at the theater are “River’s Edge: The Story of Shawnee,” “Sisters of Swing: The Story of the Andrews Sister” until September 3rd, and “Nunsense 2: The Second Coming” until September 4th, along with their Children’s Theater productions of “Disney’s Alice in Wonderland” being presented until August 26th and “Schoolhouse Rock, JR.” being presented until August 27th. The Shawnee Playhouse upcoming presentations and productions include their Center Stage Players Productions of “Actor‘s Choice/Director‘s Cut” September 9th - 18th and “Postmortem” September 23rd - October 23rd.

Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $3.00 discount off the admission fee of The Shawnee Playhouse Productions (excluding Children Theatrical Productions and those presented by non Shawnee Production Companies). Please Explore The Shawnee Playhouse Website at www.theshawneeplayhouse.com or call 570-421-5093 for more information about their productions and to reserve your ticket.

Photograph provided by The Shawnee Playhouse and depicts Mackenzie Maula as Annie and Maddy Ledergerber as Molly.

Three More COTA Meetings Left

2011-07-19T22:24:00.000-04:00

The Celebration of the Arts (COTA) held the last of their bi monthly meeting for July on Tuesday July 19th at The Deer Head Inn in Delaware Water Gap, PA in order to plan for their 34th Annual Jazz and Arts Festival. New and established friends met to receive updates on how things are progressing and to share new ideas on how to make this year’s festival even better than the ones that came before. The meeting began with the announcement of the commencement of notifying the press about the festival is about to begin. It was also announced this year’s enrollment in the COTA Jazz Camp which is a special camp designed to enhance the musical skills of young people throughout the area is at an all time high. Quite a few “housekeeping” items were addressed as the time of the festival becomes an immediate reality, but the reports given by those who chair the various committees indicated things were running as smoothly as the sound of jazz itself.

However, although the information shared and explored were germane to the meeting and to the success of this year’s festival, the most meaningful aspect was the opportunity to gather together with fellow jazz lovers. This combination of catching up on what the friends one has made throughout previous festivals and re learning why we love the musical form and the festival it celebrate through the conversation we hold with those who come to COTA for the first time enlivens our endeavors as we work toward our wonderful goals. You’ll find more photographs taken during the gathering in The COTA Meetings 2011 Gallery at www.facebook.com/forwardian.dude.

The 34th Annual Celebration of the Arts Jazz and Arts Festival is scheduled to begin Friday September 9th and will continue until Sunday September 11th. The three day festival begins on Friday evening with an Artists’ Reception at The Antoine Dutot Museum and Gallery who will present their Annual Music Motif Exhibition and continues with the night of Music, Theater, and Dance presented at The Presbyterian Church of the Mountain. The festival continues the following Saturday and Sunday with outdoor performances of Jazz on the Main Stage along with numerous strolling musicians, story tellers, and vendors offering a variety of high quality crafts, art, and food. You’ll be able to read my article about The 33rd Annual Celebration of the Arts Jazz and Arts Festival which took place in 2010 at www.cotajazz.org/cota-2010.html.

The Celebration of the Arts (COTA) presents and supports the arts and the music of jazz in all its forms and historical breadth through youth education, performing arts presentations, scholarship opportunities, and community outreach throughout the Pocono area. The next meeting will be held on following on Tuesday August 2nd and take place at The Deer Head Inn in Delaware Water Gap, PA beginning at 7:30pm. Those who would like to lend their time, talents, and insights are welcomed to attend. Numerous volunteer positions are available and they include Program Ad Sales Manager, a Program Ad Salesperson, Back and Front gate workers, Security, and Marketing/PR personnel. More information about these positions, the festival, and how to purchase tickets in advance at a 20% discount can be obtained by Exploring The COTA Website at www.cotajazz.org or by calling 570-424-2210. I hope to see you there.

A Rhythmic River Flows Through a Township

2011-07-18T15:59:00.000-04:00

The Stroud Township in PA presented Riverside Rhythm in the Jay Albertson Park (named after retired Township Supervisor Jay Albertson) on Sunday July 17th as part of their Summer Concert Series. A large crowd gathered to enjoy the sounds from classic Big Band era prevalent from the 1920's through the 1940's. The performance was a wonderful way to enjoy a lazy summer early evening as the band’s gentle instrumentals and vocals provided by Jamie Begley led their listeners to a swaying enjoyment in a very relaxed fashion. Riverside Rhythm’s Musical Director Gregory Graham enhanced the performance through his insights to the music and the history associated with each piece and its composer. You’ll find more photographs taken during the concert at The Music 2011 Gallery at www.facebook.com/forwardian.dude.

Riverside Rhythm is a 12 piece big band located in the Pocono's and has been entertaining audiences throughout northeast Pennsylvania since 2007. The band is made up of local professional and accomplished amateur musicians who share a love for the musical genre they perform. Riverside Rhythm is available for private parties, music in the park and fund raising events. Please Explore The Riverside Rhythm Website at www.riverside-rhythm.com for more information.

The Summer Concert Series is presented by municipality of Stroud Township which is located in the heart of the Pocono Mountains in northeastern PA. In addition to its monthly outdoor Summer concerts, the Township offers scenic areas such as the Appalachian Trail and other local parks. The Next installment of The Stroud Township Summer Concert Series will feature their Smokin’ Oldies Community Dance beginning at 4:30pm in the Brodhead Creek Park on Saturday August 20th. Please Explore The Stroud Township, PA Website at www.township.stroud.pa.us to learn more about the concert series and all the township has to offer its community and visitors.

Some Classical Smoothies

2011-07-18T15:57:00.000-04:00

The Presbyterian Church of the Mountain in Delaware Water Gap, PA presented The Najwa Parkins Group as part of their Summer Gazebo Concert Series on Sunday July 17th. The Lazy Summer day proved to be the perfect backdrop of this installment of the weekly series. The Group is new to the Gazebo and it’s frequent attendees but the trio of young musicians soon became one of their favorites.

The Trio consists of Najwa Parkins on Vocals, Luke Brandon on Trumpet, and Ian Hooper on Guitar. The first thing that strikes one (well, those of us who are over 50) is how young theses musicians are. This begins speculation to whether these individuals have enough life experience to perform the songs they placed in their repertoire with any believable feeling. However, while these individual may or may not have lived the life experiences encompassed in the songs, any speculation to whether they could perform them with their truths intact were soon put asunder as the first notes and haunting vocalizations began to echo throughout the grounds.

To say the voice of Najwa Parkins is a captivating one would be a great understatement. It penetrates the soul as the lyrics of her renditions can be seen written on her face. She seems to have the ability to not only reach inside her being to bring out all the nuances of the pieces she performs but she also is able to trigger the eternal memories of all who become spellbound by her. The magic of Ms. Parkins’ vocals were enhanced by the mesmerizing sounds emanating from her cohorts. Luke Brandon and Ian Hooper added a melody to the siren song that led their listeners ashore to their own life’s experiences. You’ll find more photographs taken during the concert at The PCOM Summer Gazebo Concerts 2011 Gallery at www.facebook.com/forwardian.dude.

In addition to the weekly Summer Gazebo Concerts, The Presbyterian Church of the Mountain in Delaware Water Gap, PA offers a variety of spiritual programs for those who practice the Christian faith. These include worship services and missionary endeavors to the nations of Kenya and Cuba. They also have retreat facilities available for those hiking the Appalachian Trail which runs nearby.

The next musical performance presented in their Summer Gazebo Concerts Series will be Mark Hamza and the Great Swamp Blues Band on Sunday July 24th beginning at 6pm. The concert is free and open to the public. Please Explore The Presbyterian Church of the Mountain Website www.churchofthemountain.org call 570-476-0345 for more information about the concert and all they have to offer the community.

Blues at The Station

2011-07-18T15:54:00.001-04:00

The Jacob Stroud Corporation presented The SheilaMark Blues Band on Saturday July 16th at The Dreibe Freight Station in Stroudsburg, PA as part of their Music in the Park Series. A sizable crowd filled the little known McMichaels Park where the train station is presently located. The SheilaMark Blues Band consists of Mark Hamza on The Hammond Organ, Steve Shiposh on drums, Sheila Stratton on vocals, and RocDoc (Chris Imber) on guitar. The music that greeted the attendees ranged from smooth renditions of classic blues ballads, to songs echoing the empowerment of womanhood, to comfortably numb psychedelic journeys all combining to create an enjoyable experience on a wonderfully bright summer day. You’ll find more photographs taken during the concert in the Music in the Park 2011 Gallery at www.facebook.com/forwardian.dude.

The SheilaMark Band was formed by Mark Hamza and Sheila Stratton to compliment their musical adventures together. These adventures include the formation of The SheilaMark Duo who perform in intimate venues and the larger Mark Hamza's Great Swamp Blues Band which performs in a variety of venues including several festivals throughout the summer. Please Explore the SheilaMark Website at www.sheilamarkproductions.com to learn more about their musical offerings.

The Dreibe Freight Station was built in 1882 and serviced shipments traveling along the New York, Susquehanna and Western Railroad. In now serves as an art gallery to showcase the collections of the Monroe County Historical Association. Special exhibits by local artists are offered throughout the year. Please Explore The Monroe County Historical Society Website www.monroehistorical.org for more information about the Station and to learn more about the history of the area.

The Jacob Stroud Corporation was formed in 1995 in order to revitalize the downtown historical heritage. They continue to establish a healthy downtown environment for residents and visitors to the area. The next performance in their Music in the Park Series will feature The Jay Rattman Band at The Dreibe Freight Station on Saturday July 23rd beginning at 12 noon. This will be followed weekly by other musicians. A festival celebrating all things relating to the town of Stroudsburg, PA will take place Saturday September 3rd. The Annual “Stroudfest” event will feature entertainment throughout the day along with opportunities to explore and purchase works created by local artists, artisans, and crafters. Please Explore The Stroudfest Website at www.stroudfest.com for more information. To gain more information about The Jacob Stroud Corporation and all they have to offer the community as well as its visitors, Please Explore their Website at www.stroudsburg.net.

Barney’s Version is Shared

2011-07-18T15:52:00.000-04:00

The Forwardian Arts Society hosted its monthly Film Lovers’ Gathering at The Cheeky Monkey Coffeehouse in Stroudsburg, PA on Friday July 15th. An impressive number of film lovers gathered to share the experience of watching the film and engaging in a conversation afterwards. The featured film for the evening was “Barney's Version” which is based on the novel written by Mordecai Richler. The film was directed by Richard J. Lewis and starred Paul Giamatti. The film was nominated for the Golden Lion at the 67th Venice International Film Festival in 2010.

As mentioned earlier, the film is based on the novel written by Mordecai Richler which relays the story of Barney Panofsky as an autobiography. It tells of his life through his own words until his death after suffering from Alzheimer's Disease. It is at this point his son edit’s the narrative and complete the “autobiography.” The novel relays Barney’s life through the varying mental states he experiences and may not reflect the reality of his actual life. But, whether they do or don’t is of little significance as the stories shared throughout to book are Barney’s version of events as the title suggests.

Although the novel is clearly meant to be presented as an “Autobiographical” piece, the film version isn’t so clear in this respect. It’s presented from multiple points of view and the audience witnesses events not experienced by the Barney Panofsky character. This is not to say “Barney’s Version” isn’t a good film. On the contrary, it’s very well made and acted deserving all the critical praise and nominations it has and may yet receive. It’s just interesting to note the variations between the novel and the film which is quite common in cinema. You’ll find more photographs taken during the gathering in The Forwardian Arts Society 2011 Gallery at www.facebook.com/forwardian.dude.

The Cheeky Monkey Coffeehouse offers a variety of coffee, drinks, and culinary treats along with events such as the one described in this article. The next Film Lovers Gathering held at The Cheeky Monkey is scheduled for Friday August 19th. Future events will include a Closing Reception designed to Celebrate the work of Laura Bee on Wednesday August 31st beginning at 6pm. The Exhibition continues until September 1st. This will be followed by an Artist’s Reception on Friday September 2nd featuring the work of Kim Pollard beginning at 6pm as part of their Espresso Yourself Art Shows Series. This Exhibition continues until November 1st. Ongoing events at The Cheeky Monkey include their Tuesday evening Open Mic Nites and their “Spoken Word Symposium” on Thursday evenings. Please Explore The Cheeky Monkey Coffeehouse Website at www.cheekymonkeycoffee.com or call 570-420-8222 for more information.

The Forwardian Arts Society is a fellowship for people who love the arts seeking to enhance the creative community by encouraging those interested in the arts to go forward toward their dreams, by supporting those groups and individuals who are manifesting their dreams through performances and/or presentations, and by loving them and all they do. In addition to their annual Forwardian Film Festival, the Film Lovers’ Gatherings, and their literary and arts magazine titled, “Forwardian.” The Forwardian Arts Society also presents a series of “ArtSmash of the Poconos” festivals showcasing the creativity of all visual and performing artists throughout the creative community. These festivals are presented at various times and locations throughout the Summer. The Forwardian Arts Society also offers information and news relating to the arts through its website. Please Explore The Forwardian Arts Society Website at www.theforwardianartssociety.com to learn more information about all they have to offer the creative community.

Kari at The Sherman

2011-07-14T13:41:00.001-04:00

The Sherman Theatre in Stroudsburg, PA held an Artist’s Reception on Wednesday July 13th featuring the work of Kari Nespola. Even though there was a sparse attendance of the reception, those who were fortunate enough to discover the exhibit were treated to a varied display of intriguing images ranging from many filled with vibrant colors to others simply touching the canvas with their gentle renderings. The subjects found in the work were also varied as they ranged from a depiction of Sonic the Hedgehog from the Sega Genesis Video Games which delighted the heart as one is brought back to the time when such games were part of their adolescent experience to a piece whose simple lines merely hinted at a flower which entreated the viewer to go deeper into the work as if they were bees searching for its elusive nectar before experiencing the satisfaction drinking of it contains.

The later work I mentioned is indicative of the general mesmerizing effect of the entire collection. One can go to each piece to find oneself to be drawn into it without a realization of it until the experience comes to its profound conclusion. It’s as if the soul of each work calls out to the soul of the viewer and it’s Siren song brings the two together until they are indistinguishable from one another. In spite of our desires to remain with the piece we’ve embraced, the echoes of another neighboring work entreats us to explore its realms. And, with great yearning, we move on.

The music for the reception was provided by singer/songwriter Jeni Hackett who has become a favorite in the neighboring Cheeky Monkey Coffeehouse. The scarcity of a crowd did not lessen the joy and vibrancy recognized in her performance or in the songs she presented. In fact, her renditions of each composition were found to be contagious as many who were in attendance demonstrated their appreciation of the musical adventure by joining in with their voices and enthusiastically applauding after the final note had been played. This enhanced the atmosphere of the reception and you’ll find more photographs taken during the evening at The Visual Arts 2011 Gallery at www.facebook.com/forwardian.dude.

The exhibition will continue until August 20th and it can be seen throughout the Sherman Theater during their featured attractions as well as during their daily office hours. For those who would like to adorn their abode with the work, purchase information is available at the box office. The next event to be held at The Sherman Theater will be July 29th installment in their Severed Sinema featuring its first Miss Putrid Pageant along with the films “Carrie“ and The Blood Splattered Bride.” This will be followed by a performance by Kay Kay and His Weathered Underground on Thursday August 4th, a production of “The Music Man” on August 4th and 5th, The John Butler Trio on Saturday August 6th, Belladonna featuring Joey Belladonna of Anthrax on Saturday August 13th, Valencia Vas on Sunday August 14th, and Calling All Crows on Friday August 26th. Please Explore The Sherman Theatre Website at www.shermantheater.com for more information.